The Quietus – Page 2 – { feuilleton }

Weekend links 404

Magazine illustration of The Fallen Angel (1877) by Ricardo Bellver, a statue for The Fountain of the Fallen Angel in Madrid

• Obituaries of the late Stephen Hawking were obliged to concentrate on the professor’s disabilities and global celebrity while skirting around the trickier questions of what he actually spent the best part of his life thinking, writing and talking about. Roger Penrose was not only a friend of Hawking’s for many years but also one of his equally skilled professional colleagues. Penrose’s piece for the Guardian was notable for the way it provided a succinct but informed summary of Hawking’s work at the forefront of theoretical physics.

• Brian Eno has announced a box set of old or previously unheard recordings for his artworks, Music For Installations. (Be warned that the various editions range from expensive to very expensive.)

• Flame 1 is the name of a collaboration between The Bug and Burial. The Quietus has an exclusive preview from the forthcoming album.

• Mixes of the week: XLR8R Podcast 533 by µ-Ziq, and Secret Thirteen Mix 249 by Eva Geist.

• Buy High, Sell Cheap: Elianna Kan interviews Alejandro Jodorowsky.

• At Dangerous Minds: Addams Family comic books from 1974.

• Advanced Creepology: Re-Reading Lolita by Michael Doliner.

• A Quietus list of the 40 best compilation albums of all time.

• At Spoon & Tamago: An anti-decluttering house.

• At Dennis Cooper’s: The Spheres.

• Physical (1981) by Olivia Newton-John | (Let’s Get) Physical (1990) by Revolting Cocks | UK Girls (Physical) (2001) by Goldfrapp

Weekend links 403

Cover art by Bruce Pennington, 1974. Via Clark Ashton Smith vs Bruce Pennington.

• Garçons de Joie. Prostitution masculine à Paris 1860-1960 is an exhibition running at Galerie Au Bonheur du Jour, Paris, until May. The catalogue is expensive (and seems to be in French throughout) but features a substantial amount of rare homoerotic art.

• In the latest Expanding Mind podcast Erik Davis talks to Burt Shonberg biographer Spencer Kansa about LA bohemia, psychedelic art, Marjorie Cameron, gumshoe biography, and his new book Out There: The Transcendent Life and Art of Burt Schonberg.

• Gregg Anderson on 20 years of Southern Lord’s dark and heavy art. Related: Earth’s Dylan Carlson announced a new solo album, Conquistador, and single, Scorpions In Their Mouths.

Without any formal training, Smith began to paint and draw his strange visions of sentient plants, grotesque creatures from other dimensions, and throbbing alien landscapes. Eventually commissioned to provide illustrations for Weird Tales, he became one of Lovecraft’s most voluminous correspondents (though never as voluminous as Lovecraft himself). Over the next 10 years, they filled one another’s mailboxes with effusive admiration for each other’s stories and poems. With Lovecraft’s adulatory wind at his back, Smith never strayed far from the Long Valley, and sat home to produce more than a hundred bizarre, linguistically challenging, often unforgettable stories and novelettes for the pulp magazines between 1925 and 1936. Unsurprisingly, Smith’s spurt of fictional creativity didn’t survive the death of Lovecraft in 1937, and while that rich burst of stories may not have earned Smith much money or fame, it caused an almost episteme-shifting earthquake in the brains of the young, aspiring writers lucky enough to read him.

Scott Bradfield on Clark Ashton Smith

• Psychomagic, An Art That Heals will be Alejandro Jodorowsky’s next feature film if the crowdfunding is successful. Many rewards are available, large and small.

• At The Quietus this week: Val Wilmer on Sun Ra, and The Strange World of…Cocteau Twins.

• Spectacular images from Chicago’s turn-of-the-century design bible (The Inland Printer).

• The shop that buys your dead uncle’s porn collection.

• Mix of the week: FACT mix 642 by Mokira.

• Cafe Bohemian (1959) by The Enchanters | Genius Of Love (1981) by Tom Tom Club | A Scandal In Bohemia (1986) by United States Of Existence

Weekend links 395

Love is a Martyrdom (1965) by Stephanie Godwin. See Joscelyn Godwin’s Flickr pages for more.

• David Shire’s synthesizer score for Apocalypse Now was the first music recorded for the film but was abandoned when Shire was fired due to other commitments. 39 years later, his score has been released by La-La Land Records.

• Moon Safari by “French band” Air was released in the UK on January 16th, 1998. Jeremy Allen looks back at an album that was more successful here than elsewhere.

• On the occasion of the US publication of Iain Sinclair’s The Last London, Geoff Nicholson presents an A to Z of the author and his works.

This is the story of how two artists fell in love with each other, with Kelmscott Manor, and with William Morris, the poet, craftsman, and socialist who had made it his home. As Kelmscott’s first tenants afer the Morris family, Edward and Stephani Scott-Snell rented the historic Oxfordshire house throughout the Second World War. There they created an aesthetic and erotic paradise based on a fantasy land called ‘Thessyros’, and produced a body of figurative painting unique for its time. Much of this was done under the influence of a legally-obtained drug they called ‘Starlight’, making many of their paintings early examples of psychedelic art.

The Starlight Years is a book by Joscelyn Godwin about his artist-parents and their strange relationship

• Mixes of the week: FACT mix 634 by Minor Science, Secret Thirteen Mix 243 by Moa Pillar, and XLR8R Podcast 524 by Burnt Friedman.

• At The Smart Set: Marian Calabro pays a visit to the Brussels apartment where René and Georgette Magritte lived from 1930 to 1954.

• Hormone Lemonade, a new album by Cavern Of Anti-Matter, will be released in March. The Quietus has a preview.

• At the Internet Archive: QZAP, the Queer Zine Archive Project; 551 downloadable publications from 1974 to 2015.

• At Dennis Cooper’s: Briefly recounting Tim Buckley‘s short, inconvenient stylistic trajectory.

• Musician and bookseller Richard Bishop recommends a handful of rare occult volumes.

• At Kickstarter: Arsgang, a short psychological horror film by Harry Edmundson-Cornell.

• “A Sloppy Machine, Like Me”: Michael Grasso on the history of video synthesizers.

• At Flashbak: 27 Snapshots of Manchester in the 1960s.

• At Strange Flowers: 18 books for 2018.

• Love Is Strange (1956) by Mickey & Sylvia | Love Is Peace (1970) by Amon Düül | Love Is The Drug (1980) by Grace Jones

Weekend links 391

Mass by Ron Mueck at the National Gallery of Victoria Triennial. Photo by Tom Ross.

• Thanks of the week: to In Wild Air for asking me to fill their list of six favourite things; to Hodderscape for including my cover for Jeannette Ng’s Under the Pendulum Sun among their choice of best book covers of the year; and to Dennis Cooper for listing this blog among his own end-of-year favourites. Ta, all!

• New/old music: The Quietus reissues, etc, of the year, new Pye Corner Audio, Soul Jazz presents Deutsche Elektronische Musik 3, and The Cleansing is a new album by Annabel (lee).

• Mixes of the week: Seeing The Forest For The Trees by Gregg Hermetech, FACT mix 631 by Zola Jesus, and Secret Thirteen Mix 240 by Restive Plaggona.

Were a normally sexed person to enter such an establishment, he might be puzzled to see so many finely dressed men sitting there with soldiers, though he would find nothing particularly offensive. The friendships between homosexuals and soldiers forged here over sausage, salad and beer frequently endure for the full term of service, and often longer. The soldier returns home, living as a married farmer far from his beloved Berlin garrison, but many a uranian still receives freshly killed quarry as a token of friendship. Sometimes these relationships are even passed on to younger brothers; I know one case where a homosexual had relations with three brothers one after the other, all of whom were with the Cuirassiers.

An extract from Berlin’s Third Sex by Magnus Hirschfeld, one of the new titles from Rixdorf Editions. Ostensibly straight soldiers supplementing their income by having sex with “uranians” was still a common thing decades later, as detailed in John Lehmann’s In The Purely Pagan Sense.

• The Cremator (1968) a film by Juraz Herz, was reviewed on these pages a while ago. It’s now out on region-free blu-ray. Highly recommended.

• At Wormwoodiana: Mark Valentine on a map of old Dunwich, and Egypt in England.

• Clive Hicks Jenkins on Mapping the Tale: image making and the narrative tradition.

• Wyrd Daze returns with a free pdf, and a mix by The Ephemeral Man to download.

• At the BFI: Chris Gallant on where to begin with giallo cinema.

• The Parisian Cabinet of Curiosities Loved by Wes Anderson.

• Mass Production (1977) by Iggy Pop | Mass (1981) by Yellow Magic Orchestra | Mass Transit Railway (1997) by Monolake

Weekend links 390

French poster by Basha (Barbara Baranowska) for Andrzej Zulawski’s extraordinary Possession (1981).

• “Alive from Off Center, renamed Alive TV in 1992, was an American arts anthology television series aired by PBS between 1984 and 1996. Each week, the series featured experimental short films by a mixture of up-and-coming and established directors. Notable episodes included As Seen on TV, starring comic actor Bill Irwin as an auditioning dancer who becomes trapped in a television, wandering among daytime dramas, MTV, and PBS’s own Sesame Street and the atmospheric puppet melodrama Street of Crocodiles, adapted by the Brothers Quay from the Bruno Schultz story. […] Arguably the series’ best-known episode was What You Mean We? a short film written by, directed by, and starring Laurie Anderson, which aired in 1986.” Alive from Off Center, 11 episodes at Ubuweb.

• “[Count] Stenbock was a homosexual convert to Roman Catholicism and owner of a serpent, a toad, and a dachshund called Trixie. It was said that toward the end of his life he was accompanied everywhere by a life-size wooden doll that he believed to be his son. His poems and stories are replete with queer, supernatural, mystical, and Satanic themes; original editions of his books are highly sought by collectors of recherché literature.” Of Kings and Things: Strange Tales and Decadent Poems by Count Eric Stanislaus Stenbock will be published by Strange Attractor in March, 2018.

• Music news of the week (in this house, anyway) is a new song, The Mysterious Vanishing of Electra, by Anna von Hausswolff. A new album, Dead Magic, is due in March, and I’m doubly-thrilled to read that Randall Dunn of Master Musicians of Bukkake (and producer/engineer for Earth, Sunn O))), etc.) is involved.

• “Why do Texas prisons ban Freakonomics but not Adolf Hitler’s Mein Kampf?” asks Lauren McGaughy. On the banned list is the three-volume The Graphic Canon, edited by Russ Kick, which includes my adaptation of The Picture of Dorian Gray.

• “To understand how other planets are made, exogeologists are synthesizing those planets in miniature in the earthbound equipment in their labs.” BLDGBLOG on speculative mineralogy.

• “What does the Bardo sound like?” Lauria Galbraith on Éliane Radigue‘s Trilogie de la Mort, three hour-long electronic compositions based on The Tibetan Book of the Dead.

• And speaking of Earth, Joseph Stannard talked to Dylan Carlson (Earth) and Kevin Martin (The Bug) about their recent collaboration.

• Mixes of the week: FACT mix 630 by Hanz, XLR8R Podcast 519 by Setaoc Mass, and Secret Thirteen Mix 239 by Blush Response.

• The League’s seven deadly sins: Reese Shearsmith on the cinematic influences behind The League of Gentlemen’s TV series.

• Donnie & Laurie, a jam from the late 1970s with Laurie Spiegel on Electrocomp 101 synthesizer, and Don Christensen on drums.

• Guests and dates for the Dublin Ghost Story Festival have been announced.

• David Bowie sang for Devo, and Mark Mothersbaugh might have the tapes.

• The albums of the year according to The Quietus.

• At Dennis Cooper’s: Isabelle Adjani Day.

• Possessed (1979) by MX-80 Sound | Possession (1988) by Danzig | Possessed (1992) by Balanescu Quartet