Mark Pilkington – Page 4

Weekend links 130

Sarah and Writhing Octopus (New Wave Series, 1992) by Masami Teraoka.

Strange Flowers continues to push all my buttons. For a while now I’d been intent on writing something about the strange (unbuilt) temples designed by German artist/obsessive naturist Fidus (Hugo Höppener) but I reckon James has done a better job than I would have managed. Also last week he wrote about Schloss Schleißheim, a palatial estate outside Munich with connections to Last Year in Marienbad and another eccentric, pseudonymous German artist: Alastair (Hans Henning Voigt).

• The circus poster that inspired John Lennon’s Sgt. Pepper song Being For The Benefit Of Mr. Kite! has been reproduced as a limited edition letterpress print. Related: Wikipedia’s page about Pablo Fanque (1796–1871), “the first black circus proprietor in Britain”.

• The first two volumes of The Graphic Canon, both edited by Russ Kick, are reviewed at Literary Kicks. I’ve not seen either of these yet but volume 2 contains my interpretation of The Picture of Dorian Gray. Related: the second book previewed at Brain Pickings.

You only have to read [Alan Bennett’s] diaries to see that, underneath the wit and humour and sandwich-filled pottering around old churches, there is a deep resentment at what has happened to England in his lifetime and an instinctive distrust, sometimes amounting to deep loathing, of most politicians. Listening, for instance, to Alan Clark and Kenneth Clarke talking on the radio about the arrest of General Pinochet in 1998, he writes: “Both have that built-in shrug characteristic of 80s Conservatism, electrodes on the testicles a small price to pay when economic recovery’s at stake.”

Michael Billington on Alan Bennett: a quiet radical

• Hauntologists mine the past for music’s future: Mark Pilkington draws a Venn diagram encompassing Coil, Broadcast, the Ghost Box label, Arthur Machen, MR James, Nigel Kneale, Iain Sinclair and others.

• Hell Is a City: the making of a cult classic – in pictures. The mean streets of Manchester given the thriller treatment by Hammer Films in 1959. The film is released on DVD this month.

• The Function Room: The Kollection, Matt Leyshon’s debut volume of horror stories, has just been published. The cover painting is one of my pieces from the 1990s.

• New Worlds magazine (now apparently known as “Michael Moorcock’s New Worlds“) has been relaunched online.

A drawing from Anatomy (part 1), a series by Alex Konahin.

• The forthcoming Scott Walker album, Bish Bosch, will be released on December 3rd. 4AD has a trailer.

• Cormac McCarthy Cuts to the Bone: Noah Gallagher Shannon on the early drafts of Blood Meridian.

• The Velvet Underground of English Letters: Simon Sellars Discusses JG Ballard.

• Michelle Dean on The Comfort of Bad Books.

• The typewriter repairers of Los Angeles

• Cats With Famous People

• Marienbad (1987) by Sonoko | Komm Nach Marienbad (2011) by Marienbad | Marienbad (2012) by Julia Holter.

(Thanks to Ian and Pedro for this week’s picture links!)

Weekend links 105

A suspended fluid photograph from Demersal, a series by Luka Klikovac.

• “Soon, Mr. Lachman was writing occult music. His song “(I’m Always Touched by Your) Presence, Dear,” which appeared on Blondie’s 1977 album Plastic Letters, was an example.” Gary Lachman: from Blondie to Swedenborg.

• Neil Krug’s cover art for the new Scissor Sisters album, Magic Hour, channels the cloudless skies and photographic surrealism of Storm Thorgerson.

• Implicate Explicate, a multiple 16mm film installation by Rose Kallal. Sound by Rose Kallal & Mark Pilkington using modular synthesizers.

Despite conservative queerdom’s best efforts to hide its “otherness” behind a velvet wall of “same as you” Tom and Hank and Jill and Janes, Mattilda and her like will not be ignored. As parades of neo-nuclear same sex families mug for the cameras on courthouse steps, queer body boys parade and flex impossibly taut muscles across our nation’s gym runways and circuit parties, and far, far too many proudly proclaim in knee-jerk defensiveness how “straight-acting” they are across the net, Sycamore blows raspberries at the forced mirage and holds up faded pictures of yesteryear boys and girls whose one claim to fame once was their difference.

Mattilda Bernstein Sycamore is interviewed at Lambda Literary

• Paul Oestreicher, an Anglican priest, sets the cat squarely among the pigeons with the question (and answer) “Was Jesus gay? Probably.”

• Andromeon, video by Alexander Tucker and Serena Korda for a new song by Alexander Tucker.

• Museums of Melancholy: Iain Sinclair on London’s memorials. An LRB essay from 2005.

• FACT mix 325 is by Battles: from Boredoms to Cluster and The Alchemist.

• The glass hills of Mars, “a region the size of Europe”.

• Labyrinths and clues, an essay by Alan Wall.

• The Alchemy of Emptiness.

• Drop (1972) by Soft Machine | Drop (2002) by Hope Sandoval & The Warm Inventions | Airdrop (2006) by Kashiwa Daisuke.

Weekend links: Ghosts, Spooks and Spectres edition

Cover design by Philip Gough.

Ghosts, Spooks and Spectres (1972 reprint). Editor Charles Molin collected nineteen ghost stories by writers including Oscar Wilde (The Canterville Ghost), Charles Dickens (The Signal-Man), J. Sheridan Le Fanu (Madame Crowl’s Ghost) and HG Wells (The Inexperienced Ghost). This was one of my favourite books when I was ten-years old. There’s nuffin like a Puffin. Puffin Books’ parent company, Penguin, is 75 this year.

• The good people at the Outer Alliance have posted an interview with me here in which I talk about the subversive sexualities of sf in the 1970s and also admit to writing fiction.

• There’s just time to mention It Came From Pebble Mill, an event which includes another screening of David Rudkin’s Penda’s Fen.

• “In our society, there has tended to be a very strong compartmentalization of different experiences, different cultural forms, different genres. We can talk in a very broad sense and say art is separate from science, for example, or body is separate from mind, or we can talk in a specific sense and say one certain form of dance music is separate from one form of, say, heavy metal. I don’t really buy those compartmentalizations. I understand why they exist, how they’ve come into being and why they’re convenient, but it’s not the way I think, it’s not the way I experience the world, it’s not the way I believe things should be.” From an interview by Colin Marshall with David Toop at 3QD. Toop’s latest book is Sinister Resonance: The Mediumship of the Listener.

• The Kingdom of the Pearl by Léonard Rosenthal, illustrated by Edmund Dulac.

• Ghost Stations by Dollboy, a CD package. And then there’s the Ghostly Bento.

• 7 Inch Cinema are Birmingham-based cultural historians.

• Mark Pilkington’s Mirage Men now has its own site.

• Borges on Pleasure Island: JLB and his love of RLS.

• RIP Arne Nordheim, Norwegian composer.

• Charlie Visnic’s Modular Ghost Synth.

• On the trail of Tutankhamen’s penis.

• Photos by Thom Ayres.

• Ghosts by Japan | Spooky Rhodes by Laika | Purple Dusk by Spectre.

Strange Attractions

Giant Squid of the Newfoundland Banks. From a painting by Herbert B Judy.

Today’s Giant Squid comes to you courtesy of the University of Washington’s Digital Collection and their Freshwater and Marine Image Bank. This book plate is from Sea-shore Life; The Invertebrates of the New York Coast and the Adjacent Coast Region (1905) by Alfred Goldsborough Mayor, and the Internet Archive happens to have copies of the entire book.

Which facts have nothing whatsoever to do with Ken Hollings’ photos of the Strange Attractor Salon which is in its final week at Viktor Wynd Fine Art, London. I was pleased to see the picture above which shows my pieces on the same wall as work by Julian House whose covers for the Ghost Box CDs I’ve enthused over in the past. Strange Attractor curator Mark Pilkington has posted further photos on his Flickr pages as has artist Ali Hutchinson whose beautiful work is also featured there.

Previously on { feuilleton }
• Strange Attractor Salon
• Readouts
• Welcome to Mars
• The Séance at Hobs Lane
• SAJ again
• Strange Attractor Journal Three
• Ghost Box
• The Major Arcana

Dead on the Dancefloor

Suspiria: Jessica Harper and a bird with crystal plumage.

For this year’s Halloween playlist I’ve let Mark Pilkington from Strange Attractor make the selection. The following is from a CD-R collection of Italian horror soundtracks that Mark sent me some time ago. Not everything here is easy to find but the superbly nerve-jangling racket created by Goblin to accompany Dario Argento’s equally superb Suspiria (1977) is widely available and ideal Halloween listening.

If one hasn’t been written already, there’s probably a thesis to be found in the influence of progressive rock on Italian cinema. Many of these pieces represent a curious blending of the kind of Italian prog-rock exemplified by bands such as PFM together with the scores of (inevitably) Ennio Morricone. William Friedkin’s use of the opening of Mike Oldfield’s Tubular Bells in The Exorcist inspired legions of imitative themes in subsequent horror films, not least Suspiria. Dario Argento later brought in ELP’s Keith Emerson for the sequel, Inferno (1980), whose main theme—a kind of disco version of Jerry Goldsmith’s Latin chants from The Omen—I’ve always been rather partial to. The best of this music manages to be groovy and scary at the same time, Goblin being the masters in that department, and is often better than the films it was written for. The perfect thing for zombies in satin flares.

Cannibal Holocaust (Main theme) by Riz Ortolani
Death Dies (Profondo Rosso) by Goblin
Zombie Flesh Eaters (theme) by Fabio Frizzi
Sighs (Suspiria) by Goblin
Suoni Dissonanti (City of the Living Dead) by Fabio Frizzi
Flashing (Tenebrae) by Goblin
Adulteress’ Punishment (Cannibal Holocaust) by Riz Ortolani
Suspiria by Goblin
Voci Dal Nulla (The Beyond) by Fabio Frizzi
Deep Shadows (Profondo Rosso) by Giorgio Gaslini & Goblin
L’alba Dei Morti Viventi (Dawn of the Dead) by Goblin
Suono Aperto (The Beyond) by Fabio Frizzi
Markos (Suspiria) by Goblin
The Dead On Main St/Voodoo Rising (Zombie Flesh Eaters) by Fabio Frizzi
Escape From The Flesh Eaters (Zombie Flesh Eaters) by Fabio Frizzi
Roller (Non-soundtrack album) by Goblin

And while we’re on the subject of music and Halloween, Mark Pilkington is playing as part of the Raagnagrok All-Stars on November 1st at the Horse Hospital, London, as part of a Day of the Dead event. More about that here.

Happy Halloween!

Previously on { feuilleton }
• Another playlist for Halloween
• White Noise: Electric Storms, Radiophonics and the Delian Mode
• The Séance at Hobs Lane
• A playlist for Halloween
• Ghost Box