Layered Orders: Crowley’s Thoth Deck and the Tarot

magus.jpg

left: The Magus from the Thoth Tarot by Frieda Harris and Aleister Crowley (1938–1940?); right: The Magus from The Major Arcana by John Coulthart (2006).

Phantasmaphile presents another magickal art event in NYC next week. Layered Orders: Crowley’s Thoth Deck and the Tarot is described as “a personal narrative by Jesse Bransford”, an artist with a very distinctive approach to traditional occult symbolism. Bransford’s talk will focus on the peerless Thoth Tarot deck which Frieda Harris painted over several years under the careful direction of Aleister Crowley. The Thoth deck for me is still the ultimate Tarot deck. Crowley and Harris sought to create a Tarot for the 20th century, throwing out much of its tired and degraded iconography. This they replaced with dramatic interpretations which brought new layers of symbolism to the cards—including references to contemporary science—and also acknowledged the developments of Cubism and Futurism in the visual sphere. Tarot decks have proliferated since the 1960s but the Thoth deck has few (if any) rivals. I made use of Crowley’s controversial reordering and renaming of the cards in 2006 when I produced my set of Major Arcana designs based on international symbol signs.

The Tarot in general and Aleister Crowley’s Thoth Tarot in particular represent a miasmic confluence of image and thought into a single structure that is both liberating and overwhelming in its scope. In creating the deck, Crowley (in collaboration with painter Lady Frieda Harris) sought to integrate the mythological structures of the major mystical systems of both Western and Eastern occult traditions and to bring them into line with contemporary scientific thinking. The symbolism of the cards blends Kabbalah, Alchemy, Astrology, Egyptian mythology, quantum physics and even the I-Ching in ways that are at the same time clear and utterly confounding.

In an image-soaked personal narration Bransford, whose research-based artwork has delved into many of the territories Crowley sought to unify, will discuss some of the basic concepts of Tarot symbolism, returning to Crowley’s deck as among the most total example of the cards’ syncretism and as the most controversial.

Layered Orders: Crowley’s Thoth Deck and the Tarot takes place at Observatory, 543 Union Street, Brooklyn, NYC on Friday, July 17 at 7:30pm. Admission is free and there are further details at the Observatory website and Phantasmaphile.

Previously on { feuilleton }
Fata Morgana: The New Female Fantasists
Aleister Crowley on vinyl
The Man We Want to Hang by Kenneth Anger
The art of Cameron, 1922–1995

Fata Morgana: The New Female Fantasists

foerester.jpg

The Chemical Wedding by Madeline Von Foerster (2008).

Art lovers in the NYC area are advised to get down to the Saturday opening of this exhibition at the Dabora Gallery in Greenpoint, Brooklyn, for some great paintings and a free glass of absinthe. Fata Morgana: The New Female Fantasists is curated by Pam Grossman who runs one of my favourite art sites, Phantasmaphile. Further details can be found at the gallery pages which include links to the artists’ websites.

Dabora Gallery and Phantasmaphile’s Pam Grossman are proud to usher in the spring season with the group show “Fata Morgana: The New Female Fantasists,” on view from March 14th through April 12th, 2009. It features fourteen of the most vital and visionary women artists working in the US today.

In literal terms, a fata morgana is a mirage or illusion, a waking reverie, a shimmering of the mind. Named for the enchantress Morgan le Fay, these tricks of perception conjure up a sense of glimpsing into another world, whether it be the expanses of an ethereal terrain, or the twilit depths of the psyche. The artists of “Fata Morgana: The New Female Fantasists” deftly utilize the semiotics of mysticism, fantasy, and the subconscious in their work, thereby guiding the viewer through heretofore uncharted realms – alternately shadowy or luminous, but always inventive.

Yoko Ono recently said, “I think all women are witches, in the sense that a witch is a magical being.” Each artist in this show is a sorceress in her own right. Endowed with fecund imaginations and masterful craftsmanship, their work transforms the viewer: we become spellbound, bearing witness to their attempts to reconcile the desire for a diurnal beauty with the lure of a lush and riotous inner wilderness. The fantastical is counterpoint to the ferocious, the monstrous to the marvelous. Allusions to myth and metamorphosis abound, as these works channel their own heroine spirits and tell their own secret tales. Here, frame is magic threshold, bidding us to take a breath, and cross over.

Elsewhere on { feuilleton }
The fantastic art archive

Gallery ghosts

nendo.jpg

Ghost Stories, an exhibition by Japanese design company Nendo at Friedman Benda, New York.

The installation presents 40 of their Cabbage Chairs embedded in a sea of suspended cords that fill the gallery space creating a visual haze and forces physical participation if you want to see the chairs up close.

Via Core77 when you can see further photos.

haase.jpg

And in a similar but quirkier vein there’s Geister by Christine Haase at the Stir Gallery, Shanghai, a series of porcelain statues which look like Canova meets the Addams Family. Via Phantasmaphile via Blood Milk.

Arte y pico award

premio.jpg Thanks to Ms Bluewyvern at Blue Tea for honouring { feuilleton } with the Arte y pico award, the details of which are as follows:

1. You have to pick 5 blogs that you consider deserve this award for their creativity, design, interesting material, and also contributes to the blogging community, no matter what language.
2. Each award has to have the name of the author and also a link to his/her blog to be visited by everyone.
3. Each award winner has to show the award and put the name and link to the blog that has given her/him the award itself.
4. The Award winner and the one who has given the prize have to show the link of “Arte Y Pico” blog, so everyone will know the origin of this award.
5. To show these conditions.

There’s a number of excellent blogs I visit more or less daily but the following five are the ones I find are always surprising me with things I haven’t seen before or things I never expected to see. So in alphabetical order we have:

• Mariana at Beautiful Century

• Thombeau at Fabulon

• Mr Door Tree at Golden Age Comic Book Stories

• Jahsonic at Jahsonic

• Pam at Phantasmaphile

All places worthy of your sustained attention.

The art of Laurie Hassold

hassold.jpg

left: Bent Fork (The Beginning of Hunger) (2007).
right: Strange Attractor IV: Zygomorph (2006).

“My core interest in making art lies in blurring the boundaries between art, science, literature and psychology,” says Laurie Hassold, and seeing that this is the week the monstrosities of Cloverfield are unleased upon America, it’s perhaps appropriate that some organic weirdness is on display at Bert Green Fine Art in Los Angeles. Laurie Hassold’s show runs until March 1st, 2008.

Via Phantasmaphile.

Previously on { feuilleton }
The art of Jean Louis Ricaud