Mongolian impressions

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My phone line problem still hasn’t been resolved but I am able to get online again for longer than two minutes at a time…for now. Posting may remain sporadic for the next few days.

This is the third time I’ve written about Impressions de la Haute Mongolie, a 50-minute film made by José Montes-Baquer in the mid-70s in which Salvador Dalí is our guide on a phantasmic journey through micrographic landscapes. Dalí’s narration covers such diverse subject matter as Raymond Roussel, giant hallucinogenic mushrooms, Outer Mongolia and Adolf Hitler. The film turned up at Ubuweb a few years ago but without English subtitles. (A document with an English translation was added later.) Now YouTube user DrewBadly has added the English translation to a copy of the film he’s posted on his YT channel. It’s essential viewing for Dalí enthusiasts.

Related: A Movable Feast, Raymond Roussel’s extravagant, hermetic universe.

Previously on { feuilleton }
Hello Dali!
Dalí and the City
Dalí’s Elephant
Dalí in Wonderland
Alejandro Jodorowsky’s Dune
Dirty Dalí
Impressions de la Haute Mongolie revisited
Dalí and Film
Salvador Dalí’s apocalyptic happening
Dalí Atomicus
Impressions de la Haute Mongolie

Weekend links 66

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A design by Emma Kunz (1892–1963).

• Following the news this week it’s worth reminding people of a great post put together by Adam Curtis back in January, Rupert Murdoch—A portrait of Satan. One detail there concerns the death of chat show host Russell Harty in 1988. This week the London Review of Books posted an extract from Alan Bennett’s diaries referring to the Harty episode where he notes how the tabloid practice of getting private phone numbers from the police was common and widespread, not simply the actions of a single newspaper. For more about the deathbed hounding of Russell Harty (and Bennett’s loathing of Murdoch) see Writing Home. Related: Dennis Potter shortly before his death discussing his desire to kill Rupert Murdoch.

• Don’t get mad, get even: Hakim Bey’s Black Djinn Curse: “How to invoke a terrible curse on a malign institution.” See also: Black magic as revolutionary action.

Village Voice talks to Linda Manz about her experience as a young actor in Days of Heaven, The Wanderers and Out of the Blue.

Truth Wins Out infiltrates the “ex-gay” clinic run by Michelle Bachmann’s husband.

Free Situationist booklets by Larry Law. Related: films by Guy Debord at Ubuweb.

• Have tea with Doctor Dee in Mortlake, London, next Wednesday.

Publisher Peter Owen: Sixty years of innovation.

Wilhelm Reich: the man who invented free love.

A conversation with Brian Eno by Ben Sisario.

The mysterious minaret of Jam, Afghanistan.

Stereolab cover designs at Hardformat.

Orgone Accumulator (1973) by Hawkwind | Cloudbusting (1985) by Kate Bush | Orgasmatron (1986) by Motörhead | Orgasmatron (1993) by Sandoz | Orgone Donor (2004) by Deathprod.

Weekend links 57

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A 1973 Ballantine edition of William Burroughs’ novel with a cover illustration from Metamorphosis of Narcissus (1937) by Salvador Dalí. Via the Burroughs Book Covers archive.

The Sel Publishing House, Turkey, published a new translation of The Soft Machine by William Burroughs in January, an edition which is now under investigation by the Istanbul Prosecutor’s Office following a report by the (deep breath) Prime Ministry’s Council for Protecting Minors from Explicit Publications. The Council lodged a number of complaints, among them assertions of “lacking unity in its subject matter,” “incompliance with narrative unity,” “using slang and colloquial terms” and “the application of a fragmented narrative style.” Details here. Does Turkey still want to join the EU? Because this kind of persistently illiberal bullshit (see the earlier treatment of Orhan Pamuk) isn’t helping their case at all.

• Related to the above: Evan J Peterson reads Allen Ginsberg’s Howl in the toilet of a Seattle gay bar; Ginsberg himself reads Kaddish and other works here.

• More illiberal bullshit: LGBT activists arrested during royal wedding; Queer Resistance released a statement about the arrests. MPs, activists and trade unionists condemn new attacks on the right to protest.

The Dorian Gray That Wilde Would Want Us To Read. Harvard University Press publishes an uncensored and annotated edition of Wilde’s novel. Kudos for using Caravaggio’s Narcissus on the cover.

One weekend in late 1967, they all decamped to a hotel suite in California’s Ojai Valley for a brainstorming session. Amid clouds of pot smoke, they talked all weekend with the tape recorder running. [Jack] Nicholson then took the tapes and turned the conversations into a screenplay; according to Rafelson, he structured it while on LSD.

Revisiting The Monkees’ psychedelic movie, Head.

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Kraftwerk icons for Windows and Mac OS X by Dave Brasgalla.

Robert Louis Stevenson gets his revenge on sneaky literary agent – 120 years later. And Michael Moorcock imagines tales of unseen Mervyn Peake pictures.

Painting doesn’t look so good on the web. It looks better in life. Sculpture looks better in life. What you end up with is just a reproduction. Whereas with film or with sound or with poetry, you get the deep primary experience not the secondary experience. The web delivers those primary experiences very well.

Ubuweb’s Kenneth Goldsmith interviewed.

• Arkhonia’s Another Dispatch in a World of Multiple Veils is now a free download.

• The story of This Is The Sea: An interview with Mike Scott of The Waterboys.

Fairlight: The Rolls Royce of synthesizers.

Haeckel Clock, a free app for the iPad.

What is totalitarian art?

Porpoise Song (1968) by The Monkees | Hope For Happiness (1969) by The Soft Machine | I’m A Believer (1974) by Robert Wyatt.

Weekend links 56

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Ad Astra (1907) by Akseli Gallen-Kallela.

• Andres Serrano’s works are photo prints so you can’t damage an exhibition item the way you can with a painting. That didn’t stop Catholic protestors in France attacking a copy of Piss Christ on Monday. By coincidence, Dave Maier had posted an essay about Serrano’s work a few hours earlier, and with a reminder that the notorious photograph was part of a series, a detail which is often forgotten or conveniently ignored.

• The Avant Garde Project which made available deleted experimental audio works (see this earlier post) ceased activity a while ago so it’s good to see that its archives will now be hosted at Ubuweb.

…African Head Charge again was a studio name I had to start with, and it evolved into a band about eight years later. That started out again I read an interview in a newspaper where Brian Eno talked about he’d made an album called My Life in the Bush of Ghosts with another musician—that Talking Heads fellow [David Byrne]—and he said “I had a vision of a psychedelic Africa”. And I thought, “Oh, that’s pretentious”. But then I thought about it, and thought “No, what a good idea! Make really trippy African dub”.

Adrian Sherwood on thirty years of On-U Sound.

• Related: Brian Eno has a new album out in July, Drums Between The Bells, a collaboration with Rick Holland.

“Do you think Lord Leighton could by any chance have been a homosexual?” enquired Richard. “It says here,” I replied, consulting a laminated information card, “that there is no evidence one way or the other.”

“Rent boys leave no evidence,” said Richard.

A private view of Lord Leighton’s home in Holland Park, London, which opened to the public again last year.

Passengers, an exhibition of urban transit photos by Chris Marker at Peter Blum, NYC. For a different kind of rail transport there’s this exploration of London’s disused underground Post Office Railway.

• Reappraising the recent past: Jon Savage on Taxi zum Klo, Christiane F, David Bowie and the seedy attraction of Berlin in the 70s and 80s; Iain Sinclair on the Festival of Britain sixty years on.

Stella Steyn’s illustrations for Finnegans Wake as seen in transition magazine, 1929. And speaking of literary magazines, the return of New Worlds has been announced.

Clive Hicks-Jenkins is an art monograph published next month by Lund Humphries. Clive enthused about the book’s arrival.

• 50 Watts announces the Polish Book Cover Contest.

• 4th June, 2011 is Radiophonic Creation Day.

• Americans: has your state banned sodomy?

Stardust (1931) by Louis Armstrong | Stardust (1940) by Artie Shaw | Stardust (1957) by Nat King Cole.

Dreamweapon: The Art and Life of Angus MacLise, 1938–1979

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Artist, poet, percussionist and composer Angus MacLise receives the first proper overview of his work in a series of events presented in New York City throughout May. MacLise has too often been mentioned merely as the original drummer for The Velvet Underground—he famously quit when informed that being in a rock band meant you had to stop playing—but anyone familiar with the history of American underground culture will know that there was a lot more to his life than this. Johan Kugelberg and Will Swofford Cameron are the curators of Dreamweapon: The Art and Life of Angus MacLise, and this page has more detail about the events.

For those unable to get to NYC (that would be most of us) there’s always the indispensable Ubuweb where one may find a page of MacLise recordings, and also issue 9 of the amazing Aspen magazine, “the psychedelic issue”, edited by Angus MacLise and Hetty MacLise in 1971.

Previously on { feuilleton }
The Invasion of Thunderbolt Pagoda