L’Insolite (1980) by Jean-Marie Poumeyrol.
• “As we move down the ladder of prestige into the world of unvetted tweets, we observe an increasing difficulty, among people with very strong opinions, in exercising that basic critical competence of distinguishing between the authorial creation of a character, and the author’s affirmation of that character’s every moral trait and political view.” Justin EH Smith on the HR managers of the human soul.
• “When is a Didone not a Didone? How far must an exemplar Didone, like a Didot or a Bodoni, be altered before it loses its ‘Didoneness’?” John Boardley on the vexed question of font classification, and the need for an alternative to the present system.
• “Birds with Human Faces and Birds with Human Souls share shelf space with The Book of Owls and Expert Obedience Training for Dogs…” Joanna Moorhead visits the Casa Estudio Leonora Carrington in Mexico City.
“Indolent” is a funny way to characterize her natural state, which seems more like “incisive” to me, but I also have the unshakable sense—for myself—that writing can’t or shouldn’t look like staring into space or feel like not wanting to move from the couch. “A fraud is being perpetrated: writing is not work, it’s doing nothing,” she states in that first essay, from 1992. But she immediately counters with, “It’s not a fraud: doing nothing is what I have to do to live.” Listing a few more pertinent existential options, Diski ends with, “Or: writing is what I have to do to be my melancholy self.” The protoplasmic, chattering, melancholic “I” of these essays is, of course, the collection’s constant, its true subject. I can commiserate with her on every page even if emulation is out of reach.
Johanna Fateman on the incisive long-form criticism of Jenny Diski
• At Spine: Vyki Hendy identifies sunburst as a new trend in book cover design. I often think I overuse these things in my own cover designs which means I may be inadvertently (and fleetingly) trendy.
• At the Magnum Gallery, London: Metamorphoses, photographic studies by Herbert List of male bodies and Greek statuary.
• At Spoon & Tamago: A butterfly sipping moisture from puddles, sculpted entirely in wood by Toru Fukuda.
• At Dangerous Minds: Joseph Lanza on the easy listening side of psychedelic pop.
• At CounterPunch: Louis Proyect on thinking like an octopus.
• Mix of the week: Fact Mix 510 by Britton Powell.
• Bye Bye Butterfly (1965) by Pauline Oliveros | Butterfly Mornings (2001) by Hope Sandoval & The Warm Inventions | Butterfly Caught (2003) by Massive Attack
