The art of Mahlon Blaine, 1894–1969

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Nova Venus (1938).

I doubt that illustrator Mahlon Blaine featured in any of the scurrilous porn books in Franz Kafka’s collection—he would have been too young, for a start—but his erotic work isn’t so far removed from some of the artists of The Amethyst and Opals. As usual with obscure talents of this period it’s good to know that someone has already done the required legwork in assembling biographical details. The always reliable Bud Plant has a page about Mahlon Blaine’s life and work, and there’s also a website, The Outlandish Art of Mahlon Blaine. Blaine’s quality control is variable but there’s a trace of the usual suspects in many of these drawings, notably Harry Clarke and, occasionally, the etiolated shade of the Divine Aubrey. (Beardsley, to you.) Similarities too to contemporaries such as Wallace Smith and John Austen, both of whom owe a debt to Clarke and Beardsley. The drawing above comes from this gallery which is among the better sets available.

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Kafka’s porn unveiled

The art of John Austen, 1886–1948

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A few drawings by British illustrator John Austen (1886–1948), like Patten Wilson another artist whose work is hard to come by today. Austen was one of the many young illustrators over whom Aubrey Beardsley’s etiolated shadow fell from 1900 onwards and it’s the first ten years of Austen’s work I find most interesting, mainly because of the Beardsley stylings. He’s not as original or as elegant as Harry Clarke but he’s a lot better than the frequently overrated (yet interesting for other reasons) Hans Henning Voigt, or Alastair as he preferred to be known.

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