Weekend links 446

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The Ghost Box label releases a new album by the excellent Pye Corner Audio in February (previews are here). The spectral design, as ever, is by Julian House.

• “In October 1966, Phyllis Willner arrived on motorcycle in San Francisco as a teenage Jewish runaway from Jamaica, Queens. She quickly fell in with the Hell’s Angels, the San Francisco Mime Troupe and, most crucially, the Diggers, who were just getting their street radical thing together in the Haight-Ashbury. The next two years would be eventful: many extraordinary highs, some really terrible lows.” Jay Babcock talks to Phyllis Willner about her involvement with “the executive branch of the hippie movement”, the Diggers.

• At Expanding Mind: Erik Davis talks with religious scholar Diana Pasulka about UFOs, scientific believers, book encounters, elite cabals, studying weirdness, and her new book American Cosmic: UFOs, Religion, Technology.

• Kenneth Anger is now 91 but he still appears hale, and looks even more magus-like than ever. This short film by Floria Sigismondi finds him reminiscing in the antiquated confines of the Chateau Marmont hotel on Sunset Boulevard.

David Wojnarowicz did not write dark fantasy. He wrote real life. In The Waterfront Journals he brilliantly captures electric tales from the mouths of strangers, those he described as “junkies, prostitutes, male hustlers, truck drivers, hobos, young outlaws, runaway kids, criminal types”, whose lives echo his own ostracized existence. He was thirteen when he was first paid for sex and sixteen when he started “turning tricks” regularly. His mother kicked him out of the house. By the time Wojnarowicz came out to friends in New York, he was in his early twenties. He was on the cusp of finding his voice as a writer and his confidence as an artist. It was the mid-1970s. AIDS was about to tear through the gay community.

Lara Pawson reviews three books by artist and writer David Wojnarowicz

John Banville reviews Kafka’s Last Trial by Benjamin Balint: “A scrupulous study of the squabble between Germany and Israel over Kafka’s papers, and the two women caught in the middle.”

• A sitting with the diva of the diode: electronic musician Suzanne Ciani in conversation with Christine Kakaire.

• Mixes of the week: Secret Thirteen Mix 076 by KK Null, and XLR8R Podcast 574 by SHXCXCHCXSH.

Cassie Packard on the colorful and clairvoyant history of aura photography.

Edward Gorey’s Children’s Books Illustrations, Revisited.

Alison Flood on the fascination of miniature books.

Magic Hollow (1967) by The Beau Brummels | Hollow Stone (1972) by Khan | Through Hollow Lands (For Harold Budd) (1977) by Brian Eno

Weekend links 317

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Alphonse Mucha’s Le Pater, a book of mystical Symbolism written, designed and illustrated by the artist, was published in a limited edition in 1899. The book has been out of print ever since but Thomas Negovan at Century Guild will be reprinting it later this year.

• “Five axioms to define Europe: the coffee house; the landscape on a traversable and human scale; these streets and squares named after the statesmen, scientists, artists, writers of the past; our twofold descent from Athens and Jerusalem; and, lastly, that apprehension of a closing chapter, of that famous Hegelian sunset, which shadowed the idea and substance of Europe even in their noon hours.” George Steiner explores his idea of Europe.

Journey To The Edge Of The Universe by Upper Astral, 43 minutes of cosmic ambience, is a cassette-only release from 1983. The album has never been reissued so secondhand copies command excessive prices but it may be downloaded here.

• Mixes of the week: Three hours of ambience by Gregg Hermetech, XLR8R Podcast 446 by [Adrian] Sherwood x Nisennenmondai, and Secret Thirteen Mix 190 by Shxcxchcxsh.

Today [Angela] Carter is well known, widely taught in schools and universities, and much of what she presaged—in terms of recycling and updating (“old wine in new bottles”, she called it), or gender role play and reversal—has become commonplace in the culture. Despite this, many critics find it difficult to situate her work properly. This is partly because Carter is so sui generis (she has literary offspring but few antecedents), and partly because many struggle with the relationship of politics and aesthetics in her writing.

Kate Webb reviews two new books about Angela Carter

• Words that will forever pursue us: Tim Page on the late Michael Herr, “rock’n’roll voice of the Vietnam War”.

• From 2015: Luigi Serafini on how and why he created an encyclopedia of an imaginary world.

James Campbell on Ginsberg, Kerouac and Burroughs: celebrating the Beats in Paris.

Fragile Beasts, an exhibition of grotesque print ornaments at Cooper Hewitt, NYC.

• Not before time, Guy Gavriel Kay wants to see an end to the plague of writing tips.

• David Bowie and Buster Keaton by Steve Schapiro.

Tom Charity on the films of Michael Cimino.

Alison Goldfrapp: photographer.

Golem Mecanique

European Man (1981) by Landscape | Europe After The Rain (1981) by John Foxx | Trans Europe Express (1994) by The One You Love