Sylvia Plath – { feuilleton }

Echoes of de Chirico

The Song of Love (1914) by Giorgio de Chirico.

His art studies, begun in Athens, were continued in Munich where he discovered the work of Max Klinger and Arnold Böcklin, not to mention the writings of Friedrich Nietzsche and Arthur Schopenhauer, whose influence is perceptible in the paintings he went on to produce in Florence and Turin. In addition, his melancholy temperament lay behind the works that Guillaume Apollinaire labelled “metaphysical,” works in which elements from the real world (deserted squares and arcades, factory chimneys, trains, clocks, gloves, artichokes) were imbued with a sense of strangeness.

Keith Aspley, Historical Dictionary of Surrealism

The Enigma of a Day (1914) by Giorgio de Chirico.

Plate II from Let There Be Fashion, Down With Art (Fiat modes pereat ars) (1920) by “Dadamax Ernst”.

The Birth of an Idol (1926) by René Magritte.

Some time during the latter part of 1923 [Magritte] came face-to-face with his destiny, in the form of a painting by Giorgio de Chirico, who was one of the painters most admired by the Paris Surrealists: Le Chant d’amour (The Song of Love, 1914); to be more precise, a black-and-white reproduction of that painting in the review Les Feuilles libres, a very contrasty reproduction, as Sylvester has it, which only heightened the drama of the outsize objects suspended in the foreground of one of de Chirico’s “metaphysical landscapes”… He was shown it by Lecomte, or Mesens, or both. He was overwhelmed. […] Magritte always spoke of de Chirico as his one and only master. As a rule, he was exceedingly parsimonious in his assessment of other artists, past and present. In his own time, de Chirico (1888–1978) and Ernst (1891–1976) appear as the only two he admired, more or less unconditionally.

Magritte: A Life by Alex Danchev

Sewing Machine with Umbrellas in a Surrealist Landscape (1941) by Salvador Dalí.

Continue reading “Echoes of de Chirico”

Weekend links 146

A Chinese postage stamp celebrating the Year of the Snake.

• Cyclopean is a collaboration from Burnt Friedman, Jono Podmore and Can founding members Jaki Liebezeit, and Irmin Schmidt. The Quietus has a preview of all the tracks from their forthcoming EP. Great stuff.

• Ten Things You (Possibly) Don’t Know About Kraftwerk. Related: a Speak & Spell emulator, and Atomium, a new single by Karl Bartos.

• In 1975 Barney Bubbles designed an inner sleeve for Hawkwind’s Warrior on the Edge of Time album, and this scarce recipe booklet.

• “We should all use language carefully. That is an obligation on the literate. But carefully doesn’t mean fearfully,” says Jenny Diski.

• Faber’s car-crash of a cover design for the 50th anniversary edition of The Bell Jar by Sylvia Plath caused an outbreak of parodies.

• At Strange Flowers: Ancient dreams and antique corruptions, Salomé via Gustave Moreau and Huysmans.

• FACT Mix 368 is a very varied collection of recent music and older pieces curated by Holly Herndon.

• At Ubuweb: eleven out-of-print recordings of Harry Bertoia’s sound sculptures.

• Laurie Anderson and Brian Eno in conversation at Interview magazine.

• Michael Chabon on Wes Anderson’s Worlds.

• Snake Rag (1923) by King Oliver’s Creole Jazz Band | Rattlesnake Shake (1969) by Fleetwood Mac | Snakes Crawl (1980) by Bush Tetras | Ananta Snake Dance (1980) by Suns of Arqa | Snakeblood (2000) by Leftfield

Weekend links 144

Ruins 3 by Rachel Thomas and Dan Tobin Smith.

“Dan wanted to do something on a really large scale and was looking at a lot of Piranesi and started talking to me about ruins. I then started looking at modern interpretations of this idea, I was obsessed with the post modern architecture of SITE, Disney fantasy settings, Busby Berkeley, Sotsass ceramics, Art Deco motifs in general, Giorgio de Chirico’s paintings, Arabic temples and on and on…” Rachel Thomas talks to Daisy Woodward about Imaginary View, an exhibition currently showing at Somerset House, London.

• A brief description of The Yokel’s Preceptor (1855), a guide to Victorian London’s gay underworld by William Dugdale. When do we get to see a facsimile of this document? The slang is a treat.

• Mix of the week: Secret Thirteen Mix 054, a great selection by Biosphere of doomy ambience from the Post Punk/early Industrial era, 1979–1981.

Stella (Ernest Boulton) with Fanny (Frederick Park) (c. 1860–1870).

While Stella and Fanny might be the most terrible show-offs, not to mention industrious sex workers, even they drew the line at coupling in public places. Over the course of the subsequent trial, and despite bribing witnesses, the prosecution failed to prove that sodomy had ever occurred, either between the two young men themselves, or within their circle of genteel “sisters”, or even in a dark corner behind the Haymarket with a passing guardsman. Eventually, and only after a second trial a year later, the young men were found not guilty and allowed to slip back into their lives of pro-am theatricals, touring together and separately in such limp pieces as A Comical Countess and A Morning Call.

Kathryn Hughes reviews Fanny and Stella: The Young Men Who Shocked Victorian England by Neil McKenna. Related: photographs of the pair.

• The Twilight Language of Nigel Kneale, a book of essays and a cassette tape dedicated to the television dramatist.

• Sheltered and Safe from Sorrow: “Victorian mourning rituals, tombstones, epitaphs, and other creepy things”.

• Crate digging and the resurgence of vinyl. Related: Men & Vinyl, a Tumblr devoted to men and their discs.

• Designer Shirley Tucker talks about her cover for the first edition of The Bell Jar by Sylvia Plath.

• More Will Bradley at The Golden Age (formerly Golden Age Comic Book Stories).

• The Mirror Reflecting (Part 2), a new track by The Haxan Cloak.

• Psychedelic Press UK | Related: Catnip: Egress to Oblivion?

• Paris in colour circa 1900.

• Twilight (1983) by Pete Shelley | Twilight (2000) by Antony and the Johnsons | Twilight (2005) by Robin Guthrie & Harold Budd

Passage 11

Ed Jansen writes to let me know that the latest edition of his web magazine, Passage, is now online. Once again, most of the features listed below are in Dutch but that doesn’t exclude all visitors here. David Britton has been recommending Jonathan Littell’s The Kindly Ones to me so I guess I’ll be reading that soon.

• Sylvia Plath, a biography.
• Ingrid Jonker, poet from South-Africa, essay on her life and work.
• Jack Kerouac & William Burroughs, a review of And The Hippos Were Boiled In Their Tanks.
• William Burroughs in Texas, a review of Rob Johnson’s, The Lost Years of William S. Burroughs.
• Aleister Crowley, an article about Crowley’s possible involvement with the Secret Service.
• Rudolf Hess, double agent? A view on his flight to Britain.
• Jonathan Littell, an in-depth review of his work The Kindly Ones. War as hallucination.
• Enrique Marty & Maurizio Cattelan, a review of the work from two conceptual artists.

Previously on { feuilleton }
• Passage 10