Weekend links 36

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Mervyn Peake’s Caterpillar from Alice’s Adventures in Wonderland finds itself used to promote High Society, an exhibition at the Wellcome Collection devoted to the long history of human drug-taking. There’s more about the exhibition here and also an accompanying book by Mike Jay from Thames & Hudson. Related: The Most Dangerous Drug:

A group of British drug experts gathered by the Independent Scientific Committee on Drugs (ISCD) rated alcohol higher than most or all of the other drugs for health damage, mortality, impairment of mental functioning, accidental injury, economic cost, loss of relationships, and negative impact on community.

• Unless the magazine Man, Myth & Magic was advertised on TV in 1970 (and I suspect it would have been) Austin Osman Spare’s work has never been seen on British television, certainly not in any detail or with a credit to the artist. This week the BBC finally paid him some attention with a brief spot on The Culture Show as a result of the Fallen Visionary exhibition which is still running (until November 14) in London. Alan Moore, Fulgur‘s Robert Ansell and others attempt to summarise Spare’s career in seven minutes.

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Neil Fujita designs: Mingus Ah Um (1959) and The Godfather (1969).

• RIP graphic designer Neil Fujita. Related:

“By taking the “G” and extending it to the “D,” I created a house for “God.” The way the word was designed was part of the logo and so was the type design. So when Paramount Pictures does a film version or Random House, which bought out the book from Putnam, does another Godfather book, I still get a design credit. In fact, before the first Godfather film opened in New York I saw a huge billboard going up in Times Square with my design on it. I actually got them to stop work on it until we were able to come to an agreement.” Waxing Chromatic: An Interview with S. Neil Fujita

French SF illustration. Related: Where did science fiction come from? A primer on the pulps, a feature by Jess Nevins with some of the craziest covers you’ll see this month.

• Gay-bashers in 1970s San Francisco had to beware the wrath of the Lavender Panthers.

• More Marian Bantjes as she discusses her work in an audio interview.

Music from Saharan cellphones.

Origami Beauty Shots.

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Better Git It In Your Soul (1959) by Charles Mingus.

Geoffrey Haberman’s brass insects

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Blepharopsis mendica nymph.

More insect art and some really gorgeous creations. Geoffrey Haberman also makes silver insects but I much prefer the brass ones. From four pages of Flickr photos including an incredible mantis horde.

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Idolomantis diabolica adult male.

Previously on { feuilleton }
Sipho Mabona’s origami insects
Kitchen insects
Elizabeth Goluch’s precious metal insects
Laura Zindel’s ceramics
The art of Philippe Wolfers, 1858–1929
Robert Lang’s origami insects
Lalique’s dragonflies
Lucien Gaillard

Sipho Mabona’s origami insects

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Praying Mantis (2008).

Folded from a single sheet. Amazing. Lots more insects and other constructions on her Flickr page.And while we’re on the subject, Between the Folds is a documentary about origami artists currently doing the rounds of film festivals. Via Design Observer.

Previously on { feuilleton }
Kitchen insects
Elizabeth Goluch’s precious metal insects
Laura Zindel’s ceramics
The art of Philippe Wolfers, 1858–1929
Robert Lang’s origami insects
Lalique’s dragonflies
Lucien Gaillard

Laura Zindel’s ceramics

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left: Small Hercules Beetle Vase, Large Harlequin Beetle Vase.
right: Small Lady Beetle Vase, Large Scarab Beetle Vase.

Ceramic art by Laura Zindel. Good to see that arthropods are no longer such a taboo for home furnishings.

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Via Fabulon.

Previously on { feuilleton }
The art of Jo Whaley
Endangered insects postage stamps
Robert Lang’s origami insects
Lalique’s dragonflies
Lucien Gaillard
Wesley Fleming’s glass insects
Insect Lab

The art of Jo Whaley

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Papilio ulysses (2000).

Best. Insect Art. Ever. From a series entitled The Theater of Insects, also the name of a book devoted to Ms Whaley’s photographs which will appear from Chronicle Books later this year.

The photographs in this book are fantastic field illustrations. While the insects in these images are real, the backgrounds are imaginary altered habitats of my devising. Inspired by the old dioramas found in natural history museums, the pinned insects are arranged in constructed environments. The studio where I create the images is as much a theatrical scene shop as it is a photography studio. The prop room looks like an eighteenth-century cabinet of curiosities, in that it is filled with specimens of natural history and visual oddities of manufacture. I use free association and intuition to make decisions about arranging the insect with a particular backdrop. Looking at color, shape, and form, I move the elements about until the magic of the image appears. Lighting the scene is challenging as the sets are only about five by seven inches across with a depth of about an inch and a half. Yet the studio lighting is key to breathing a spirit into these pinned specimens and unifying the disparate elements within the mise-en-scène Finally, the performance of the image is concluded with a single click of the camera’s shutter. (More.)

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Coleoptera (2003).

Via Fabulon.

Previously on { feuilleton }
Endangered insects postage stamps
Robert Lang’s origami insects
Lalique’s dragonflies
Lucien Gaillard
Wesley Fleming’s glass insects
Insect Lab