Weekend links 371

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• My cover design for the Doug Murano-edited story collection, BEHOLD! Oddities, Curiosities and Undefinable Wonders, appeared here last December but a repost is in order since the book has been published this week by Crystal Lake. Back in December I didn’t have a list of the featured authors but I do now: Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn L. Kemper, John FD Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and Richard Thomas. The foreword is by Josh Malerman, and the interior illustrations are by Luke Spooner.

• “How do you memorialize an artist who refused to remain identical to himself? How do you remember one of the great philosopher-artists of memory?” Ben Lerner on the elusive Chris Marker.

Diabolical Fantasia: The Art of Der Orchideengarten, 1919. A welcome reprinting of art from the German magazine of weird fiction compiled by Thomas Negovan. (Previously)

• Coming in September: Conny Plank: The Potential of Noise, a documentary by Reto Caduff and Stephan Plank about the great record producer.

The Roman Roads of Britain mapped by Sasha Trubetskoy in the style of Harry Beck’s London Tube Map.

• At Dennis Cooper’s: Spotlight on…Julia Kristeva Powers of Horror: An Essay on Abjection (1980).

Ian Shank on the trove of erotic Roman art that scandalized Europe’s royals.

• At Haute Macabre: Biblio-alchemy: The Liquid Library of Annalù Boeretto.

• What makes a French film noir? Andrew Male has some suggestions.

David Shariatmadari on how 1967 changed gay life in Britain.

• Mix of the week: Gated Canal Community Radio.

• A Gallery of Moods by Mlle Ghoul.

Loe And Behold (1970) by Sir Lord Baltimore | Behold The Drover Summons (1983) by Popol Vuh | Beholding The Throne Of Might (2014) by The Soft Pink Truth

Weekend links 187

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Delia Derbyshire (2007) by Iker Spozio.

Whatever you think of Doctor Who, Delia Derbyshire’s recording of Ron Grainer’s theme tune is a landmark piece of electronic music. Those glassy electronic tones still sound unique today, not least for their having been created using rudimentary oscillators and much laborious tape editing. In Radiophonic Workshop: the shadowy pioneers of electronic sound, Joe Muggs looks at the history of the BBC’s electronic composers. If you’re a Radiophonic-head then the Alchemists of Sound TV documentary from 2003 is essential viewing.

There’s more (there’s always more): Delia Derbyshire – Sculptress of Sound: part one of a seven-part radio documentary about the great electronic music composer, and Blue Veils and Golden Sands, Martyn Wade’s radio play about Delia. Related: Delia-Derbyshire.org, Delia Derbyshire: An audiological chronology and A History of the Doctor Who theme. And don’t miss: Silence Is Requested In The Ultimate Abyss (1969) by Welfare State and White Noise, an incredible slice of electro-psychedelia from the John Peel Presents Top Gear album.

• “Why don’t books for grown-ups have illustrations any more?” asks Christopher Howse. Some of them do, this past week I’ve been finishing a new series of illustrations for a story anthology.

• From 2006: Ian Penman on cigarettes, espionage, and the masterful (and superior) television adaptation of Tinker, Tailor, Soldier, Spy.

It was Malcolm [McLaren] who suggested that the main characters be a boy who looks like a girl who looks like a boy and vice versa. What was strange was that, actually, in 1985 this was nobody’s vision of the fashion industry. Since then, fashion and fascism have crept closer: you’ve got John Galliano doing his promotional bits for the Third Reich, you’ve got Alexander McQueen killing himself, you’ve got Versace and that horrible, violent stalker coming for him. Since it was written, almost all of it has come true apart from the nuclear winter, but I think we’re working on that. The actual society that the story happens in is much more like the society we have now than culture was in 1985.

Alan Moore on Fashion Beast, Situationism, and why he hates superheroes.

• KW Jeter talks about his latest novel, Fiendish Schemes, and the “cultural juggernaut” that is steampunk.

• Grit and Social Dynamics in Smoke Ghost: Elwin Cotman on the weird fiction of Fritz Leiber.

The Secret Lives of the Vatican’s Gay Cardinals, Monks, and Other Clergy Members.

Don Cherry & Organic Music Theatre, live in the RAI TV studios, 1976.

• Otherworldly Art and Photography: Mlle Ghoul finds the best things.

• From 1998: Rahma Khazam on composer Bernard Parmegiani.

• Mix of the week: Marshland: The Mix by Hackneymarshman.

• “Let’s colonize the clouds of Venus,” says Ian Steadman.

J. Hoberman on David Cronenberg’s Visual Shock.

The Delian Mode (1968) by Delia Derbyshire | Tom Baker (1981) by The Human League | Doctor Who? (1984) by Doctor Pablo & The Dub Syndicate

Weekend links 60

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Jean Genet (1950) by Leonor Fini.

• Bibliothèque Gay looks at a series of erotic engravings made by Leonor Fini for La Galère (1947) by Jean Genet. The author reciprocated with Mademoiselle: A Letter to Leonor Fini. At the hetero end of the erotic spectrum, Tate Liverpool will be showing a series of drawings by René Magritte produced for a proposed edition of Madame Eduarda by Georges Bataille. René Magritte: The Pleasure Principle opens next month.

George Clinton will be appearing with Nona Hendryx at the British Library on 18th June, to talk about “all things galactic”. In addition there’s a screening of John Akomfrah’s The Last Angel of History, a documentary about Afrofuturism and black science fiction. See an introduction to that here. Related: the Smithsonian’s National Museum of African American History and Culture has acquired the Parliament-Funkadelic Mothership for its collection.

• RIP Gil Scott-Heron. “Why does this colossus remain relatively unknown? Is he too political? Too uncompromising? Too angry? Too satirical? Too painful? Too playful? Too alive? Too black? Too human?” Jamie Byng in Gil Scott-Heron: poet, campaigner and America’s rough healer.

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Le Fils du Maçon (1950) by Leonor Fini.

China Miéville examines alternative histories in Brian Aldiss’s The Malacia Tapestry, David Britton’s Lord Horror and Richard Curtis’s chilling dystopia, Notting Hill.

• What happened to Rolf-Ulrich Kaiser and Gille Lettmann when the Kosmische Musik dream collapsed? Find out here.

• Mlle Ghoul interviews Will Errickson of Too Much Horror Fiction about horror paperbacks, good and bad.

• Another Surrealist woman: Claude Cahun at Strange Flowers.

The Key of Hell: an eighteenth-century sorcery manual.

Partitura 001: realtime sound visualisation.

Scientific Illustration: a Tumblr.

Cosmic Slop (1973) by Funkadelic | Cosmic Slop (1991) by Material.