The feeling of the eerie is very different from that of the weird. The simplest way to get to this difference is by thinking about the (highly metaphysically freighted) opposition—perhaps it is the most fundamental opposition of all—between presence and absence. As we have seen, the weird is constituted by a presence—the presence of that which does not belong. In some cases of the weird (those with which Lovecraft was obsessed) the weird is marked by an exorbitant presence, a teeming which exceeds our capacity to represent it. The eerie, by contrast, is constituted by a failure of absence or by a failure of presence. The sensation of the eerie occurs either when there is something present where there should be nothing, or [if] there is nothing present when there should be something.
Mark Fisher, The Weird and the Eerie (2016)
The blurb on the box draws a comparison with David Lynch but I’d say Kyle Edward Ball’s film is closer to a collaboration between Robert Bresson and Mark Snow. More like this, please.
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• Wavelength