Weekend links 730

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Cover Design for ‘The Yellow Book’ Vol.I (1894) by Aubrey Beardsley.

• “[Dorian Gray’s] version of Decadence filled the popular imagination when Decadence became an ostentatiously stylish zeitgeist—stylish being the operative word. For Decadent style encapsulated the attitude of being hellbent on thrilling experiences.” The danger of Decadence is also its value. We need more of it, says Kate Hext.

• At Swan River Press: Of Wraiths, Spooks and Spectres. Robert Lloyd Parry, in an interview with John Kenny, talks about the researches that led to the compiling of his latest ghost-story collection, Friends and Spectres.

• The latest pictorial accumulation from DJ Food is a collection of late-60s concert posters by Jim Michaelson, an artist whose designs look like Mad magazine going fully psychedelic.

• Old music: Future Travel by David Rosenboom; new music: Taking Shasta Mountain (By Strategy) by John Von Seggern & Dean DeBenedictis.

• At Public Domain Review: Hunter Dukes on Rückenfiguren, views of the human back as a subject in the history of art.

• In a week when Adobe has been in the news for pissing off its users, a list of alternatives for Adobe software.

• At Spoon & Tamago: Hokusai-inspired erasers reveal Mt. Fuji the more they get used.

• At Unquiet Things: A celebration of Annie Stegg Gerard’s enchanting worlds.

• Mix of the week: DreamScenes – June 2024 by Ambientblog.

• At The Quietus: The Strange World of…Diamanda Galás.

Wraith (2002) by Redshift | El Wraith (2002) by Amon Tobin | Wraith (2015) by John Carpenter

Weekend links 681

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All Cats are Grey At Night (2009) by Kenny Hunter.

“They found ways to do the impossible”: Hipgnosis, the designers who changed the record sleeve for ever. Lee Campbell talks to Anton Corbijn about Squaring the Circle, Corbijn’s documentary about the Hipgnosis design team. Peter Christopherson is shown in the accompanying photo but Campbell doesn’t mention him at all, despite his having been an equal partner with Storm Thorgerson and Aubrey Powell from the mid-70s on. Many of those famous covers were photographed by Christopherson’s camera.

• A new book by Stephen Prince at A Year In The Country: “Lost Transmissions weaves amongst brambled pathways to take in the haunted soundscapes of electronica, the rise of the occult in the 1970s, cinema and television’s dystopian dreamscapes and hauntological work which creates and gives a glimpse into parallel worlds…”

• New music: Ambient Bass Guitar by John von Seggern, and Sturgeon Moon/Beaver Moon by Missing Scenes.

• How Samuel R. Delany Reimagined Sci-Fi, Sex, and the City.

• Mix of the week: Tranquility by A Strangely Isolated Place.

Galerie Dennis Cooper presents…Snow Globalists.

• The Strange World of…African Head Charge.

• Steven Heller’s font of the month is Baudot.

Nights on Earth.

Transmission (1979) by Joy Division | Clandestine Transmission (1994) by Richard H. Kirk | Transmission (1996) by Low