Mouse on Mars – Page 2 – { feuilleton }

Weekend links 116

Ankle Deep, a pyrograph by Robert Sherer whose work is showcased at The Advocate.

• “Bertrand Russell wrote in 1932, during another period of economic distress, ‘that immense harm is caused by the belief that work is virtuous, and that what needs to be preached in modern industrial societies is quite different from what always has been preached.’ ” From The Devilishness Of Idleness by Alex Gallo-Brown. Related: Owen Hatherley says “It’s the 21st century – why are we working so much?”

• Restoring James Joyce’s book of the night: Joyce biographer Gordon Bowker reviews the new edition of Finnegans Wake. Over at the NYRB Michael Chabon has a great piece about his own relationship with Joyce’s novel that manages to make some very un-NYRB references to Cthulhu, the Necronomicon and Michael Moorcock’s Elric. Related: Leopold’s Day, a limited edition (and expensive) map of Dublin using typography to depict the people and places of Bloomsday.

Verbally, it feels as though Burroughs, Joyce and Beckett are text messaging haikus back and forth: ‘beautiful/last/random fragments of poetry/finding syllables,/the waters fall/the waves fall/musical./pencil murmuring’.

James Kidd on A Humument by Tom Phillips.

• The Expanding Universe (1980), an album of early computer music by American composer Laurie Spiegel, will be reissued with additional recordings in September.

• A previously unreleased remix by Surgeon of Teenage Lighting by Coil has been made public.

Small Museum of Nature and Industry (2010) by Susan Collard.

• Queer Kids In America, a photo project by M. Sharkey.

• Walter Benjamin’s Grave: A Profane Illumination.

• The Visual Art and Design of Famous Writers.

• Nylon Sculptures by Rosa Verloop.

• Froschroom (1994) by Mouse on Mars | Bib (1995) by Mouse on Mars | Cache Coeur Naïf (1997) by Mouse on Mars.

Weekend links 47

DG-2499 (1975) by the fantastic (in every sense of the word) Zdzislaw Beksinski (1929–2005). See the Dmochowski Gallery for a comprehensive collection of the artist’s work. Thanks to BibliOdyssey for the tip.

• More ICA events: From Animism to Zos: Strange Attractor Salon will be “a series of weekly events, consisting of a talk and a film, exploring some lesser-known intersections of culture, history, mind and nature” running from 10 March–12 May, 2011.

• And on May 10, the London Word Festival presents a Dodgem Logic evening with entertainment provided by contributors to that magazine:

Alan Moore’s reinvigoration of the underground fanzine, Dodgem Logic, comes alive in the non-conformist surroundings of Hackney’s Round Chapel. A night of art, comedy, comment and put-something-back localism. (…) With Robin Ince heading up a colossal stand-up bill, artists Steve Aylett, Savage Pencil, Melinda Gebbie and Kevin O’Neill panel-up to talk about their comic work, while music comes from hyperactive racketeers The Retro Spankees. With an exhibition of artwork from the magazine, and conducted by editor-in-chief Alan Moore.

• Taschen publishes a collection of Dennis Hopper’s photographs this week. The Independent has a small selection here. Also new from Tachen, Alex Steinweiss, The Inventor of the Modern Album Cover.

• Bass Notes: The Film Posters of Saul Bass at the Kemistry Gallery, London.

DG-2507 by Zdzislaw Beksinski.

While riding through the bustling streets of London from 1603 to 1621, one was liable to hear the shout “Long live Queen James!” King James I of England and VI of Scotland was so open about his homosexual love affairs that an epigram had been circulated which roused much mirth and nodding of the heads: Rex fuit Elizabeth: nunc est regina Jacobus—”Elizabeth was King: now James is Queen.”

There’s more about the private life of the man who gave his name to the King James Bible here.

• Addams and Evil, a Tumblr devoted to the great Charles Addams.

• Hannes Bok again at Golden Age Comic Book Stories.

• Caravaggio’s crimes exposed in Rome’s police files.

• Deserted City, photographs by Kim Høltermand.

• The blue sand dunes of the planet Mars.

• A map of the ghost signs of Chicago.

• The movie title stills collection.

• The pitfalls of e-book buying.

• Life On Mars? (1971) by David Bowie | Uncle Sam’s On Mars (1979) by Hawkwind | Eyes On Mars (1980) by Chrome | Cache Coeur Naif (1997) by Mouse on Mars.

Electric Seance by Pram

The (Electric Seance) concept was inspired by the discovery that many early pioneers and inventors of electrical apparatus and radiophonic equipment believed that they could use their inventions to contact ‘the other side’.

Scott Johnston

This month’s issue of The Wire has Birmingham group Pram on the cover. Inside they discuss working with filmmaker Scott Johnston whose Electric Seance production was used as part of the group’s Photophonic Experiment shows last year. I have to admit I was never much taken with Pram’s early work, preferring their Too Pure stablemates Laika and Mouse on Mars circa 1997. (Having said that, I’m listening to their Helium album now and it sounds better than I remembered.) I did appreciate the references, however, which encompassed a range of interests including White Noise, Maya Deren and the films of Karel Zeman, all of whom have been the subjects of previous posts here. The band were keen to produce an alternative soundtrack for Zeman’s Invention of Destruction but the Czech Film Archive refused their offer.

Pram seem to have become more interesting in the intervening years, unlike their compatriots. Laika lost me when they got too poppy while Mouse on Mars abandoned melody for a blizzard of increasingly tiresome electronic abstraction. Electric Seance gives some idea of where Pram are at now which isn’t too far removed from the same world of retro-electronica and English spookiness being explored by the Ghost Box artists. The Wire has the soundtrack to Electric Seance as a free download.

And following from yesterday’s reference to Last Year in Marienbad, another film in Scott Johnston’s YouTube collection, The Arranged Time, is a tale of sinister recursion which he says is indebted to Resnais’s classic enigma.

Previously on { feuilleton }
• White Noise: Electric Storms, Radiophonics and the Delian Mode
• The Séance at Hobs Lane
• New Delia Derbyshire
• A playlist for Halloween
• Ghost Box
• The Photophonic Experiment