Polish poster by Franciszek Starowieyski, 1970.
• Tony Richardson’s Mademoiselle (1966) is one of those cult films that’s more written about than seen, despite having Jeanne Moreau in the lead role as a sociopathic schoolteacher, together with a screenplay by Marguerite Duras and Jean Genet, plus uncredited script-doctoring by David Rudkin. John Waters listed the film as a “guilty pleasure” in Crackpot but it’s been unavailable on disc for over a decade. The BFI will be releasing a restored print on blu-ray in September.
“While the hurdy-gurdy’s capacity to fill space with its unrelenting multi-tonal dirge is for some the absolute sonic dream, for others it is the stuff of nightmares.” Jennifer Lucy Allan on the pleasures and pains of a medieval musical instrument.
• “I truly believed”: Vicki Pollack of the San Francisco Diggers talking to Jay Babcock for the fifth installment of Jay’s verbal history of the hippie anarchists.
• “If you want to call yourself a composer, you follow every step of the instrumentation.” Ennio Morricone talking to Guido Bonsaver in 2006.
• Dutchsteammachine converts jerky 12fps film from the NASA archive to 24fps. Here’s the Apollo 14 lunar mission: landing, EVA and liftoff.
• New music: Suddenly the World Had Dropped Away by David Toop; Skeleton and Unclean Spirit by John Carpenter; An Ascent by Scanner.
• Peter Hujar’s illicit photographs of New York’s cruising utopia. Not to be confused with Alvin Batrop‘s photos of gay New York.
• Mixes of the week: XLR8R Podcast 651 by Dave Harrington, and Mr.K’s Side 1, Track 1’s #1 by radioShirley & Mr.K.
• Simon Reynolds on the many electronic surprises to be found in the Smithsonian Folkways music archive.
• The Gone Away by Belbury Poly will be the next release on the Ghost Box label.
• At Dennis Cooper’s: Ed Emshwiller Day.
• Shirley Collins’ favourite music.
• Mademoiselle Mabry (1969) by Miles Davis | Hurdy Gurdy Man (1970) by Eartha Kitt | Danger Cruising (1979) by Pyrolator
