Stan Brakhage – Page 2 – { feuilleton }

Thot-Fal’N, a film by Stan Brakhage

A final film for this week of Burroughs-related posts. Thot-Fal’N (1978) is a typical piece of Stan Brakhage montage: 9 minutes of completely silent close-ups, shots blurred to incoherence, plus occasional clips of American streets or people. Among the identifiable humans there’s a brief sequence with William Burroughs and a balloon, also shots of Allen Ginsberg and Peter Orlovsky. Brakhage enjoyed creating cinema that was deliberately abstract and without narrative so there’s no need to go looking for a meaning.

Elsewhere on { feuilleton }
• The William Burroughs archive

Joseph Cornell: Worlds in a Box

Susan Sontag, Tony Curtis and Stan Brakhage all shared an appreciation for the work of American artist Joseph Cornell (1903–1972), and all appear in a 51-minute documentary Joseph Cornell: Worlds in a Box directed by Mark Stokes for the BBC in 1991. Susan Sontag was also the subject of one of Cornell’s collages, something she discusses here. Tony Curtis collected many of Cornell’s boxes and used to visit the artist when he was in New York; in Stokes’s film he discusses their relationship and reads from Cornell’s writings.

I’ve had a tape of this for years courtesy of Kerri Sharp who worked on the film (hi Kerri!) but it’s taken a while to turn up on YouTube. The value of films such as this isn’t so much the view they give of the works themselves—all of which are better judged in books or museums—but the way they function as mini-biographies which give a sense of the environment from which the art emerged. You can read in detail about Cornell’s life in Deborah Solomon’s Utopia Parkway: The Life and Work of Joseph Cornell (1997) but a text description of his home lacks the immediacy of the views Stokes gives us of the Cornell house, and the room where he created so much of his work. The film also follows Cornell’s train journeys into New York City, and visits the locations of his short films. Extracts of the latter appear throughout the documentary but you can see them in full at Ubuweb.

If you’re looking for an arty (and costly) Christmas present this year, Thames & Hudson have just published Joseph Cornell’s Manual of Marvels: How Joseph Cornell reinvented a French Agricultural Manual to create an American Masterpiece; two books in a box with a CD, edited by Analisa Leppanen-Guerra and Dickran Tashjian. The NYT reviews it here.

Previously on { feuilleton }
• Joseph Cornell, 1967
• Rose Hobart by Joseph Cornell
• View: The Modern Magazine

Joseph Cornell, 1967

More Surrealism (sort of) from 1967. Joseph Cornell is a catalogue for an exhibition selected and presented by Diane Waldman at the Solomon R. Guggenheim Museum in 1967. The book is one of a number of new and very welcome additions from the Guggenheim Museum to the stock of scanned books at the Internet Archive. Old art books and catalogues often feature black-and-white reproductions but that drawback doesn’t invalidate the usefulness of their textual content. The Museum’s own pages for the archived books may be browsed here.

Cockatoo: Keepsake Parakeet (1949–1953).

For more on the Magus of Utopia Parkway I’d suggest the BBC’s documentary film Joseph Cornell: Worlds in a Box (1991) but only if you can find a copy since I’ve not seen it online anywhere. That’s a shame because it’s an excellent introduction to Cornell’s life and work, with the added bonus of commentary from Susan Sontag and Cornell’s film collaborators Stan Brakhage and Rudolph Burckhardt. There’s also a surprise appearance from Tony Curtis who was friends with the artist and who reads from his diaries.

Medici Slot Machine (1942).

Elsewhere, Ubuweb has Cornell’s short films which proceed from the radical re-editing of Rose Hobart (1936) to more lyrical works such as Nymphlight (1957). And I’ve mentioned this before but it’s always worth another look: Americana Fantastica, the edition of Charles Henry Ford’s View magazine edited and illustrated by Cornell in 1943.

Medici Princess (1952).

Previously on { feuilleton }
• Rose Hobart by Joseph Cornell
• View: The Modern Magazine