Carel Struycken’s panoramas

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The Bradbury Building by Carel Struycken.

An idle search for a panorama view of the interior of the Bradbury Building in Downtown Los Angeles fetched me up at my favourite panorama site 360Cities and this photo by Carel Struycken. Mr Struycken is better known as an actor whose great height has seen him cast as The Giant in the Twin Peaks TV series, and Lurch in the Addams Family films. 360Cities has a page of his panorama views most of which are taken in and around Los Angeles. The strangely ossified landscape around California’s Monolake is more familiar from this photo by Hipgnosis for Pink Floyd’s Wish You Were Here album.

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Urban Light by Carel Struycken.

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Monolake in Winter by Carel Struycken.

Elsewhere on { feuilleton }
The panoramas archive

Previously on { feuilleton }
Through the darkness of future pasts
The Bradbury Building: Looking Backward from the Future

Weekend links 90

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Portrait of Dr. Ignacio Chavez (1957) by Remedios Varo (1908–1963) some of whose Surrealist paintings can be seen at Frey Norris, San Francisco, from 19th January. There’s also In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at the Los Angeles County Museum of Art from 29th January.

The current crop of Republicans jostling for the Presidential nomination have reminded me of the Downunder people in Harlan Ellison’s post-apocalypse novella A Boy and His Dog (1969): a retrograde, fear-ridden community who send troublesome individuals to be exterminated at “the farm”. Rick Santorum (unforgettably pictured here with family in 2006 after losing an election) almost received the majority of Iowa’s votes for his nomination last week, prompting renewed scrutiny of his negative views about gay people, sexually active people, foreign people (especially Arabs and Mexicans), and anyone generally who isn’t a white, Catholic, Downunder person. Santorum is against gay marriage, of course—it’s hard to find a Republican who isn’t—but he also wants to ban abortion even in cases of rape and incest, and given the opportunity would allow US states to prevent any use of contraception. Add to this his pro-torture stance (which offends current Catholic church policy), and his willingness to wage war with Iran, and it’s easy to see why his name prompts reactions such as this:

I have a history with Rick Santorum. In 2003, when Santorum, in an interview with the Associated Press, first compared gay relationships to child rape and dog fucking (have I mentioned that Santorum has compared gay relationships to child rape and dog fucking?), I held a contest to redefine Santorum‘s last name. The winning definition: “the frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex.” (“Sometimes” is the most important word in the new definition of santorum; if you’re doing anal sex correctly, there won’t be any santorum – lower- or upper-case.) And since 2003, the new definition has been the No. 1 Google return when you search “santorum“.

Rick Santorum’s homophobic frothing by Dan Savage

Related: Santorum was named one of the three “most corrupt” Senators in 2006 | “Homohater fosser fram” which is how Dagbladet, Norway’s second largest tabloid newspaper, introduces Santorum to its readers | “Rick Santorum channels Saint Augustine” an article at Slate exploring the Handmaid’s Tale extent of Santorum‘s attitudes towards sex and morality | Rick Santorum quotes as New Yorker cartoons.

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The Rod (1973) by Brigid Marlin.

• Ballardian posts a long-overdue interview with Brigid Marlin, famous now for having brought two lost Paul Delvaux paintings back to life for JG Ballard, but also a woman with an extensive career as a fantastic artist using Ernst Fuchs‘s laborious mische painting technique.

Quentin Blake on Ronald Searle, in which Blake notes that his hero was given a full-scale exhibition of his work at the Bibliothèque Nationale, France, in 1973 whilst being ignored throughout his life by the major institutions in Britain.

Alfred Jarry: A Pataphysical Life by Alastair Brotchie is reviewed by Michael Moorcock who tells me the Guardian cut out his references to Boris Vian, Maurice Richardson and David Britton.

Ian McKellen stirs things up by suggesting (not for the first time) that Shakespeare was bisexual.

• Ten posters by Only More Never Less inspired by Pink Floyd’s Dark Side of the Moon.

An end to bad heir days: The posthumous power of the literary estate.

Peace Eye! Fug! A Long Talk With Ed Sanders.

• Sand sculptures by Carl Jara.

Letterheady

• Skylab: These Are The Blues (1995) | Beyond The Breeze (1995) | Red Light, Blue Light (1995) | Indigo (Sabres of Paradise remix, 1995) | Seashell (Nobukazu Takemura mix, 1995).

San Francisco by Anthony Stern

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The flip-side of the kitsch London of Smashing Time can be found in this frenetic short made a year later which presents a fragmented view of that other locus of the Paisley Era, San Francisco. Director Anthony Stern avoids the usual longueurs of silent documentary by chopping his footage to bits to create a tour through the city streets that’s as frenzied as the films of Jeff Keen. The bonus is a score by The Pink Floyd (from the days when they still used the definite article) playing an exclusive version of Interstellar Overdrive. That alone makes one wonder why this film hasn’t received more attention over the years.

Stern’s film reminds me of Kenneth Anger’s Invocation of My Demon Brother (1969), another short work which is frequently as frenzied and also features scenes filmed in San Francisco. In addition, both films feature some ritual business: Stern shows a group of freaks in a psychedelic house with the inevitable naked woman cavorting for the benefit of clothed men; Anger is rather more serious with shots of a full-blown Crowlean ceremony. Anthony Stern today has established himself as a very accomplished glass artist; you can see his glass work here and watch San Francisco here.

Previously on { feuilleton }
Smashing Time
Berlin Horse and Marvo Movie
Kenneth Anger on DVD again

Weekend links 44

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Poster by Will Bradley for Victor Bicycles (c. 1895).

• G. Wayne Clough, chief exective of the Smithsonian Institution, finally admits that he made a hasty decision in removing David Wojnarowicz’s video from the Hide/Seek exhibition of gay art. Related: “Finland’s cultural gifts to the world include Sibelius, the Moomins and an artist that the country has been less eager to celebrate.” The belated homecoming of Tom of Finland.

The Fiend with Twenty Faces: Jonathan Clements examines the legacy of Edogawa Rampo (Hirai Taro), the Japanese master of mystery and imagination.

• RIP Susannah York. The Guardian posted a selection of clips including one from Robert Altman’s Images (1972).

• More mixtapes: Trish Keenan’s Mind Bending Motorway Mix and a selection for Quietus by Chris & Cosey.

• “Ruin photos speak to our desperate desire to have our world re-enchanted.”

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Promo poster by Hapshash and the Coloured Coat for My White Bicycle by Tomorrow (1967).

The Raging Peloton: Iain Sinclair on two wheels good, four wheels bad.

The unknown Jorge Luis Borges: five new anthologies reviewed.

The French house untouched for 100 years (and also here).

Electrotypes on Drugs: old chemists’ labels.

South China Sea Pishkun by Dinh Q. Lê.

Bike (1967) by Pink Floyd | My White Bicycle (1967) by Tomorrow | Trip On An Orange Bicycle (1968) by Orange Bicycle.

Weekend links 13

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Watch the trailer for the newly-restored version of Fritz Lang’s masterwork, Metropolis.

My cover design for Jeff VanderMeer’s Finch was voted best cover in the 2010 Spinetingler Awards.

• Figment announces the 2nd Annual Figment Album Cover Design Contest. The judge this time round is William Schaff.

• Two interviews at The Quietus: Jon Brooks of The Advisory Circle and Richard H Kirk of Cabaret Voltaire.

• “Merely a Man of Letters.” Jorge Luis Borges interviewed in 1977.

• Another Engelbrecht: The Miniature Theatres of Martin Engelbrecht.

The Unearthing Box Set by Alan Moore & Mitch Jenkins.

• The gays: RIP Felix Lance Falkon, author of the landmark study, A Historic Collection of Gay Art (1972). The Independent is the latest newspaper to look at sexuality in the animal kingdom.

Publisher to Release Philip K Dick’s Insights Into Secrets of the Universe.

• Roger Ebert shows the world a draft of his unfilmed Sex Pistols screenplay, Who Killed Bambi? Jon Savage comments.

• Further Flickr sets: History of the Book/Typography and Dutch Graphic Design. Related: more Dutch graphic design at the NAGO.

Far Red: Video by u-matic & telematique, music by Monolake.

Has steampunk jumped Captain Nemo’s clockwork shark yet?

An edge over which it is impossible to look.

Surrender. It’s Brian Eno.

Ecstatic Peace Library.

• Songs of the week: See Emily Play by Pink Floyd and Metropolis by Kraftwerk.