Weekend links 749

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Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder & Lucas van Doetecum, after Cornelis Floris the Younger.

• “Preiss and McElheny have acknowledged the influence of Jorge Luis Borges’s short story ‘The Library of Babel’ (1941), which offers a brilliant, brain-scratching disquisition on bibliotecas as conduits both of infinity and meaninglessness. I also found myself thinking of Arthur Fournier, in D. W. Young’s documentary The Booksellers (2019), who spoke of ‘the psychic dreaming that paper allows.'” Sukhdev Sandhu on The Secret World, a film by Jeff Preiss and Josiah McElheny about the books collected by Christine Burgin.

• Most people know Burt Shonberg’s paintings—if they know them at all—from their appearance in Roger Corman’s Edgar Allan Poe films. But Shonberg had a career outside the cinema, something explored in Momentary Blasts of Unexpected Light: The Visionary Art of Burt Shonberg, an exhibition currently running at the The Philosophical Research Society in Los Angeles.

Warriors (1996), an ad for Murphy’s Irish Stout directed by the Quay Brothers. Samurai warriors in an Irish pub scored to the theme from Yojimbo.

The Grand Jeu group have been neglected, at least in English-speaking history, from the general consciousness of “Surrealism” but they remain among its most interesting dissidents. The teenage Simplistes, led by [René] Daumal and [Roger] Gilbert-Lecompte, collectively experimented with consciousness and investigated wildly syncretic modes of destroying and recombining selves: diverse hermetic and occult systems, extrasensory perception, trances and somnambulism, mediumistic practice and collective dreaming.

[…]

The Grand Jeu was a project of paradox: artistic and ascetic, indulgent and severe, political, and mystical, ecstatic and negating, egoistic and selfless, graceful and violent. It sought to continually weave between collectivity and individuality, of art and life, multiplicity and unity, fed by a brew of political radicalism, inspired by Rimbaud’s germinal poetics of revolt and illumination, a utilitarian embrace of occult traditions and ideas, drug experimentation, Hindu sacred texts (Daumal would become an expert in Sanskrit) and some of Bergson’s philosophy. They were, in their own words, “serious players.” It was a mad mix, and in retrospect, clearly doomed to a short life—so, it turned out, were most its members.

Gus Mitchell on the “experimental metaphysics” of the Grand Jeu

• At Smithsonian magazine: Lanta Davis and Vince Reighard on the sculpted monsters and grotteschi that fill the Sacro Bosco at Bomarzo, Italy.

• At Bandcamp: George Grella compiles a list of “spooky sounds and spooky music, things to haunt nights and dreams”.

• At Colossal: Kelli Anderson’s amazing pop-up book, Alphabet in Motion: How Letters Get Their Shape.

• “The play that changed my life: Jim Broadbent on Ken Campbell’s electrifying epic Illuminatus!

• DJ Food browses some of the many album covers designed by the versatile Robert Lockhart.

Winners of the 2024 Nikon Photomicrography Competition.

• Mix of the week: XLR8R Podcast 873 by Andy Graham.

• The Strange World of…Lou Reed.

• The Internet Archive is back!

Warriors (1990) by Jon Hassell | Red Warrior (1990) by Ronald Shannon Jackson | Bhimpalasi Warriors (2001) by Transglobal Underground

Weekend links 270

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Cover design for UFOs and Extra-Terrestrials in History (four vols, 1978) by Yves Naud.

Come To The Sabbath, “a festival of dark arts delving into the influence of Black Magick, Witchcraft, Demonology and Satanism in pop culture”, takes place at Apiary Studios, 458 Hackney Road, London, from Tues 18th–Sun 23rd August.

• “Visitors, if there had ever been any, would have said that the little town of Mansfield was haunted.” Showdown is a previously unpublished short story by Shirley Jackson.

• “A sandbox stealthy immersive sim in a surreal, horror-y world inspired by writers like Burroughs and Ballard…” Alice O’Connor previews the forthcoming computer game, Tangiers.

Sometime in the late 1960s, the artist Robert Smithson took a trip to southwestern Ohio. He saw the Great Serpent Mound there and decided that he would make a great spiral too. […] Because the Great Salt Lake’s levels vary several feet from year to year, and also from season to season, Spiral Jetty is not always visible even if you make the trip to Utah. You could go out to Spiral Jetty and find that the entire earthwork is invisible underwater. When Robert Smithson created this earthwork in 1970, he did not care if it could be easily seen or who owned it. And so, even today, no one knows to whom Spiral Jetty really belongs. To view it requires a pilgrimage.

Stefany Anne Goldberg on earthworks, new and ancient, and the art of disappearance

• “Commercial book cover design is a minor portion of Gorey’s award-winning legacy, but not a lesser art.” Steven Heller on Edward Gorey: cover designer.

• “You are accepted,” he says, “by the genre that can accept you.” Samuel R. Delany talked to Peter Bebergal about being an outsider in the world of science fiction.

A battle of Witts: A brief look at ‘Taboos’ and the work of The Passage. Mark Griffiths on a great, if seldom-remembered, Manchester band.

• “Hispanic photomonteur Josep Renau aimed Technicolor jets of scorn at the mirage of US consumerist culture,” says Rick Poynor.

• Because the internet is really big… Kelli Anderson reworks the Eames’ The Powers of Ten using imagery found via Google searches.

Against Nature is a forthcoming musical adaptation of Huysmans’ À Rebours by Marc Almond, Jeremy Reed and Othon.

“What makes a film noir?” Adam Frost & Melanie Patrick have an infographic for you.

• Mixes of the week: Gizehcast #20 by LCC, and Jenny Hval‘s WEIRD Quietus mix.

• Mysterium Tremendum: Russell Cuzner on The Strange World of Lustmord.

• The charming march of the Penguin Books logo.

Cosey Fanni Tutti: Agent Provocateur

Dark Times (Peel Session) (1980) by The Passage | XOYO (1982) by The Passage | Revelation (1982) by The Passage