Narraciones extraordinarias by Edgar Allan Poe

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Berenice.

Narraciones extraordinarias was the first commission that arrived from Spanish publisher Editorial Alma earlier this year but it’s the second one to be revealed here. (Copies of the pictures at a larger size may be seen on the main website.) I confess I was rather dismayed when the request came through for this. I was pleased to have the opportunity to illustrate so many stories but Edgar Allan Poe is a tough brief when Harry Clarke has already created the definitive set of illustrations. The challenge, then, became one of trying to successfully illustrate the stories without repeating anything by Clarke or the many other illustrators who’ve tackled Poe, not least my favourite collagist, Wilfried Sätty.

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Morella.

One advantage of the collection was the inclusion of several pieces that you seldom find in the common English reprints of Poe, stories such as A Tale of the Ragged Mountains. The style is Sätty-esque, of course, although less surreal in approach thanks to the flexibility of digital tools. I’ve been developing this engraving collage style over the past year or so to create a hybrid that blends drawn and collaged material into a seamless whole. When this works, as with The Man in the Crowd (below), you shouldn’t be able to easily tell which elements are drawn and which collaged. (And more importantly, it shouldn’t really matter.) This technique has been developed further in the most recent work I’ve done for Editorial Alma but you’ll have to wait a while to see the results.

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Ligeia.

Despite my initial misgivings, this job worked out better than I expected, not least because the deadline was so tight. Several of these pictures were created in a day, a work-rate common to many comic artists but not one that I’m used to (or happy with) at all. I’m still unhappy with MS. Found in a Bottle which lazily swiped a chunk of a Gustave Doré illustration; if I’d had the time I would have changed it, and if this series of pictures is ever reprinted that’s one I’ll be reworking.

As before, this is a Spanish-language hardback, and the only purchase link I have is an Amazon one. My next contribution to this series should be out early next year.

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The Fall of the House of Usher.

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Weekend links 332

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Suspiria (2012) by Jessica Seamans.

Matthew Sperling on Tom Phillips’ “treated Victorian novel” A Humument, which he calls “a multimedia masterpiece”. Phillips’ sixth and final edition of the book is published by Thames & Hudson next month.

Strange Flowers on Monsieur de Bougrelon (1897), a short novel by Jean Lorrain which will be published next month by Spurl Editions. The book is currently on my to-be-read-next pile.

Theodore Carter finds images of skulls by artists through the ages. I’d have included Giacometti’s almost abstract Head-Skull (1934) or his sketch of 1923.

• The horror stories of EF Benson contain “enough nastiness to give you just the right kind of frisson for the time of year,” says Nicholas Lezard.

• Covers for One, an American magazine of the 50s and 60s dedicated to “the homosexual viewpoint”.

Kelly Sullivan takes a close look at the illustrations and stained-glass work of the great Harry Clarke.

• Lost Moomins cartoon strips will be shown in the first UK Tove Jansson exhibition.

• The extravagant homes of Ludwig II of Bavaria are in urgent need of restoration.

• Mix of the week: The Nine Ten Never Sleep Again Mix by The Curiosity Pipe.

Ténéré Tàqqàl (what has become of the Ténéré), a new song by Tinariwen.

• The King of Weird: Joyce Carol Oates on HP Lovecraft.

• Charting the legacy of cult 1970s band, Big Star.

Falling (1992) by Miranda Sex Garden | Inferno (Version II) (1993) by Miranda Sex Garden | Peep Show (1994) by Miranda Sex Garden

Excuse My Beauty

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With perfect timing, considering the illustrational direction of the week, David Siferd was in touch to pass on these drawings by Jesse James Johnson for Goddess, David’s unisex streetwear label. The drawings provide the decorative elements of a new collection, Excuse My Beauty, which will be launched later this week. David referred to Harry Clarke and Aubrey Beardsley as inspiration but the combination of figures, flowers and elegant line work reminds me of the enigmatic Didier Moreau. There’s more of Jesse James Johnson’s vibrant ink drawings at this Tumblr page.

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Harry Clarke and others in The Studio

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The Swing by Alan Odle.

The University of Heidelberg has for some time now had several years of British art magazine The Studio in its archive but I’ve yet to delve fully into the later issues. These illustrations are from two articles from the volumes covering the year 1925, both of which feature the exceptional Irish artist Harry Clarke. In the first piece Clarke is present along with two contemporaries, John Austen and Alan Odle; the second is a review by novelist Dorothy M. Richardson (Alan Odle’s wife) of Clarke’s illustrations for Goethe’s Faust. All three artists owed an artistic debt to Aubrey Beardsley, and an earlier number of The Studio features a drawing by John Austen of Scheherazade in his Beardsley-derived style. (Thanks to Nick for the tip!)

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Columbine by Harry Clarke.

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Atalanta in Calydon by John Austen.

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After Beardsley by Ryan Cho

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One of the posts last week concerned a swipe from Harry Clarke by an unknown illustrator. This Beardsley pastiche came to my attention shortly after the Clarke discovery, not a swipe but a deliberate exercise by American illustrator Ryan Cho in adopting the Beardsley style. It took some effort to trace the origin of Cho’s drawing since this is one of many similar works proliferating via Tumblr and Pinterest in which the credit goes to Beardsley himself. Cho’s exercise was one of a series following the styles of different artists and illustrators. In addition to another Beardsley drawing there’s also a couple of less successful attempts to pastiche Harry Clarke; having attempted a Clarke pastiche myself I can testify to the scale of the challenge. More of Ryan Cho’s work may be seen here.

Elsewhere on { feuilleton }
The Aubrey Beardsley archive
The illustrators archive