Weekend links 764

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Bruxelles 1958 Exposition Universelle (1958) by Leo Marfut.

• “In a moment when our collective memory is being systematically eradicated, archiving reemerges as a strong form of resistance, a way of preserving crucial, subversive, and marginalized forms of expression. We encourage you to do the same.” Welcome back, Ubuweb.

• A catalogue of lots at another After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn. etc.

• At Public Domain Review: George Baxter’s print of Crystal Palace dinosaurs (ca. 1864).

• At Spoon & Tamago: Contemporary Nihonga images of hamsters created by Otama-shimai.

• At Discogs: James Balmont explores Japan’s ambient boom of the ’80s and ’90s.

• Mix of the week: A mix for The Wire by Sakina Abdou.

• RIP Mike Ratledge, co-founder of Soft Machine.

• New music: Signals And Codes by Andrew Heath.

• At Dennis Cooper’s it’s Les Blank’s Day.

Signaux Codes Non Identifiés (1978) by Michel Magne | Code Rays (Codex Dub) (1995) by Main | Silent Code (1999) by Robert Musso

Weekend links 655

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The Surrealist (1947) by Victor Brauner.

• At Dennis Cooper’s: Terry Ratchett presents…18 needlessly obscured avant-garde films by Thomas White, Teinosuke Kinugasa, George Barry, Standish Lauder, Helge Schneider, Dusan Makavejev, Oliver Herrmann, Mauricio Kagel, Mamoru Oshii, Gian Carlo Menotti, Pat O’Neill, Vera Chytilová, Shozin Fukui, Willard Maas, Djouhra Abouda and Alain Bonnamy, Juraj Herz, and Jay Schlossberg-Cohen.

• “When I’m convinced that a certain type of book is completely beyond the capacities of my temperament and my technical skills, I sit down at my desk and start writing it.” Italo Calvino discussing his approach to writing in 1983. The essay, The Written World and the Unwritten World, gives its title to a collection of previously unavailable Calvino pieces translated by Ann Goldstein. John Self reviewed the book.

• New music: Komplett Kollaps (A Dedication To Jóhann Jóhannsson) by Rúnar Magnússon, and Composition 1 by Deathprod.

Brann’s new book sweeps across the vast range of things that hold her interest. It thus invites us to enjoy the life of the mind and to live from our highest selves. A thoughtful encounter with this book will make you, I swear, a better person. The book includes chapters on Thing-Love, the Aztecs, Athens, Jane Austen, Plato, Wisdom, the Idea of the Good. The first half provides an on-ramp to the chapter titled “On Being Interested,” which falls in the dead centre of the book. This central chapter serves as more than a cog in the wheel: it is an ars poetica. Addressing issues of attention, focus, and interest itself, as well as how and where to deploy these functions throughout our lives, “Being Interested” offers a solution for any seeker intrigued by the notion that happiness is not an accident but a vocation. Brann characterizes the pursuit of happiness as “ontological optimism […] to be maintained in the face of reality’s recalcitrance.”

Peggy Ellsberg reviewing The Habit of Interestedness by Eva Brann

• “God told me I should take more LSD.” Sari Soininen on her acid-induced photographs.

• At Public Domain Review: The Procession of the Months by Walter Crane.

• At Smithsonian Magazine: See the chilling beauty of winter on Mars.

• Steven Heller’s font of the month is Edie & Eddy Slab.

• RIP Michael Snow, film-maker and musician.

Kollaps (1981) by Einstürzende Neubauten | Feed The Collapse (1992) by Main | Collapsing Inwards (2014) by Jóhann Jóhannsson

Weekend links 648

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The Twittering Machine (1922) by Paul Klee.

• “Thinking of ‘writer Twitter’ as more important than writers themselves is an insult to the profession. People have been trading words for money for thousands of years. They will continue to do so after the death of a platform built on manufactured outrage, social hierarchy, unfunny jokes, stale memes, pornography, and spam. I mention this Atlantic essay only because it echoes what so many people are saying in the ether right now, not to pick on its author. The piece reads like a parody of how writers overestimate the importance of Twitter to their work and careers. It’s frankly a little embarrassing. Your work is the product you sell! Not the shitty jokes you tell with people you want to impress.” Freddie deBoer on the kerfuffle du jour. For “writer” see also “artist” or anyone else working at the intersection between commerce and creativity. From what I’ve read this week about potential technical problems at the pestilential birdcage I’d be less sanguine about its immediate survival. Since I retreated from the place as an active user two-and-a-half years ago all I get from it is the inflated subscriber number you see on the right-hand side of this page, a combination of Twitter followers plus email subscribers. The latter currently stand at some 270 individuals so if you’re among that number you can consider yourself part of a more exclusive group. And thanks for subscribing!

• “…the books of the past, besides adding to our understanding, offer something we also need: repose, refreshment and renewal. They help us keep going through dark times, they lift our spirits, they comfort us. Which means that I also strongly agree with the poet John Ashbery, who once wrote, ‘I am aware of the pejorative associations of the word “escapist,” but I insist that we need all the escapism we can get and even that isn’t going to be enough.'” Michael Dirda makes a case for reading classic, unusual and neglected books. Kudos for the mention of Anthony Skene‘s Monsieur Zenith, a character few of Dirda’s readers will have heard of.

• “While Haeckel’s paintings turn the floating phantoms into baroque spectacles of colour and flowing form, Mayer’s medusae are more sober, their tentacles subdued, their umbellate bells transparent.” Kevin Dann on the jellyfish and other “floating phantoms” described in AG Mayer’s Medusae of the World (1910).

• “The passing of time has added potency to the images, giving this interpretation of the Dracula story the feel of a distant fairy tale, a myth emerging from the mists of time, erupting across the world of cinema, its shadow reaching everywhere.” Martyn Bamber on 100 years of Murnau’s Nosferatu.

• At AnOther: Camille Vivier talks about shooting nude models in the treasure-filled home of HR Giger.

• New music: In Concert & In Residence by Sarah Davachi, and Anglo-Saxon Androids by Moon Wiring Club.

• At Spoon & Tamago: Kimono portraits were popular souvenirs for sailors visiting Japan in the 1800s.

• Mix of the week: Saturnalia: Deep Jazz for Long Nights, 1969–1980 at Aquarium Drunkard.

• At Dennis Cooper’s: Clouds.

Dark Clouds With Silver Linings (1961) by Sun Ra | Obscured By Clouds (1972) by Pink Floyd | Firmament (Cloudscape) (1995) by Main

Weekend links 588

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Gerry Barney’s logo for British Rail. A page from the British Rail Corporate Identity Manual (1965).

• RIP Russ Kick, writer, editor, and founder of many websites/blogs such as Rare Erotica, Books Are People Too and (notoriously) the several iterations of The Memory Hole, a space dedicated to keeping visible information that successive US governments would have preferred to remain unseen. I’d known Russ remotely for many years, initially as a reviewer of the Savoy comics in Outposts. Savoy Books later helped find him a publisher for Psychotropedia: A Guide to Publications on the Periphery, a wide-ranging overview of alternative/underground print culture in the late 1990s. In 2004 his information activism gave him a fleeting taste of world-wide attention when he forced the Bush administration to make public the photos of flag-draped coffins returning from Iraq. The scandal put his name on the front pages of newspapers that should have been finding those photos for themselves instead of cheerleading the war. A run of books for Disinformation presented his archival researches for the general reader, then in 2012 he edited The Graphic Canon, a massive three-volume collection of comics and illustrations based on classic works of literature. I was among the many contributors to the latter with an adaptation of The Picture of Dorian Gray, and would have worked on the follow-up collection of crime stories if I hadn’t been busy with other things. I had hoped that we might work together again in the future.

• “‘The new mainstream has attempted to erase the innovations of the avant-garde from jazz history,’ the film declares.” Geeta Dayal reviews Fire Music, a documentary about the jazz innovations of the 1960s.

• I don’t have the hardware to play this but Sable is a new computer game from Raw Fury whose design owes much to the desert landscapes seen in comics by Moebius.

• New/old music: Stealing Sheep and The Radiophonic Workshop reimagine the score for René Laloux’s animated science-fiction film La Planète Sauvage.

• At Spine: Savannah Cordova on how to perfect your book cover’s typography. Having recently designed an all-type cover design this is timely.

• Mixes of the week: Isolatedmix 113 by Sunju Hargun, XLR8R Podcast 714 by Soela, and Holograficzne Widmo ze Bart De Paepe by David Colohan.

• “If it ain’t broke, don’t fix it.” Gerry Barney, designer of the British Rail logo, doesn’t like the green reworking of his design.

• Scottish lord goes blood simple: a teaser for The Tragedy of Macbeth by Joel Cohen and some bloke called William Shakespeare.

• “It’s unmanageable.” Ellen Peirson-Hagger on how the vinyl industry reached breaking point.

Macbeth (1973) by John Cale | Rail (1994) by Main | Logotone (2013) by Steve Moore

Weekend links 575

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La Belle Dame Sans Merci (1921) by George Barbier.

• “Organic Music Theatre goes beyond jazz into something else entirely—an ecstatic, openhearted melding of cultures. It is the first live recording of Don and Moki’s ‘organic music’ concept, a holistic blend of the arts and education. It is an album that everyone should own, an absolute marvel.” Geeta Dayal on Don and Moki Cherry’s Organic Music Theatre: Festival de jazz de Chateauvallon 1972.

DJ Food continues his dig into the history of London’s Middle Earth venue with an account of a Magical Mystery Tour that ended up being more mystery than magic.

The Lamp Magazine is running a Christmas Ghost Story contest with a first prize of publication in the Christmas issue of the magazine, plus $1000.

Dennis Cooper‘s favourite fiction, poetry, non-fiction, film, art, and internet of 2021 so far. Thanks again for the link here!

• From sport to sex: Louis Staples on how the jockstrap became part of gay culture.

• At Wormwoodiana: Mark Valentine on the weird fiction of AE Coppard.

• “How vinyl records are trying to go green.” Trying…

• Mix of the week: XLR8R Podcast 701 by 40 Winks.

• New music: Rushes Recede by Sarah Davachi.

Lisa Gerrard‘s favourite music.

• RIP Peter Zinovieff.

Organic (1982) by Philip Glass | Core (Organic) (1995) by Main | Organic Mango (1996) by HAT