Dedalo (2004).
Laberinto 21 (2000).
Lots more etchings of labyrinths and other
imaginary landscapes at the artist’s site.
Elsewhere on { feuilleton }
• The etching and engraving archive
A journal by artist and designer John Coulthart.
Dedalo (2004).
Laberinto 21 (2000).
Lots more etchings of labyrinths and other
imaginary landscapes at the artist’s site.
Elsewhere on { feuilleton }
• The etching and engraving archive
Detail from La Havane by René Portocarrero; photo by C. Marker.
This week’s book finds are a pair of titles I hadn’t come across before in these particular editions, another haul from the vast continent that is the Penguin Books back catalogue. Labyrinths I’ve had for years in a later edition (see below) but the cover of this one seems more suited to Borges (as much as he can be illustrated) than the somewhat bland Surrealism of illustrator Peter Goodfellow. René Portocarrero (1912–1985) was a Cuban painter with a post-Picasso style who specialised in hallucinogenic profiles like the one here. And it’s a guess but I’d bet the “C. Marker” who photographed the painting is French filmmaker Chris Marker (who I compared to Borges last year), director of La Jetée and Sans Soleil. Marker worked as a photo-journalist for many years and made a documentary entitled ¡Cuba Sí! in 1961.
Continue reading “Penguin Labyrinths and the Thief’s Journal”