Double weird

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Two of the books whose covers I was working on late last year have been announced so here they are. This is more work for PS Publishing where wraparound covers are the standard, so once again I was able to work in a pictorial, landscape format. (PS also do their design in-house so I only did the art this time. Click on the pictures below for larger views.)

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Apostles of the Weird is a collection of contemporary weird fiction edited by ST Joshi:

Weird fiction is an incredibly rich and varied genre, running the gamut from supernatural horror to imaginary-world fantasy to psychological terror. This anthology seeks to exhibit the wide range of themes, motifs, and imagery that weird fiction allows, as embodied in the work of some of the leading contemporary writers in the field. (more)

“Weird” is indeed a very broad category so rather than try and create something that represented a single genre I opted for a weird view instead. The idea was to do something like Borges’s Library of Babel in a space that was a hybrid of Piranesi and MC Escher. I was hoping originally to make this more Escher-like, with a number of gravity-defying staircases, but the underlying drawing took so long that I didn’t have time.

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His Own Most Fantastic Creation: Stories About HP Lovecraft is also edited by ST Joshi:

HP Lovecraft (1890–1937), the pioneering writer of weird fiction, has himself become an icon in popular culture. Stories, novels, and other works featuring the gaunt, lantern-jawed gentleman from Providence, Rhode Island, have proliferated. These works have been triggered by the incredible amount of knowledge we have on the writer—his family, his friends, his idiosyncrasies and eccentricities—as found in his thousands of surviving letters. (more)

This was much easier to achieve since HP Lovecraft is familiar territory. The idea here was to do a portrait of Lovecraft situated in a Lovecraftian zone, a colossal idol of a type that might be found in some of his Cyclopean ruins. Lovecraft and his Weird Tales colleagues had a habit of referring to each other in their stories and letters as though they were ancient priests or sorcerers so portraying Lovecraft in this manner is fitting. The combination of perspective and lighting worked against creating an accurate likeness, however—it doesn’t help that Lovecraft’s features are weird in themselves—so the “HPL” icon is there to affirm the identity.

Both books will be published next month if Great Cthulhu hasn’t risen from the depths by then.

Elsewhere on { feuilleton }
The Lovecraft archive

Previously on { feuilleton }
Something from Below

Weekend links 492

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Cover art by Gahan Wilson for Monster (1980) by Herbie Hancock.

• RIP Gahan Wilson, a great cartoonist with a flair for horror, the macabre and grotesque. Many of his best cartoons are buried in back issues of The New Yorker, Playboy and National Lampoon but book collections of his work are worth seeking out. He also wrote regularly, and for several years was a film reviewer and columnist for The Twilight Zone Magazine, back issues of which may be found at the Internet Archive. Related: Gahan Wilson and the Comedy of the Weird, an interview with Wilson by Richard Gehr; The Beautifully Macabre Cartoons of Gahan Wilson by Michael Maslin.

• The Unanswered Question: Irmin Schmidt, the last surviving member of Can, interviewed by Duncan Seaman. The conversation is mostly about his solo work but he also mentions plans to release a collection of live Can recordings next year.

Valerie and Her Week of Wonders (1970), the Surrealist fable directed by Jaromil Jires, receives a welcome region-free blu-ray release by Second Run in January.

At its best, the true psychedelic experience is an analogue of psychotherapy: you are encouraged to lean in to something potentially rupturing or even disturbing, in an attempt to achieve deep personal resolution rather than simply mind-scrambling hedonism or entertainment (which, to be fair, the group can provide as well). […] Despite clear and longstanding links with the extreme worlds of black metal, power electronics, industrial, sludge metal and doom, Sunn O))) have created a space that now stands beyond any obvious scene signifiers. This zone of pure affect—and what they hope will be a healing experience—is welcome to all.

John Doran on the vibrational power of Sunn O)))

Neuland is an electronic collaboration by two ex-members of Tangerine Dream, Peter Baumann and Paul Haslinger.

• Flying teapots and electric Camembert: the story of Gong, prog’s trippiest band by Simon Reynolds.

• Conversations with Ursula: Clive Hicks-Jenkins answers some questions about his art.

• Mix of the week: Test Transmission Archive Reel 38 by Keith Seatman.

• Limitation of Life: Tim Pelan on John Frankenheimer’s Seconds.

Anthony Madrid on the most famous coin in Borges.

• At Dennis Cooper’s: Jacques Tati Day.

Dutch Graphic Roots

The Magic Yard (1970) by Lubos Fiser | Valerie (2003) by Broadcast | Introduction (2007) by The Valerie Project

Weekend links 459

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• “Their graves were covered with cement tiles to block the radiation emanating from their corpses.” Sophie Pinkham reviews three books about the Chernobyl nuclear disaster.

• At Dangerous Minds: Julius Eastman: The resurrection of the visionary minimalist composer continues; at The Quietus: The Strange World of Julius Eastman.

• Mixes of the week: a Dune-inspired Secret Thirteen Mix 286 by Coeden, and ’94–95 Mirrorverse by The Ephemeral Man.

Nabokov had meanwhile acquired a literary agent in New York. She made no headway placing translations of his Russian novels. His latest, she informed him, was “dazzlingly brilliant” and hence wholly without promise for the American market. She suggested something more topical, an idea that left her client hyperventilating. “Nothing,” he would roar later, “bores me more than political novels and the literature of social unrest.” He was, he enlightened his representative, neither Sinclair Lewis nor Upton Sinclair. (Ultimately he tossed the two over the cliff together, as “Upton Lewis.”) Weeks later, in the bathroom of a Paris studio apartment, he began — “a champion figure skater switching to roller skates,” as he complained, speaking for whole cadres of displaced professionals — to write in English.

Stacy Schiff on Vladimir Nabokov, literary refugee

Iain Sinclair on Ghosts of a Ghost: William Burroughs, time surgery and the death of the image.

ST Joshi remembers Lovecraftian writer Wilum Pugmire (RIP).

The Conspirators: A Borgean Tribute to Jorge Luis Borges.

Jasper Sharp on where to begin with Japanese cyberpunk.

Greg Anderson on the new Sunn O))) album, Life Metal.

Drew Daniel of Matmos picks his Bandcamp favourites.

• The Kraken surfaces for Clive Hicks-Jenkins.

• An interview with Brian Eno by Suite (212).

Apocalypse Now: Final Cut

The Book of Weirdo

Conspiracy Of Silence (1994) by Cypher 7 | The Vodun Conspiracy (1996) by The Sidewinder | Machine Conspiracy (2010) by Conforce

Borges in the Firing Line

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Jorge Luis Borges was interviewed on TV a number of times in later life but most of the available appearances are in un-subtitled Spanish. His 1977 meeting with William F Buckley on Buckley’s long-running debate and discussion show, Firing Line, is an exception, and a welcome one for being almost a whole hour of serious discussion. Buckley’s reputation has been reappraised in recent years. Gore Vidal famously accused him on live TV of being a “crypto-Nazi”, a barb that prompted Buckley to momentarily lose his usual composure. With American politics currently beset by actual Nazis, crypto- or otherwise, as well as people who wouldn’t crack open the spine of a book even if you offered them another tax break, Buckley now looks like an impossible figure: an American conservative who was also a genuine intellectual with a passion for literature.

The discussion on this occasion is less about Borges’ works than about language and literature. If you’ve read any Borges interviews then this is familiar territory, but Borges elaborates here on subjects that were only touched on elsewhere, especially the strengths of English over Spanish as a literary language, and the pros and cons of translation. This latter subject is a sore point for Borges readers such as myself who believe that the current translations (made after Borges’ death) are inferior to the earlier ones, many of which were prepared with the approval of the author. It’s painful to hear him say he thought his stories worked better in English, and it makes me wonder again what he might make of the present state of affairs.

Elsewhere, Buckley tries to lead Borges into a discussion of politics, a subject that he generally avoided because it didn’t interest him, and whenever he did mention the subject he’d usually get into trouble by saying something that would annoy one side of the political spectrum or the other. I was pleased to note a fleeting reference to Arthur Machen, mentioned in relation to the Julio Cortázar short story, Casa Tomada (House Taken Over), which Borges, Adolfo Bioy Casares and Silvina Ocampo reprinted in their Antología de la Literatura Fantástica (1977).

Previously on { feuilleton }
La Bibliothèque de Babel
Borges and the cats
Invasion, a film by Hugo Santiago
Spiderweb, a film by Paul Miller
The Library of Babel by Érik Desmazières
Books Borges never wrote
Borges and I
Borges documentary
Borges in Performance

Weekend links 389

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I Had Sweet Company Because I Sought Out None. Collage by Helen Adam.

• Readers of The Library of Babel by Jorge Luis Borges continue to be compelled to either illustrate the impossible archive or create virtual equivalents. The Library of Blabber by nothke is a procedural version for home computers in which each volume on the shelves contains randomly-generated content.

• The Japanese American Toy Theatre of London presents: James Bonk in Matt Blackfinger (1987). Directed by Akiko Hada, with music by David Toop, and a song from Frank Chickens’ Kazuko Hohki (who also co-wrote the script).

• Music, Time and Long-Term Thinking—The Long Now Foundation (and a fair amount of Brian Eno) by Austin Brown, Alex Mensing and Ahmed Kabil.

• A Return to Normilcy: Bernie Brooks talks to post-punk group Normil Hawaiians about their 1982 album More Wealth Than Money which has just been reissued.

• Sound artist and theremin player Sarah Angliss has reworked music by Bernard Herrmann for an upcoming stage adaptation of The Twilight Zone.

• Does the world need another reissue of A Secret Wish by Propaganda? Not really but there’s a “deluxe” vinyl and CD edition on the way.

• “What Would [Bernard] Wolpe Do?” Talking Wolpe, Albertus and book cover design with the Faber & Faber Art Department.

• Mixes of the week: FACT mix 629 by Idle Hands/Chris Farrell, and XLR8R Podcast 518 by Cassy.

• At Phantasmaphile: Neglected collage artist Helen Adam (1909–1993).

Collectors’ corner: photos of book and music libraries

• The Black Meat (Deconstruction Of The Babel-Tower of Reason) (1994) by Automaton | Babel (2010) by Massive Attack feat. Martina Topley-Bird | Branching (2016) by The Library of Babel