Paging Doctor Benway

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Roy Scheider as Dr A. Benway in Naked Lunch (1991).

1: Naked Lunch (1959) by William Burroughs

So I am assigned to engage the services of Doctor Benway for Islam Inc.

Dr. Benway had been called in as advisor to the Freeland Republic, a place given over to free love and continual bathing. The citizens are well adjusted, cooperative, honest, tolerant and above all clean. But the invoking of Benway indicates all is not well behind that hygienic facade: Benway is a manipulator and coordinator of symbol systems, an expert on all phases of interrogation, brainwashing and control. I have not seen Benway since his precipitate departure from Annexia, where his assignment had been T.D.—Total Demoralization. Benway’s first act was to abolish concentration camps, mass arrest and, except under certain limited and special circumstances, the use of torture.

“I deplore brutality,” he said. “It’s not efficient. On the other hand, prolonged mistreatment, short of physical violence, gives rise, when skillfully applied, to anxiety and a feeling of special guilt. A few rules or rather guiding principles are to be borne in mind. The subject must not realize that the mistreatment is a deliberate attack of an anti-human enemy on his personal identity. He must be made to feel that he deserves any treatment he receives because there is something (never specified) horribly wrong with him. The naked need of the control addicts must be decently covered by an arbitrary and intricate bureaucracy so that the subject cannot contact his enemy direct.”


2: Doctor Benway Operates (1983)

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A short sequence from Howard Brookner’s Burroughs: The Movie. Burroughs himself takes the role of the notorious doctor in a staging of the operation scene from Naked Lunch.


3: Repo Man (1984)

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Alex Cox’s feature film includes a hospital scene in which a Doctor Benway and a Mr Lee are paged over the PA. As I recall, Mr Lee is requested to “return the drugs”. There’s apparently a similar scene in Dark City (1998) but if so this must be in the director’s cut which I’ve yet to see.


4: Nomads (1986)

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I’ve not seen John McTiernan’s thriller but it contains another instance of a Doctor Benway being paged at a hospital. (Thanks, Márcio!)


5: Naked Lunch (1991)

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David Cronenberg’s film shows the address of Benway’s surgery to be in Mott Street, New York. This happens to be in the Chinatown area of the city, and is also the location of the Genco Olive Oil Company in The Godfather: Part II.


6: Love is the Devil (1998)

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John Maybury’s Francis Bacon bio-pic features an early screen appearance by Daniel Craig as Bacon’s doomed lover, George Dyer. The latter’s descent into drug-fuelled self hatred includes this scene in a dimly-lit phonebox where Dyer calls up a “Dr. Benway” to request another angry fix. The BFI subtitles give the name as “Banway” but the reference is hardly accidental, especially when Bacon and Burroughs were friends.


7: Standards (2001) by Tortoise

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Track 4: Benway.


8: Autopsy (2008)

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Adam Gierasch’s horror film has Robert Patrick playing a Doctor Benway. With a title like that it seems almost inevitable.


9: Beyond the Black Rainbow (2010)

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Near the beginning of Panos Cosmatos’s feature film Barry Nyle (Michael Rogers) is seen consuming a quantity of unspecified pills. A brief shot shows the origin of the drugs. Some of the experiments taking place in the Arboria Institute where Nyle works aren’t far removed from either Cronenberg’s or Burroughs’ fictions.

Elsewhere on { feuilleton }
The William Burroughs archive

The Dream Machine

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This is a 35-minute anthology film from 1986 with a very painterly, poetic (for want of a better term) quality of a kind I’ve not seen for some time in queer cinema. The reasons for this can be debated at greater length than I care to attempt, but it’s notable that a feature of the work of Derek Jarman—one of the featured directors—was an approach that was always happy to dispense with naturalism and the aping of familiar film and television narratives. In place of Jarman’s visionary approach we now have the “ordinary gay lives” of Weekend and Looking. This may satisfy those eager to see their own lives reflected on the screen but I’m usually expecting more from my cinema than another mirror held up to mundane reality. (And a very circumscribed reality, at that.)

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The theme of The Dream Machine is Bryon Gysin’s hallucination-inducing artwork of the same name. Brief clips by Tim Burke of Gysin sat with eyes closed in front of his flickering cylinder form the connective tissue between sections by directors Jarman, Michael Kostiff, Cerith Wyn Evans, and John Maybury. We can take these as either the dreams of those behind the camera or perhaps the visions seen by Gysin behind his eyelids. Needless to say there’s a fair amount of naked male flesh on offer, presented in a matter-of-fact manner or as the embodiments of some personal symbolism. The film can be seen here in not very flattering quality. Both Cerith Wyn Evans and John Maybury started out as assistants on Jarman’s films. Wyn Evans appears briefly in Caravaggio (1986) but is now better known as an artist, while Maybury went on to direct another excellent artist biopic, Love Is the Devil: Study for a Portrait of Francis Bacon (1998).

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Previously on { feuilleton }
Jarman (all this maddening beauty)
Sebastiane by Derek Jarman
A Journey to Avebury by Derek Jarman
Derek Jarman’s music videos
Derek Jarman’s Neutron
Mister Jarman, Mister Moore and Doctor Dee
The Tempest illustrated
In the Shadow of the Sun by Derek Jarman
Derek Jarman at the Serpentine
The Angelic Conversation
The life and work of Derek Jarman