Eldritch idols

 

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I wouldn’t usually bother writing about new additions to the growing mountain of plastic ephemera generated by 21st-century culture but these items warrant wider attention. Legacy of Lovecraft is a set of six Lovecraft-related action figures made by 52Toys in Japan which include a figure of Lovecraft himself. There was a time when this alone would have been surprising but 20 years have now elapsed since the idea of a Sigmund Freud action figure went from being an unlikely joke to something you could actually buy. Today we’re more likely to be surprised if something with a substantial cultural footprint hasn’t generated any merchandising spin-offs.

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I saw the Lovecraft figure last month in a post at Tentaclii but didn’t notice at the time that it was part of a range which includes Cthulhu, a Deep One, Dagon, and The King in Yellow. The latter isn’t a Lovecraft creation, of course, but Robert Chambers’ stories are Mythos-adjacent. And despite the box art the figure isn’t clad in yellow either, but this provides an opportunity for enterprising owners to create some suitably tattered garments. All the figures come with small complementary items: Lovecraft has a forbidden tome, Cthulhu a tiny ship to torment, and so on. (The nameless “Investigator” comes with two extra items, a lamp and a Cthulhu statue.) The King in Yellow intrigues me the most for being a curious combination of Lovecraftian tentacles with an abundance of gnashing teeth that look like something out of Junji Ito’s comics. If I was going to buy any of these this is the one I’d get first. At around £25 each they’re not cheap but then I’ve spent similar amounts on Japanese CDs in the past.

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Jacques Brissot’s Hay Wain

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The Hay Wain (1973) by Jacques Brissot.

Another post intended to encourage further investigation. Searching for Jacques Brissot’s art is a problem since the French artist (born 1929) gets confused with the French writer Jacques Pierre Brissot (1754–1793). Details about Brissot the artist are also scant:

Jacques Brissot lives and works in Paris. He began his career as a film maker (his movie Egypt O Egypt was selected as the official French entry for the Cannes Film Festival). Later, his unique form of artistic expression, a reinvention of the most dramatic masterpieces of the past through collage, relief, over-painting etc., led to his immense success as a visual artist. (more)

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Anyone familiar with art history will recognise Brissot’s Hay Wain triptych as being a Surrealist updating of the Hieronymus Bosch triptych of the same name: a side-by-side comparison shows that many of the details are carefully matched. (In Brissot’s version Christ in the clouds appear to have been replaced by Sigmund Freud.) The copies here come from Temptation (1975) edited by David Larkin. In the same book there’s also a panel from Brissot’s Garden of Earthly Delights (1973). Judging by the works visible on auction sites Brissot has continued his meticulous collage work to the present day but there’s a surprising lack of attention outside the marketplace. Works such as this deserve to be seen in greater detail.

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Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
The art of Jindrich Styrsky, 1899–1942
Initiations in the Abyss: A Surrealist Apocalypse
Vultures Await
Wilfried Sätty: Artist of the occult
Illustrating Poe #4: Wilfried Sätty
Metamorphosis Victorianus
Max (The Birdman) Ernst
Gandharva by Beaver & Krause
Fantastic art from Pan Books
The art of Stephen Aldrich