The Sea of Monsters

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The German definite article has unfortunate implications when applied to a group of Brits, but if we overlook this detail the poster makes an interesting contrast with its US counterpart. Where the American design depicts all the film’s main characters, Heinz Edelmann’s painting concentrates almost solely on the creatures from the Sea of Monsters with no Blue Meanies in sight. As is often the case with film posters, both designs give a slightly different impression whilst being accurate in their selective representations. Yellow Submarine was reissued on DVD and Blu-ray last year. It looks and sounds marvellous.

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Previously on { feuilleton }
Tomorrow Never Knows
Yellow Submarine comic books
A splendid time is guaranteed for all
Heinz Edelmann
Please Mr. Postman
All you need is…

Tomorrow Never Knows

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Episode 38 of The Beatles (1967).

The Beatles’ Yellow Submarine was released on Blu-ray earlier this month. The quality is as good as you’d expect, it looks and sounds fantastic with the songs really benefitting from their remixes and high-definition audio. The film atoned for Al Brodax and George Dunning’s earlier role as producers of the lamentable The Beatles animated TV series which ran for 39 episodes from 1965 to 1967. The series as a whole may be cheap and nasty but the penultimate number is notable for being the only one featuring two of John Lennon’s songs inspired by his acid trips: Tomorrow Never Knows and She Said, She Said. These tiny eruptions of psychedelic culture into children’s film and television have always fascinated me, and this is one example I’d missed until now. No wonder it had to end, the Fab Four were getting far too weird. Okay kids, sing along now: “I know what it’s like to be dead…”

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The Dukes declare it’s 25 O’Clock!
Yellow Submarine comic books
A splendid time is guaranteed for all
Heinz Edelmann
Please Mr. Postman
All you need is…

David Chestnutt’s psychedelic fairy tales

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A post for Record Store Day. “Psychedelic” is stretching things here but it’s a word that always grabs the attention. Let’s Pretend was a series of fairy tale recordings released in the US in 1970 on the Stereo Dimension Records label. Each of the 25 recordings employs a radio show format, possibly because these were all radio recordings originally (there’s an older series of Let’s Pretend radio shows at the Internet Archive). Anyone desperate to experience one of them can listen to The Little Mermaid here. The sleeves are all illustrated by David Chestnutt in that post-Heinz Edelmann style that really ought to have a name of its own. Nice to see The Tinderbox turn up again, Chestnutt’s magical hound is a distinctly benevolent creature.

These sleeves were hoovered up from Discogs.com where some of them are only available in small images. If anyone finds a gallery of all 25 designs in decent quality then please leave a comment.

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Continue reading “David Chestnutt’s psychedelic fairy tales”

Yellow Submarine comic books

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By the time Yellow Submarine appeared on TV in the early Seventies I was already a keen viewer of anything showing the groovier side of the late Sixties. What I recall of that decade is resolutely unspectacular—I was only 7 in 1969, after all—but Swinging London as seen in the lighter films of the period, or via trace elements in TV series such as The Avengers, always looked like a fun place to be. Yellow Submarine was a concentrated dose of all the gaudiest elements of the era and immediately became one of my favourite films, probably the favourite psychedelic film until I finally got to see Performance in 1983.

This comic strip adaptation of the film is a curious cash-in from 1968 which is nonetheless better, and longer, than I expected. The writer and artist go uncredited but whoever they were they manage to flesh out the admittedly sketchy storyline and still retain the atmosphere of the film. One significant change may be the result of the timidity of the time with John Lennon’s lysergic muse, Lucy in the Sky with Diamonds being downgraded to Paul McCartney’s rather more mundane Rita the Meter Maid.

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The comic came with this poster and the whole package is now highly-sought by Beatles collectors with near mint copies going for $300. Naturally there are various copies circulating in the digital world and I shouldn’t have to tell you how to find them.

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There were plans by Dark Horse in the 1990s to produce a more faithful adaptation of the film in comic form. Bill Morrison was the artist and this would have tied-in with the film’s release on DVD in 1999. He managed 26 pages before Apple Records pulled the plug on the project which seems a shame going by the completed work. The Beatles’ back catalogue is due to be reissued soon in CD editions which will replace the shoddy 1987 versions. Expect to hear more about Yellow Submarine before the year is out.

Previously on { feuilleton }
The Sonic Assassins
A splendid time is guaranteed for all
Heinz Edelmann
Please Mr. Postman
All you need is…