Les Jeux des Anges by Walerian Borowczyk

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Les Jeux des Anges.

Following yesterday’s post, we can be certain that Terry Gilliam had seen Les Jeux des Anges because in 2001 he included it in a list of ten favourite animated films. Jan Lenica co-directed Dom (1959) with Walerian Borowczyk but doesn’t work on this film which is the darkest and strangest of all Borowczyk’s works I’ve seen to date. Once again there’s some unavoidable subtext, although whether that applies to the Holocaust or to Stalinist repression is for the viewer to decide. What we see is a series of painted tableaux in which various mechanical processes are butchering angels. The atmosphere isn’t far removed from the cruelties of Roland Topor while the painted scenes are very similar to those that David Lynch would be animating a couple of years later. The soundtrack is credited to electronic composer Bernard Parmegiani. Watch it for yourself here.

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Previously on { feuilleton }
Labirynt by Jan Lenica
Les Temps Morts by René Laloux
Short films by Walerian Borowczyk

Labirynt by Jan Lenica

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Labirynt.

One of the links at the weekend was to this post about the favourite Polish posters of the Brothers Quay, a piece which included an example by designer and illustrator Jan Lenica (1928–2001). Lenica, like the Quays, was also a filmmaker who started out by producing short animations, Labirynt (1963) being one of these works. I’d not come across this before but now that I’ve watched it I’d be very surprised if Terry Gilliam hadn’t seen it at some point in the 1960s, the animation of collaged illustrations and hand-tinted photographs from 19th-century sources is precisely the kind of thing that Gilliam was doing a few years later. So is the generally Surrealist atmosphere with a bowler-hatted protagonist being menaced in the street by a host of hybrid creatures, encountering the women one sees in old erotic postcards, being seized by a giant hand, and so on.

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Many Eastern European animations from the Cold War period involve a degree of political allegory, and Labirynt is no exception. One of the menacing figures is a mechanical gentleman who captures Bowler Hat Man and subjects him to a series of forced operations, eventually building a cage inside the captive’s head. Given this, and some opening shots which show Bowler Hat flying over the city using self-powered wings, it’s not stretching a point to see this 13-minute film as Brazil in miniature. Watch it for yourself here.

Previously on { feuilleton }
Brothers Quay scarcities
Gilliam’s shaver and Bovril by electrocution
Short films by Walerian Borowczyk
The Brothers Quay on DVD