Watch Repair

watchrepair1.jpg

This recent design job is nearing its official release date so I can mention it here. Watch Repair is a limited CD-R release via Manchester’s Ono label. Ono releases tend to be small-run, hand-crafted productions so for this the brief was to design something to fill out a single sheet that would be Risograph-printed then folded around the disc. The music is 37 minutes of guitar improvisation and antique clock sounds wrapped in a reverberant sound design. The detailed attention to spacial effects benefits from headphone listening.

watchrepair2.jpg

The Watch Repair people (who only go by that name occasionally) have a lot more of this music waiting for release. Also waiting in the wings is a superb reworking of some rare recordings made in the 1980s by author Mark Valentine under the name The Mystic Umbrellas. The latter will be of great interest to those who appreciate Xenis Emputae Travelling Band or to anyone who prowls Bandcamp in search of spectral ambiences. Here’s hoping it receives a release soon. Watch Repair may be ordered from Piccadilly Records.

Weekend links 121

lambshead.jpg

Title spread for The Thackery T. Lambshead Cabinet of Curiosities (2011) edited by Ann & Jeff VanderMeer.

I was surprised this week to find myself nominated as Best Artist in the World Fantasy Awards. The results will be announced at the World Fantasy Convention in November. Among the books nominated for Best Anthology is the Thackery T. Lambshead Cabinet of Curiosities for which I provided title page designs and some illustrations. Editors Ann & Jeff are well-represented (and ought to win for their landmark The Weird anthology), and I’m pleased to see Mark Valentine receive a nod for his excellent Wormwood magazine. Mark and Roger Dobson published my first Lovecraft adaptation, The Haunter of the Dark, in a large-format edition under their Caermaen imprint in 1988.

I remember having a conversation with my father about it. I told him what I’d really have liked to find, in my exhaustive search of the canon, was a gay superhero. You know: fucking dudes, saving the world. Never mind the fact that superheroes, with their notoriously contour-hugging apparel, are usually assumed gay by default. I wanted something that had existed, something from history. My father considered my criteria.

“I think what you want is Gore Vidal.”

Henry Giardina on Gore Vidal’s Bully Republic at the Paris Review.

• Appreciations and memorials for the late Gore Vidal continue to surface: “He was punk rock with a traditional, smooth exterior. But there was nothing traditional about him, not really. He defied singular category,” says Aaron Tilford at Lambda Literary. “Jokes course through Vidal’s entropy-heavy commentaries like a warm, reviving current. They, more than the barbs to which they form a counterpoint, are what make his essays a continuing pleasure to read,” says “J.C.” at the TLS.

• “Winterson’s opposition to strict realism is less an artistic critique than a cultural one. She uses the term ‘realism’ to describe an entrenched way of viewing the world, which it is the writer’s duty to challenge.” Hannah Tennant-Moore on Jeanette Winterson at n+1.

The Ghosts of Bush by Robin The Fog: “A final hauntological perambulation around the hidden corners of Bush House, Aldwych, London, June 2012”.

• “For everything that is not shown, the filmmaker counts on the power of imagination of his viewers.” Lebbeus Woods on Chris Marker and La Jetée.

Joseph Burnett on “Rainbow Ambiguity: Defying conservatism in mainstream LGBT culture”.

• Leigh Brackett book and magazine covers at Golden Age Comic Book Stories.

BLDGBLOG visited the Whitechapel Bell Foundry in London.

Stilled Life: A collection of photography by Thom Ayres.

• Underground subversion: Stickers on the Central Line.

Andrei Codrescu on five favourite Fantastical Tales.

Vangelis performs an analogue synth freakout for Spanish TV in 1982 | Oro Opus Alter, a track from the forthcoming album by Ufomammut | New World, a track from the forthcoming album by The Irrepressibles. Can’t wait.

Weekend links 87

scott.jpg

Untitled art by Katie Scott.

“…the very fact that people cannot get published by the big-name publishers in the way that they used to has meant that you’ve got some really interesting and often really beautiful little small publishing houses that are springing up and coming into existence. And the stuff that they’re providing is actually a lot better. I’m thinking of people like Tartarus Press, Strange Attractor and various other commendable small publishers that do a beautiful job and that are producing books that are good to have on your bookshelf.”

Alan Moore discussing books old and new in a lengthy interview at Honest Publishing. In part two he takes to task hardboiled moron Frank Miller and offers his thoughts on the Occupy movement. Elsewhere the Guardian finally paid some attention to the importance of design in the book world. Some of us who do this for a living have been saying for years that if publishers want to see physical books thriving they need to maintain (or improve) the quality of their design and materials. Related: The Truth About Amazon Publishing, Laura Hazard Owen at paidContent examines some the figures behind Amazon’s PR.

• “Tenniel argued for several changes to the characters as conceived by Carroll. The croquet mallets are ostriches in the original drawings, and the hoops are footmen bent over with the tails of their coats hanging down over their bottoms like an animal’s. Tenniel left them out. He told the author that a girl might manage a flamingo, but not an ostrich.” Marina Warner again on John Tenniel, Lewis Carroll and the Alice books.

schoeler.jpg

Untitled painting by Christian Schoeler who was interviewed for a second time at East Village Boys.

Shamanism and the City: Psychedelic Spiritual Tourism Comes Home and Scientists finding new uses for hallucinogens and street drugs. Related: LSD – A Documentary Report (1966), “a totally new kind of record album”.

• More books: Interview with a Book Collector. Mark Valentine, author, biographer and editor was also the co-publisher in 1988 of my adaptation of HP Lovecraft’s The Haunter of the Dark.

• The Priapus Chandelier “features six hand-sculpted phalluses cast in translucent resin, which radiate an atmospheric light.”

Stewart Lee on Top Gear, in which the comedian and Dodgem Logic contributor eviscerates the BBC’s pet trolls.

• The Beinecke Rare Book and Manuscript Library put the Voynich Manuscript online.

• The 432-page SteamPunk Magazine collection with my cover art is now on sale.

Hubble, Bubble, Toil & Trouble: The Haxan Cloak Interviewed

• The Sunn O))) chapter of The Electric Drone by Gilles Paté.

Colonel Blimp: The masterpiece Churchill hated

Submergence (2006) by Greg Haines | Reyja (2011) by Ben Frost & Daníel Bjarnason | The Fall (2011) by The Haxan Cloak.

Index, fist or manicule?

index5.jpg

Third revised specimen book and price list of printing material (1887), Palmer & Rey, San Francisco.

Browsing through old type foundry catalogues recently reminded me of a question posed by Callum James a few years ago over at Front Free Endpaper, namely: what is the official description of those pointing hands favoured by pre-20th century typesetters? Writer Mark Valentine in a follow-up post mentions a term invented by William H Sherman—”manicules”—since Sherman also believed that the pointing hands were nameless. That’s not quite the case, however, as these pages show, with two descriptors being used: “indexes” and “fists”. Just to confuse matters both terms are used on different pages of the same catalogue which implies that the names may have been a convenience term to avoid having to repeatedly discuss “those pointing hand things” with customers. “Manicule” seems a better choice since “index” already has a standard meaning in printing, while “fist” doesn’t suit at all.

These catalogues contain many pages of similar type decorations and embellishments. All can be downloaded at the Internet Archive, just follow the links.

index2.jpg

Third revised specimen book and price list of printing material (1887), Palmer & Rey, San Francisco.

index4.jpg

Catalogue and book of specimens of type faces and printing material and machinery (1895), Cleveland Type Foundry.

index1.jpg

Copper alloy type book (1901), Pettingill & Co., Boston.

index3.jpg

Copper alloy type book (1901), Pettingill & Co., Boston.

Update: Thanks to Alan in the comments for pointing the way (so to speak) to William Sherman’s Toward a History of the Manicule.

Update 2: See this manicule Flickr group for many contemporary examples.

Previously on { feuilleton }
Victorian typography