Erotic bookplates by Franz von Bayros

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Tuesday’s bookplate post included a rather mild example by Franz von Bayros (1866–1924), the greatest pornographic artist of his generation. Quite by accident I found a substantial collection of his work earlier this week that includes more bookplates.

Von Bayros is far better known today than he would have been during his lifetime when his explicit rococo prints and drawings were available only to collectors. Erotic couplings of any variety quickly become repetitive so the Von Bayros approach was to make a feature of the decor and design, creating elaborate frames and decorative embellishments where the tiniest details emphasise the theme. Alan Moore once described this process to me as “fractal porn”, something you can see at work in these bookplates which are part of a substantial cache at Zeno.org. This is the best collection of Von Bayros art I’ve seen anywhere, quality copies for the most part, in with what appear to be complete sets from each of his illustrated editions. Whenever I look at this artist’s work I think it’s a shame he wasn’t gay. But then as Osgood says at the end of Some Like It Hot: “Nobody’s perfect!”

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German bookplates

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A selection from Das Moderne Deutsche Gebrauchs-Exlibris (1922) edited by Richard Braungart, an overview of the practioners of the bookplate form in Germany and Austria during the first decades of the 20th century. Some of the German and Austrian art magazines featured here over the past couple of years included bookplate designs, and Braungart’s collection includes many artists from those magazines: Melchior Lechter, Hugo Höppener (aka Fidus), Julius Diez, Heinrich Vogeler, Marcus Behmer, Franz von Bayros, Koloman Moser, Carl Otto Czeschka, Ephraim Moses Lilien, Franz Stassen and others. 400 examples in all.

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Troutsdale Press bookplates

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Amy M Sacker.

The work of four bookplate artists printed by the Troutsdale Press, Boston, in 1903 and 1904 is contained in these small volumes at the Internet Archive. None of the artists featured are names I’d come across before. Amy M Sacker’s work is of note for being that of a woman given equal status among her male colleagues, and a nice clear-line style reminiscent of Walter Crane. The short text at the beginning of her volume runs through the history of the female contribution to bookplate art, drawing the conclusion (in the usual chauvinistic terms of the period) that women can indeed compete with men at this game.

Amy M Sacker | Elisha Brown Bird | F Arthur Jacobson | Adrian J Lorio

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The artist’s own bookplate by Elisha Brown Bird.

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F Arthur Jacobson.

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Adrian J Lorio.

• At the LA Times: What’s sticky and can be found in old books?

Previously on { feuilleton }
Bookplates from The Studio
Yuri Yakovenko bookplates
Tranquillo Marangoni bookplates
Book-plates of To-day
Louis Rhead bookplates
Pratt Libraries Ex Libris Collection
The Evil Orchid Bookplate Contest
The art of Oleg Denysenko
David Becket’s bookplates

Bookplates from The Studio

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Cyril Goldie.

Selections from Modern Book-plates and their Designers, an overview of British, American and European designs published by The Studio magazine in 1898. These small Studio books are always good to see, not least for the period ads in the opening and closing pages. A couple of the designs are familiar from later reprints, notably Cyril Goldie’s remarkable accumulation of thorns and skulls. Many others are in the swirling and tendrilled style of Art Nouveau which The Studio did much to promote in Britain. Also of interest are a few entries from well-known fine artists who are seldom associated with this kind of design. Among these is Belgian Symbolist Fernand Khnopff who contributes a design of his own and an article about Flemish bookplate design.

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Charles Robinson.

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PJ Billinghurst.

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Yuri Yakovenko bookplates

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Yet more bookplates, discovered whilst browsing the wealth of material at this Japanese site recommended by Andy Paciorek. Belarus artist Yuri Yakovenko’s name is given a number of spellings on various sites so I’ve gone with the one from a Belarus art page since they can be presumed to know best how to label their fellow artists. Yakovenko’s hyper-detailed, occult-inflected brand of Surrealist imagery is so striking you have to wonder why his work hasn’t gained more visibility. Is it because the contemporary Ex Libris print world appears to be a self-contained zone within the wider art market? Whatever the answer, this is a region worthy of further investigation.

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Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
Tranquillo Marangoni bookplates
Book-plates of To-day
Louis Rhead bookplates
Pratt Libraries Ex Libris Collection
The Evil Orchid Bookplate Contest
The art of Oleg Denysenko
David Becket’s bookplates