Weekend links 765

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An Ideal Life (1950) by Leonor Fini.

• “…there has not been anything like a general, systematic discussion of what other, semantically different kinds of languages there can be, and the philosophical consequences of this. If reality has a certain structure, it would be a miracle if familiar languages contain all the resources to capture this structure.” Matti Eklund on the potential nature of alien languages.

• “As cats evolved from feral ratters into beloved Victorian companions, a nascent pet-food economy arose on the carts of so-called ‘cat’s meat men’. Kathryn Hughes explores the life and times of these itinerant offal vendors, their intersection with a victim of Jack the Ripper, and a feast held in the meat men’s honour, chaired by none other than Louis Wain.”

• Kinoteka, the UK’s Polish Film Festival, revealed its 2025 programme this week. Among the events will be a screening of the new Quay Brothers film, Sanatorium Under the Sign of the Hourglass (extract), at BFI Imax in London. Also in London (and with free entry), Swedenborg House will be hosting an exhibition of the Quays’ film decors.

• In a recent comment here I said that some of Charles Williams’ metaphysical novels were like John Buchan thrillers with an occult twist. At Wormwoodiana G. Connor Salter investigates the possible connections between the two writers.

Alice Coltrane & Carlos Santana, 1974: Lossless downloads of previously unissued recordings from the Illuminations album and a live set with John McLaughlin at San Francisco’s Kabuki Theater.

• “‘The Köln Concert is the hit he wants to disown’: why Keith Jarrett shunned two new films about his unlikely masterpiece.”

• New music: Shards by Tim Hecker; and Some Other Morning by Memory Effect.

• Mix of the week: DreamScenes – February 2025 at Ambientblog.

• At Colossal: Outdoor light installations by Lachlan Turczan.

• Galerie Dennis Cooper presents…Paul Laffoley.

Cat’s Eye (1977) by Van Der Graaf | Cat’s Eye (2015) by Patrick Cowley | No Cat’s Eyes (2017) by The Belbury Circle

Weekend links 336

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Visit in Night (1951) by Toshiko Okanoue.

• Rhythms of the World: Bombay and All That Jazz; a 60-minute BBC documentary featuring Trilok Gurtu, L. Shankar, Don Cherry, Alice Coltrane, Zakir Hussain and others. The quality of the full-length copy is a little rough so it’s worth noting the six-part version here.

Adam Scovell talks to Leah Moore and John Reppion about adapting the ghost stories of MR James for the comics medium. Related: The Corner of Some Foreign Field, a short piece of folk horror written by Martin Hayes with art by Alfie Gallagher.

Callum James on the overtly gay nature of Films and Filming magazine (1959–1990). Having seen a few copies over the years I’d always suspected this but didn’t realise it was so persistent. Related: The Boy and the Wolf by Callum James.

• At Dangerous Minds: Lucifer Rising live in concert: Bobby Beausoleil and the Freedom Orchestra perform their Kenneth Anger soundtrack, 1978.

Simon Says: A rare cassette tape of instructions by Peter Levenda for using the Simon Necronomicon (1977) as a grimoire.

• Mixes of the week: Fact Mix 577 by Outer Space, and Incantations and Manifestations by Melmoth_The_Wanderer.

• At Dennis Cooper’s: _Black_Acrylic presents … Art Sex Music: A Cosey Fanni Tutti Day.

• Up from the Abyss: Brenda SG Walter on Rammstein, Lovecraft and Sea Zombies.

• Cinematic Alchemy: Christopher Gibbs on designing sets for Performance (1970).

• Magic carpets: the art of Faig Ahmed‘s melted and pixellated rugs.

• Drips, pop and Dollars: the music that made Ennio Morricone.

• At Bibliothèque Gay: Cocteau et quelques autres.

• “Sleepers Awake!” says Moon Wiring Club.

Can your city change your mind?

The Paul Laffoley Archive

The Ambivalent Abyss (2001) by Lustmord | Byss And Abyss (2004) by Espers | Dark Bullet From The Abyss (2010) by Pleq

Language of the Birds: Occult and Art

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Astrological Ouroboros (1965) by Paul Laffoley.

Language of the Birds is an occult-themed art show at 80WSE, New York University, that opened this week and runs to 13 February, 2016. Curator Pam Grossman has assembled a stunning collection of work by artists, occultists, and occult-artists old and new:

Kenneth Anger * Anohni * Laura Battle * Jordan Belson * Alison Blickle * Carol Bove * Jesse Bransford * BREYER P-ORRIDGE * John Brill * Robert Buratti * Elijah Burgher * Cameron * Leonora Carrington * Francesco Clemente * Ira Cohen * Brian Cotnoir * Aleister Crowley * Enrico Donati * El Gato Chimney * Leonor Fini * JFC Fuller * Helen Rebekah Garber * Rik Garrett * Delia Gonzalez * Jonah Groeneboer * Juanita Guccione * Brion Gysin * Frank Haines * Barry William Hale * Valerie Hammond * Ken Henson * Bernard Hoffman * Nino Japaridze * Gerome Kamrowski * Leo Kenney * Paul Laffoley * Adela Leibowitz * Darcilio Lima * Angus MacLise * Ann McCoy * Rithika Merchant * William Mortensen * Rosaleen Norton * Micki Pellerano * Ryan M Pfeiffer & Rebecca Walz * Max Razdow * Ron Regé, Jr. * Rebecca Salmon * Kurt Seligmann * Harry Smith * Kiki Smith * Xul Solar * Austin Osman Spare * Charles Stein * Shannon Taggart * Gordon Terry * Scott Treleaven * Panos Tsagaris * Charmion von Wiegand * Robert Wang * Peter Lamborn Wilson * Lionel Ziprin

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El Nigromante (1950) by Leonora Carrington.

More details for lucky New Yorkers may be found here. In addition, there’s an Occult Humanities Conference that runs through the weekend of February 5th.

Paul Laffoley, 1940–2015

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Alchemy: The Telnomic Process of the Universe (1973).

Another week, another incomparable artist gone. This small selection of Laffoley’s unique art and sculpture manages to combine references to (among other things) alchemy, William Blake, Charles Baudelaire, Oscar Wilde, HP Lovecraft, Mark of the Vampire, and Night of the Demon. And this is only a fraction of his work. Richard Metzger has a memorial post at Dangerous Minds together with more paintings and some video links. There’s more at the official website and Kent Fine Art. It’s good to read that the University of Chicago Press will be publishing The Essential Paul Laffoley in March, 2016.

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The Death and Life of Monsieur Sebastian Melmoth: Au Théâtre du Grand Guignol (2001–2003).

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The Solitron (1997).

Continue reading “Paul Laffoley, 1940–2015”

Weekend links 275

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A painting from the Projekt Babelturm series by Wessi.

• “The first thing I would say is that I have no idea what authentic psych music is, and I have no wish to pursue that either. To me the idea of real psych is a paradox. I can’t see how you can have such a thing as real psychedelia when the whole thing is based on a psychedelic drug that gives you hallucinations and illusions and layers and layers of unreality.” Rob Chapman talking to Ben Graham about his new book, Psychedelia And Other Colours.

Elsewhere in a rather psychedelic week: Rob Young reviewed Chapman’s book for the New Statesman; Dangerous Minds posted “Hypnotic video of how a psychedelic masterpiece is made“; and in Germany a homeopathy conference “ended in chaos in Germany after dozens of delegates took a LSD-like drug and started suffering from hallucinations.”

• Coming soon from Dark Entries (so to speak), another collection of Patrick Cowley‘s music for gay porn films.

Jonathan Barnbrook works some quotes from JG Ballard into the British Road Sign Project.

• “Sorcery is more popular than football in Morocco,” says writer and filmmaker Abdellah Taïa.

• “If you’re going to make something, you should try and be wild,” says Mica Levi.

• Coca-Cola Milanese: Patrick Ellis considers the state of the world’s fair in 2015.

• Hear two pieces from Collapse, the forthcoming album by Drew McDowall.

• Mix of the week: Secret Thirteen Mix 162 by Ketev (Yair Elazar Glotman).

Emptyset’s Signal transforms Earth’s ionosphere into sound art.

Paul Laffoley: The Force Structure of the Mystical Experience.

• Fuck off, Star Wars, Ben Wheatley’s High Rise is on its way.

Ideologic Organ

Psychedelic Ride (1967) by The Ides | Psychedelic Warlords (Disappear In Smoke) (1974) by Hawkwind | Psychedelic Sewing Room (1989) by Bongwater