Le horreur cosmique

hpllibrio.jpgI’ll be in Paris this week so some French-related postings are in order.

Michel Houellebecq’s HP Lovecraft: Against the World, Against Life (which I still haven’t read) has been in the news again recently, with a number of reviews appearing in UK newspapers and magazines, most of which present the by-now rather tired spectacle of reviewers who normally wouldn’t give any of this nasty pulp stuff a second thought having to take Lovecraft seriously because Houellebecq is a serious author. (“He’s a bad writer!” they bleat. And Lou Reed is a bad singer; you’re missing the point, you fools.) The Observer last week had one of the better ones. Last year the Guardian published an extract from Houellebecq’s book.

Curious how often it requires the French to make the Anglophone world look anew at marginalised elements of its own culture; Baudelaire championed Edgar Allan Poe, it was French film critics who gave us the term “film noir” when they identified a new strain of American cinema and the Nouvelle Vague writers and filmmakers were the first to treat Hitchcock as anything other than a superior entertainer. The French have always liked Lovecraft so it was no surprise to me at least when Houellebecq’s book appeared.

Oddly enough, the only association I’ve had so far with French publishing is the use of my 1999 picture of Cthulhu’s city, R’lyeh, on the cover of a reprint of HPL stories from Houellebecq’s publishing house (above). Something I’ll be looking for in Paris if I have the time will be more of Philippe Druillet‘s Lovecraft-inflected work. Druillet has been working with the imagery of cosmic horror since the late 60s and even illustrated the work of William Hope Hodgson, one of HPL’s influences and an English writer the broadsheet critics have yet to hear about. Take a look at these pictures for stories written before the First World War then go and look at some stills from the latest Pirates of the Caribbean movie. What was once the preserve of Weird Tales and other pulp magazines is now mainstream culture.

Previously on { feuilleton }
Davy Jones
Charles Méryon’s Paris

Davy Jones

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No, not the dreadful singer from The Monkees but he of the undersea locker and also the new villain in Pirates of the Caribbean: Dead Man’s Chest. Bill Nighy plays this splendidly-designed character, with the assistance of some CGI to get those tentacles working. I’ve still not seen the first film but the look of this makes me more interested in the series as a whole.

Aside from William Hope Hodgson‘s sea tales, the pirates plus voodoo/Sargasso Sea angle has rarely been exploited properly in fiction. Tim Powers had a go in On Stranger Tides but the results fell rather flat. In film there’s been hardly anything apart from the Hammer oddity The Lost Continent (1968), based on Uncharted Seas, a Dennis Wheatley potboiler that plundered Hodgson’s Sargasso Sea stories. The new Pirates film may be about to amend this situation; Davy Jones looks like something dreamed up after a heavy diet of Hodgson and HP Lovecraft.

Dunwich

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Christian Matzke writes to inform me that his short film, Dunwich, based on two HP Lovecraft stories, The Dunwich Horror and The Terrible Old Man, is in production, and that he and co-director Sarah Tarling used my Dunwich Horror adaptation as inspiration. I’m very pleased to hear this, of course, and look forward to seeing how their prequel to the events in Lovecraft’s story turn out. The film’s website has more information.