Ralph Steadman – Page 4 – { feuilleton }

The art of Ronald Searle, 1920–2012

Undertakers. From Punch magazine (undated).

I started trying to draw like Ronald Searle when I was about eight. So there was Jabberwocky and Ronald Searle I was turning into by the time I was thirteen. You know, I was determined to be Lewis Carroll (giggles) with a hint of Ronald Searle.

John Lennon, 1968

Does the late Ronald Searle need any introduction? Everyone knows he created the anarchic schoolgirls of St Trinian’s in the 1940s, although their exploits had the greatest audience in the films based on Searle’s cartoons rather than the original drawings. Searle’s work first came to my attention through reprints of the Molesworth books he produced with Geoffrey Willans in the 1950s—Down with Skool! (1953), How to be Topp (1954), Whizz for Atomms (1956) and Back in the Jug Agane (1959)—a masculine riposte to St Trinian’s which allowed for a broader range of humour than the slapstick and short-skirted salaciousness the films drifted into. The Molesworth books are perhaps best appreciated at age 11 as this LRB review notes; looked at with older eyes all I see is a portrait of a rigidly class-bound nation whose boarding schools, gowned masters, “maters” and “paters” could only inspire affection in the Etonians currently attempting to govern Britain. But the drawings remain a treat: wiry and mordant with flashes of a viciousness that make Searle the godfather of Gerald Scarfe and Ralph Steadman.

The girls of St Trinian’s, Lilliput magazine, December 1949.

Given Searle’s influence on generations of newspaper cartoonists it’s no surprise that the British papers are being free with the plaudits. Links to various stories follow. The images here are taken from earlier posts or pulled from my bookshelves. The illustration of Engelbrecht below is from the Savoy Books edition of Maurice Richardson’s The Exploits of Engelbrecht which I designed in 2010.

• Guardian obituary | Telegraph obituary | NYT obituary
• Ronald Searle in pictures: Telegraph | Guardian
• Ronald Searle: a life in pictures by Steve Bell.
• Mike Leigh: ‘Ronald Searle was my inspiration’.
• Ronald Searle: Now let’s have some fizz: Gerald Scarfe remembers his friend and childhood hero.
• Ronald Searle was our greatest cartoonist – and he sent me his pens, says Martin Rowson.

Other links:
• Perpetua, the Ronald Searle tribute
• Searle at VTS
• Winespeak at BibliOdyssey

Engelbrecht versus Grandfather Clock. From The Exploits of Engelbrecht (1950) by Maurice Richardson.

“A trap for dere Santa”. From How to be Topp (1954) by Geoffrey Willans and Ronald Searle.

The Coming of the Great Cat God (1968).

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Engelbrecht lives to fight another day
• Ronald Searle book covers
• Engelbrecht again

Poe at 200

Poe by Harry Clarke.

Happy birthday Edgar Allan Poe, born two hundred years ago today. I nearly missed this anniversary after a busy weekend. Rather than add to the mountain of praise for the writer, I thought I’d list some favourites among the numerous Poe-derived works in different media.

Illustrated books
For me the Harry Clarke edition of 1919 (later reworked with colour plates) has always been definitive. Many first-class artists have tried their hand at depicting Poe’s stories and poems, among them Aubrey Beardsley, Gustave Doré, Arthur Rackham, W. Heath Robinson and Edmund Dulac; none complements the morbid atmosphere and florid prose as well as Clarke does. And if it’s horror you need, Clarke’s depiction of The Premature Burial could scarcely be improved upon.

Honourable mention should be made of two less well-known works, Wilfried Sätty’s The Illustrated Edgar Allan Poe (1976) and Visions of Poe (1988) by Simon Marsden. I wrote about Sätty’s collage engravings in Strange Attractor 2, and Sätty’s style was eminently suited to Poe’s work. Marsden’s photographs of old castles and decaying mansions are justly celebrated but in book form often seem in search of a subject beyond a general Gothic spookiness or a recounting of spectral anecdotes. His selection of Poe stories and poems is a great match for the photos, one of which, a view of Monument Valley for The Colloquy of Monos and Una, was also used on a Picador cover for Blood Meridian by Cormac McCarthy.

Recordings
These are legion but among the outstanding one-off tracks I’d note two poems set to music, Dream Within a Dream from Propaganda‘s 1985 album, A Secret Wish, and The Lake by Antony & The Johnsons. The latter appeared on the landmark Golden Apples of the Sun compilation and also on Antony’s own The Lake EP.

Among the full-length works, Hal Willner’s 1997 2-CD collection Closed on Account of Rabies features lengthy readings set to music from a typically eclectic Willner line-up: Marianne Faithfull, Christopher Walken, Iggy Pop, Diamanda Galás, Gavin Friday, Dr John, Deborah Harry, Jeff Buckley (one of the last recordings before his untimely death) and Gabriel Byrne. Byrne’s reading of The Masque of the Red Death is tremendous and the whole package is decked out in Ralph Steadman graphics.

Antony Hegarty appears again on another double-disc set, Lou Reed’s The Raven (2003), a very eccentric approach to Poe which I suspect I’m in the minority in enjoying as much as I do. An uneven mix of songs and reading/performances, Reed updates some Poe poems while others are presented straight and to often stunning effect by (among others) Willem Defoe, Steve Buscemi, Laurie Anderson, David Bowie, Amanda Plummer and Elizabeth Ashley.

Films
Once again, there’s too many films but The Masque of the Red Death (1964) has always been my favourite of the Roger Corman adaptations, not least for the presence of Jane Asher, Patrick Magee and (behind the camera) Nicolas Roeg. I wrote last May about the animated version of The Tell-Tale Heart from UPA. That adaptation, with narration by James Mason, is still on YouTube so if you haven’t seen it yet you can celebrate Poe’s anniversary by watching it right now.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• The Tell-Tale Heart from UPA
• William Heath Robinson’s illustrated Poe
• The art of Harry Clarke, 1889–1931

The Illustrators of Alice

Latest book purchase is this large format volume from 1972, one of a number of interesting art books produced by Academy Editions in the early seventies. I also have their monographs on Odilon Redon, “insane” painter Richard Dadd, and their collection of Félicien Rops‘ pornographic and “Satanist” drawings which remains one of the few Rops books published in English.

Through the Looking-Glass by Mervyn Peake (Allen Wingate, London, 1954).

This collection is worth seeking out if you’re interested in minor Victorian and Edwardian illustrators. The book goes through each chapter of the Alice stories showing examples of illustrated editions by a wide range of illustrators and artists, from Lewis Carroll’s original drawings, Tenniel’s inimitable renderings, then on through the twentieth century, featuring artists such as Peter Blake, Ralph Steadman and even a picture by Max Ernst. The cover drawing is one of my favourites, from Charles Robinson, brother of the more famous William Heath. I also like the pictures by the great Mervyn Peake, one of the few illustrators who seemed able to overcome Tenniel’s dominance and show us something new.

The Alice books are one of the great “standards” (in the jazz sense) of illustration although I can’t say I’ve ever felt the temptation to approach them myself. Loathsome monstrosities from hideously-angled dimensions beyond space and time, yes; small Victorian girls and white rabbits, no.

Elsewhere on { feuilleton }
• The illustrators archive

Rogue’s Gallery: Pirate Ballads, Sea Songs, and Chanteys

The great Hal Willner is doing his eclectic thing again. A marvellous collection of folk ballads. Nice cover as well, from Howard Pyle’s celebrated pirate paintings.

Disc: 1
1. Cape Cod Girls—Baby Gramps
2. Mingulay Boat Song—Richard Thompson
3. My Son John—John C. Reilly
4. Fire Down Below—Nick Cave
5. Turkish Revelry—Loudon Wainwright III
6. Bully In The Alley—The Old Prunes
7. The Cruel Ship’s Captain—Bryan Ferry
8. Dead Horse—Robin Holcomb
9. Spanish Ladies—Bill Frisell
10. High Barbary—Joseph Arthur
11. Haul Away Joe—Mark Anthony Thompson
12. Dan Dan—David Thomas
13. Blood Red Roses—Sting
14. Sally Brown—Teddy Thompson
15. Lowlands Away—Rufus Wainwright & Kate McGarrigle
16. Baltimore Whores—Gavin Friday
17. Rolling Sea—Eliza McCarthy
18. Haul On The Bowline—Bob Neuwirth
19. Dying Sailor to His Shipmates—Bono
20. Bonnie Portmore—Lucinda Williams
21. The Mermaid—Martin Carthy & the UK Group
22. Shenandoah—Richard Greene & Jack Shit
23. The Cry Of Man—Mary Margaret O’Hara

Disc: 2
1. Boney—Jack Shit
2. Good Ship Venus—Loudon Wainwright III
3. Long Time Ago—White Magic
4. Pinery Boy—Nick Cave
5. Lowlands Low—Bryan Ferry w/Antony
6. One Spring Morning—Akron/Family
7. Hog Eye Man—Martin Carthy & Family
8. The Fiddler/A Drop Of Nelson’s Blood—Ricky Jay & Richard Greene
9. Caroline and Her Young Sailor Bold—Andrea Corr
10. Fathom The Bowl—John C. Reilly
11. Drunken Sailor—Dave Thomas
12. Farewell Nancy—Ed Harcourt
13. Hanging Johnny—Stan Ridgway
14. Old Man of The Sea—Baby Gramps
15. Greenland Whale Fisheries—Van Dyke Parks
16. Shallow Brown—Sting
17. The Grey Funnel Line—Jolie Holland
18. A Drop of Nelson’s Blood—Jarvis Cocker
19. Leave Her Johnny—Lou Reed
20. Little Boy Billy—Ralph Steadman

Previously on { feuilleton }
• The music of The Wicker Man
• Davy Jones