H. Rider Haggard – { feuilleton }

Mati Klarwein book covers

The World’s Desire (1972) by H. Rider Haggard & Andrew Lang. Painting: Astral Body Asleep (1968).

The use of Mati Klarwein’s paintings on album covers is well documented, the official Klarwein site has a small section devoted to some of the covers. Less well-known are these book covers which were evidently the product of a brief enthusiasm for Klarwein’s work in the Ballantine Books’ art department. As with many of the album covers, these are all pre-existing paintings which have been cropped for use as cover art.

The most surprising example is the cover for The Alien Condition with its detail from Annunciation, a painting better known for its appearance on Abraxas (1970), a very successful Santana album. Given how visible that cover art would have been in 1973 you have to suspect that the painting’s use as a book cover was a deliberate bid to attract a youthful readership. All these titles are works of science fiction or fantasy; I don’t recall having seen a Klarwein cover for any non-genre titles. If anyone knows of an example then please leave a comment. (Thanks to Jay for the tip!)

With a Finger in My I (1972) by David Gerrold. Painting: Blessing (1965).

The Alien Condition (1973) edited by Stephen Goldin. Painting: Annunciation (1961).

Two Views of Wonder (1973) edited by Thomas N. Scortia & Chelsea Quinn Yarbro. Painting: Unknown.

Arrive at Easterwine: The Autobiography of a Ktistec Machine (1973) by RA Lafferty. Painting: Nativity (1961).

Elsewhere on { feuilleton }
• The book covers archive

Previously on { feuilleton }
• The art of Mati Klarwein, 1932–2002

A Strange Manuscript Found in a Copper Cylinder

A great title. As usual I came across this whilst searching for something else. Something about this was familiar but I haven’t read the book, and I suspect it will be one of those where the title proves a lot more evocative than the narrative. The author was a Canadian writer, James De Mille (1833–1880), and this novel of all his works is the most well-known for its predating more famous fantasy novels by H. Rider Haggard. Wikipedia has a précis:

The satiric and fantastic romance is set in an imaginary semi-tropical land in Antarctica inhabited by prehistoric monsters and a cult of death-worshipers called the Kosekin. Begun many years before it was published, it is reminiscent of Edgar Allan Poe’s The Narrative of Arthur Gordon Pym of Nantucket and anticipates the exotic locale and fantasy-adventure elements of works of the “Lost World genre” such as Arthur Conan Doyle’s The Lost World, Edgar Rice Burroughs’ The Land That Time Forgot, as well as innumerable prehistoric world movies based loosely on these and other works. The title and locale were inspired by Edgar Allan Poe’s Ms. Found in a Bottle.

The illustrations are by Gilbert Gaul from the story’s serialisation in Harper’s Weekly in 1888. The best one shows a ride on a huge pterodactyl-like creature called an athaleb that makes me think of the ride on the shrowk in David Lindsay’s A Voyage to Arcturus, albeit without the erotic fervour of Lindsay’s episode. Fervour or no, the road to Lindsay’s philosophical weirdness begins with early novels such as this. De Mille’s book may be browsed here or downloaded here.

Continue reading “A Strange Manuscript Found in a Copper Cylinder”