Ubuweb – Page 10 – { feuilleton }

Brion Gysin let the mice in

Brion Gysin—autoportrait (1935).

“A shaman to me is always a pansexual being,” says the gay Canadian filmmaker. “These guys all came out of that period where queer was really hardcore, it was part of their radical art — and of course it was illegal.” (more)

The filmmaker in question is Nik Sheehan discussing FLicKeR, his 2007 documentary about artist and writer Brion Gysin. Sheehan’s film is available for viewing at Ubuweb although I haven’t got round to watching it yet so I can’t say much about it. (Reality Studio has a review.) Gysin’s life and work is certainly worthy of study, however, his art and writing—which encompassed novels and experimental poetry—often having been overshadowed by his close association with William Burroughs. He gets a raw deal in Ted Morgan’s curiously bad-tempered biography of Burroughs, for example, despite having given his co-conspirator the cut-up technique, collaborated with him on The Third Mind, and so on. FLicKeR‘s title refers to Gysin’s Dreamachine, the first sculpture which needs to be experienced with the eyes closed, being a homemade hallucination engine which works by flickering light and shadow at a rapid rate on the closed eyelids. I made some Dreamachines of my own in the mid-1980s by carefully studying photos in RE/Search #4/5, and they certainly do work. It’s a shame that 78rpm record players are more difficult to find than they used to be since the original template devised by Gysin and Ian Sommerville needs a high speed in order to create the optimum flicker rate. As you might expect, various psychonauts have since created their own variations such as this one for a 45rpm player.

I mentioned a few weeks ago that the New Museum in NYC is staging the first US retrospective of Gysin’s work, an exhibition which they happen to call Dream Machine, and which opens on July 7th. The New York Times ran a piece about Gysin in advance of that. Ubuweb has further Gysin materials, such as this Burroughs piece about Gysin’s invention of the cut-up method, and some recordings of the permutated poems. Finally, if you’re wondering about the title of the post, it’s a reference to this.

Previously on { feuilleton }
• Burroughs: The Movie
• William S Burroughs: A Man Within
• Emil Cadoo
• The Great God Pan
• The Final Academy
• William Burroughs book covers
• Towers Open Fire

Happy Bloomsday

A page from Ulysses with amendments by James Joyce.

That time of year again and for your delectation Ubuweb has tapes of the soundtrack from Joseph Strick’s semi-successful 1967 film of Ulysses featuring the voices of Milo O’Shea, Barbara Jefford and others. The film is frequently a series of illustrated voiceovers so this isn’t as purposeless as it might seem. Somewhere I have a vinyl recording of Milo O’Shea and Barbara Jefford reading from the Nausicaa and Penelope chapters and somewhere else a reading of passages from Finnegans Wake. For the latter Ubuweb also has Sylvia Beach’s recording of Joyce himself reading from Anna Livia Plurabelle.

Previously on { feuilleton }
• Jerry by Paul Cadmus
• Passages from James Joyce’s Finnegans Wake
• Books for Bloomsday

Monsieur Fantômas by Ernst Moerman

Jean Michel as Fantômas.

Ernst Moerman’s Belgian short from 1937 is available for viewing at Ubuweb and is described on its title card as “Un film Surrealiste”. One might equally describe it as “un film amateur” since it’s very much in the home movie mould as was much of the independent cinema of this time. The direction may be perfunctory but the photography is surprisingly good in places. The action, such as it is, concerns an avatar of the Surrealists’ favourite anti-hero, Fantômas, in a series of farcical scenes many of which are filmed on a beach with a few spare props. The most notable moment for me is one which none of the online documentation mentions, a brief appearance by a youthful René Magritte who pretends to be painting Le Viol. Magritte was a great Fantômas enthusiast so his presence here isn’t too surprising.

Previously on { feuilleton }
• The Dark Ledger
• Judex, from Feuillade to Franju
• Fantômas

Burroughs: The Movie

The author at home in his Bunker.

When I was writing last August about Yony Leyser’s new Burroughs documentary William S Burroughs: A Man Within I mentioned Howard Brookner’s 1983 film, Burroughs, a 90-minute study of the writer’s life and work that as a film biography remains definitive. Brookner was fortunate to capture all the surviving Beats (including Ginsberg and Gysin) and also family members like Burroughs’ son, William Jr. (who died shortly after filming), and his brother, Mortimer. If you’re interested in Burroughs and have never seen Brookner’s film it’s essential viewing, so it’s good news that Ubuweb has turned up a blurry copy (which they’ve titled Burroughs The Movie) taken from the BBC’s Arena screening shown after the writer’s death in 1997. As I recall, the beginning is slightly re-edited to make it an obituary piece but the rest of the film is complete.

Update: Ubuweb no longer hosts the film now that a reissue has been announced. The links have been removed here as a result.

Elsewhere on { feuilleton }
• The William Burroughs archive

Arabesque for Kenneth Anger by Marie Menken

“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it. In painting I never liked the staid and static, always looked for what would change the source of light and stance, using glitters, glass beads, luminous paint, so the camera was a natural for me to try—but how expensive!” Marie Menken.

Arabesque for Kenneth Anger (1961) is a short film by artist and filmmaker Marie Menken (1909–1970) available for viewing at Ubuweb. This is a fragmented impression of the Alhambra made as a thank you gift to Anger whose shots of a fountain spout catching the sunlight can’t help but seem like a nod to Anger’s Eaux D’Artifice (1953). Menken had the dubious distinction of being the model for Martha in Edward Albee’s Who’s Afraid of Virginia Wolf?, the tempestuous relationship in the play being based on Menken’s equally tempestuous marriage to Willard Maas.

More Marie Menken:
• Visual Variations on Noguchi (1945)
• Glimpse of the Garden (1957)
• Notes on Marie Menken: A film by Martina Kudlá?ek
• The paintings of Marie Menken

Previously on { feuilleton }
• Edmund Teske
• Kenneth Anger on DVD again
• Mouse Heaven by Kenneth Anger
• The Man We Want to Hang by Kenneth Anger
• Relighting the Magick Lantern
• Kenneth Anger on DVD…finally