Wessel + O’Connor – { feuilleton }

Weekend links 538

• “Is it possible that the Victorian fairy tradition, beneath its innocent exterior, operated as a conduit for a hidden tradition of psychedelic knowledge?” Just in time for the British mushroom season, Mike Jay explores the connections between psychedelic mushrooms, folklore and fairy tales.

• “This second coming of Prince’s greatest album is the immaculate execution of a flawed conception: the belief that you can never have too much of a good thing.” Simon Reynolds on Prince and the expanded, multi-disc reissue of Sign O’ The Times.

• “An extraordinary stash of more than 400 erotic drawings by Duncan Grant that was long thought to have been destroyed has come to light, secretly passed down over decades from friend to friend and lover to lover.” Mark Brown on a trove of gay erotica.

• New art exhibitions: Wessel + O’Connor celebrates 35 years of homoerotic exhibitionism with 35 works by different artists; “masks a must”. And New Framing at Museum More includes a great painting by Jan Ouwersloot of trams manoeuvring at night.

• There is no Prog, only Zeuhl: A guide to one of rock’s most imaginative subgenres by Jim Allen. I recommend the Weidorje album.

• The Power (Of Their Knowledge), another preview of the forthcoming album by Cabaret Voltaire (or Richard Kirk solo).

• RIP Eddie Van Halen. Annie Zaleski selects 10 of his best songs (really 9 plus an instrumental…).

• At Dennis Cooper’s: Spotlight on…Leonora Carrington The Hearing Trumpet (1976).

• Mix of the week: Autumn and Wise (The Fall) by The Ephemeral Man.

• Abandoned Isle of Wight

• Dark Side Of The Mushroom (1967) by Chocolate Watch Band | Mushroom (1971) by Can | Growing Mushrooms Of Potency (2011) by Expo ’70

The weekend artists, 2017

Art by Twins of Evil for the forthcoming blu-ray from Arrow Academy.

The laziest post of the year is invariably a review of the artists/designers/photographers featured on the weekend posts, so here’s another end-of-year list for you. Scroll down to see what caught my attention over the past twelve months.

Mass by Ron Mueck at the National Gallery of Victoria Triennial. Photo by Tom Ross.

French poster by Basha (Barbara Baranowska) for Andrzej Zulawski’s extraordinary Possession (1981).

I Had Sweet Company Because I Sought Out None. Collage by Helen Adam.

Still of an Alive Painting by Akiko Nakayama.

Continue reading “The weekend artists, 2017”

Weekend links 379

Male Nude, Leg Up (1952) by Horst. From a series of photo prints at Wessel + O’Connor Fine Art until 5th November.

• At Bandcamp: “Tuareg guitar mixed with traditional rural folk”: Eghass Malan by Les Filles de Illighadad; “Pan dimensional spacecraft hover over ancient pyramids on worlds undreamed of”: Lemurian Dawn by Memnon Sa.

• Songs of Discomposure: Quietus writers pick their most disturbing pieces of music. Also at The Quietus: John Foxx on his collaborations with Harold Budd and Ruben Garcia.

• Eros In Arabia, the first album by Richard Horowitz, has been deleted since 1981, and is consequently very difficult to find. Freedom To Spend are reissuing it next month.

• JG Ballard—The Interview Concordance. A companion to the concordance of Ballard’s published works. Some of the interviews may be found here.

• At Dangerous Minds: The Male Figure: Bruce of Los Angeles and the perfection of midcentury beefcake.

• Mixes of the week: XLR8R Podcast 508 by Jennifer Cardini, and Secret Thirteen Mix 231 by Alex XIII.

• Post Punk: a set of postage stamp designs by Dorothy for punk and post-punk bands.

• At Spoon & Tamago: Kanban: The exquisite art of historic Japanese store signs.

• At Greydogtales: Photography of the Folk Horror Revival.

• The Spomenik Database

• The Secret Life Of Arabia (1977) by David Bowie | Arabian Knights (1981) by Siouxsie And The Banshees | Arabiant (2002) by Radar

Cocteau drawings

Some of the drawings by Jean Cocteau that comprise a new exhibition at Wessel + O’Connor Fine Art, Lambertville, New Jersey. A third of these are untitled pencil drawings from the 1950s that look like unused illustrations from the first edition of Genet’s Querelle de Brest (1947): matelots posing in various states of undress, masturbating or having sex. Among the other works there are several lithographs in the Cocteau-does-Picasso style. Everything is for sale but no prices are listed on the website.

Les Amoureux (1956).

Previously on { feuilleton }
• Querelle de Brest
• Halsman and Cocteau
• La Belle et la Bête posters
• The writhing on the wall
• Le livre blanc by Jean Cocteau
• Cocteau’s sword
• Cristalophonics: searching for the Cocteau sound
• Cocteau at the Louvre des Antiquaires
• La Villa Santo Sospir by Jean Cocteau

George Platt Lynes revisited

Untitled (reclining with bathing trunks), circa early 1950’s.

Photographs by George Platt Lynes have appeared here before, as have links to exhibitions at Wessel + O’Connor Fine Art. The latter are showing prints by the former in a new exhibition that opens today, and if I’m unlikely to visit their gallery any time soon I still enjoy passing on the news. Unlike many of the gallery press releases I receive, the ones from Wessel + O’Connor are always of interest, and their site is generous with its display of the work on offer. (They also sent me a card from their Czanara show which I was very pleased to receive.)

Buddy Stanley and Tex Smutney (1941).

Most of the prints on this occasion tend away from the artier side of Lynes’ work towards outright beefcake (for the artier side, see this post). Among the nudes there’s one of the famous photos from a session Lynes made with Yul Brynner in 1942, pre-fame and with hair but sans clothes. See that photo, and more, here.

Previously on { feuilleton }
• Balanchine, Lynes and Orpheus
• The recurrent pose 17
• George Platt Lynes