Tunnel 228

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Lightning & Kinglyface’s paper forest; photo by Jeff Moore.

Tunnel 228 is a collaboration between Kevin Spacey in his position as artistic director of the Old Vic Theatre, and experimental theatre company Punchdrunk staging an art installation/performance work in tunnels beneath Waterloo, London. Mention of the magic word “Metropolis” (in its Fritz Lang context) caught my attention, the network of tunnels being filled in part by the sounds of clanking machinery. Visitors get to explore the paper forest shown above and may also see:

…tiny models of people in hidden nooks…a gilded statue of two fighting angels…spooky dummies of masked workers by artist Mark Jenkins, and bizarre still scenes, including a woman slumped over a melting table, by Polly Morgan.

The show runs from May 8th for fifteen days and is free but already seems to be fully booked going by the frustrated comments on this page. The rest of us will have to be intrigued by photos and hope that events such as this inspire artists and theatre groups elsewhere.

Tunnel vision of underground art | Guardian feature.

Previously on { feuilleton }
Polly Morgan, fine art taxidermist
Metropolis posters

The Heart of the World

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In honour of the great news that a print of Fritz Lang’s Metropolis has been discovered containing scenes long-believed to have been lost, here’s a link to my favourite Guy Maddin film, The Heart of the World. Maddin’s short is six minutes of frenetic genius which references Metropolis in passing although it owes far more to Expressionist cinema and the avant garde propaganda works of Sergei Eisenstein, Dziga Vertov and others. I like Maddin’s films a lot, especially the luxuriantly camp Twilight of the Ice Nymphs, but sometimes his eccentricities can be overbearing at feature length. Heart of the World by contrast is just perfect.

YouTube has a few other Maddin shorts including his BBC-commissioned The Eye Like a Strange Balloon (1995), based on a picture by Symbolist artist Odilon Redon. Also the long version of Sissy Boy Slap Party from the same year, which comes across as a crazy blend of South Pacific outtakes, Fassinbinder’s Querelle and Martin Denny exotica, in a style as frenetic as Heart of the World. Hilarious and homoerotic in equal measure.

I cast Ann Savage as my mother | Guy Maddin on his new film, My Winnepeg

(Update: Links changed to connect to Maddin’s own Vimeo channel.)

Previously on { feuilleton }
Exotica!
Alla Nazimova’s Salomé
Metropolis posters

Hugh Ferriss and The Metropolis of Tomorrow

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Philosophy from The Metropolis of Tomorrow (1929).

I’ve procrastinated for an entire year over the idea of writing something about Hugh Ferriss and now this marvellous Flickr set has forced my hand. Ferriss (1889–1962) was a highly-regarded architectural renderer in the Twenties and Thirties, chiefly employed creating large drawings to show the clients of architects how their buildings would look when completed. But he was also an architectural theorist and his 1929 book, The Metropolis of Tomorrow, which lays out his ideas for cities of the future, was a major influence on the work I produced for the Lord Horror comics during the 1990s. Ferriss’s book appeared two years after Fritz Lang’s Metropolis but bears little resemblance to Lang’s simplistic tale, despite superficial similarities. Rather than a science fiction warning, The Metropolis of Tomorrow was a serious proposal for the creation of Art Deco-styled megacities.

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Lord Horror: Hard Core Horror #5 (1990).

Continue reading “Hugh Ferriss and The Metropolis of Tomorrow”

Metropolis posters

Fritz Lang’s masterpiece via some of its posters, all from 1927.
This site is a great source of information about the film.

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Designer: Heinz Schulz-Neudamm.
As of 2005, the world’s most expensive film poster, selling for $690,000.

Continue reading “Metropolis posters”