stained glass – Page 3 – { feuilleton }

The Ursulines’ winter garden

Another winter garden, this addition to the Institute of the Ursulines, a Catholic school in Onze-Lieve-Vrouw-Waver, Belgium, is a lot smaller than previous examples but is celebrated for its beautiful Art Nouveau-styled stained glass canopy. The winter garden was added to the main building in 1900 and—surprisingly—no one seems to know who the architect was. The photo above is by Eddy Van 3000 from Wikimedia Commons, while the one below is from the same photographer’s Flickr set showing many other views of a building which is only open to the public one day a year.

Previously on { feuilleton }
• Hothouse panoramas
• Ludwig’s Winter Garden
• The Schönbrunn Palm House
• The Royal Greenhouses of Laeken

Deutsche Kunst und Dekoration #1

Last year saw an exploration here of the fecund pages of Jugend magazine so in the same spirit I’m embarking on a serial delve into Jugend‘s more serious contemporary Deutsche Kunst und Dekoration. I’ve made a couple of posts in this direction already but these were done before I’d had a chance to look properly through the editions at the Internet Archive, the first thirty of which form a collection which comprises some 7500 pages. Since few people would want to download and sort through that mountain these posts can serve as a select guide to the contents.

Deutsche Kunst und Dekoration was published by Alexander Koch in Darmstadt and the first volume is dated October 1897–March 1898. Jugend was a humour magazine so the contents tend to be frivolous and lighthearted, Koch’s title by contrast was a guide to the best of German contemporary art and design and has the advantage of featuring furniture and architectural designs as well as graphic material. The content of this first edition is relatively sedate compared to some of the later numbers when the Art Nouveau style builds up a head of steam. There’s some astonishing design work in subsequent issues, as well as further illustration discoveries like Marcus Behmer. Watch this space.

Continue reading “Deutsche Kunst und Dekoration #1”

Cardwell Higgins versus Harry Clarke

A Delightful Page in the Record of My Existence.

This picture popped up at Chateau Thombeau a few days ago and it’s also been circulating in Tumblr’s recursive labyrinth. The very obvious debt to Harry Clarke’s black-and-white style caught my attention, especially to the artist’s Poe illustrations with the reclining woman being a blatant swipe from one of the Pit and the Pendulum drawings.

The Pit and the Pendulum (1919) by Harry Clarke.

Searching around revealed that the artist responsible, Cardwell Higgins, produced a small series of similar pieces in the late 1920s. He then settled into a career as an illustrator for American magazines and advertising, working in a far more commercial style which isn’t really the kind of thing I get very excited over. Six drawings from the black-and-white series were published as a lthograph set in 1979. Some of the originals came up for sale recently which accounts for the surfacing of these copies.

Continue reading “Cardwell Higgins versus Harry Clarke”

Modern book illustrators, 1914

The Rime of the Ancient Mariner by Harry Clarke.

Some samples from a collection of mostly black-and-white drawing at the Internet Archive, Modern Book Illustrators and Their Work (1914), edited by C. Geoffrey Holme & Ernest G. Halton. This was an illustration review produced by The Studio magazine and in this edition happens to feature two pieces of work from Harry Clarke’s The Rime of the Ancient Mariner (1913). Also at the Internet Archive is an earlier Studio publication, Modern Pen Drawings: European and American from 1901 from which I’ve selected Patten Wilson’s hyper-detailed rendering of Rustum and the Simoorg, a fantastic piece of work in every sense.

The Rime of the Ancient Mariner by Harry Clarke.

From The Poems of Coleridge by Gerald Metcalfe.

La Belle Dame sans Merci by Dorothy M. Payne.

Rustum and the Simoorg by Patten Wilson.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Illustrating Poe #3: Harry Clarke
• Strangest Genius: The Stained Glass of Harry Clarke
• Harry Clarke’s stained glass
• Harry Clarke’s The Year’s at the Spring
• The art of Patten Wilson, 1868–1928
• The art of Harry Clarke, 1889–1931

Illustrating Poe #3: Harry Clarke

And so to the master. Harry Clarke’s illustrated edition of Tales of Mystery and Imagination was published by Harrap in 1919, with a new edition following in 1923 that featured an additional series of colour plates. I can’t imagine anyone ever producing a better illustrated version of Poe than Clarke managed, the morbid quality which some complain about in his work is perfectly suited to that most morbid of writers. So too are Clarke’s haunted and neurasthenic figures, and the many decorative details which provide an analogue to the author’s distinctive prose style. The first four drawings which follow repeat the earlier order of the Beardsley illustrations; an unfair comparison, perhaps, since the subject matter didn’t suit Aubrey’s temperament, but a comparison shows how differently the same stories might be illustrated, and how much Clarke brings the macabre elements to the fore.

There’s no need to post a large selection this time when quality scans have already appeared at A Journey Round My Skull and Golden Age Comic Book Stories. These drawings really do need to be seen showing all their fine detail.

The Black Cat: “I had walled the monster up within the tomb!”

The Murders in the Rue Morgue: “Gnashing its teeth, and flashing fire from its eyes, it flew upon the body of the girl.”

Continue reading “Illustrating Poe #3: Harry Clarke”