Richard Williams’ Christmas Carol

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It’s easy to loathe the teeth-grinding sentimentality of Charles Dickens’ seasonal tale, as well as its subtext which isn’t so far removed from Emperor Ming’s instruction to his cowed populace in Flash Gordon: “All creatures shall make merry…under pain of death.” Yet as a ghost story I prefer A Christmas Carol to the sketchier The Signal-Man, and I’ve always enjoyed this memorable 1971 adaptation from the animation studio of the great Richard Williams.

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Marley’s ghost.

Williams is best known today for his role as animation director on Who Framed Roger Rabbit? but prior to this he’d distinguished himself as creator of the florid title sequence for What’s New, Pussycat? (1965), and the animated sections—done in the style of 19th-century engravings and political cartoons—for Tony Richardson’s The Charge of the Light Brigade (1968). Williams’ Christmas Carol owes a similar debt to Victorian graphics, not only to the original story illustrations by John Leech, but also to Gustave Doré’s views of Victorian London, scenes which had earlier influenced the production design for David Lean’s adaptation of Oliver Twist. Williams’ film crams Dickens’ story into 25 minutes but nonetheless manages to maintain the tone of the original to a degree which eludes many feature-length travesties, especially those in which the nightmare squalor of Victorian London is reduced to a shot or two of dressed-down extras. Dickens had first-hand experience of the squalor: Kellow Chesney’s The Victorian Underworld (1970) quotes at length from one of the journeys Dickens took (under police escort) through the notorious St Giles rookery, and his ghost story was intended as much as a warning to the complacency of middle-class Victorian readers as a Christmas celebration.

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The Ghost of Christmas Past.

For me the crucial moment in any adaptation comes when the Ghost of Christmas Present shows Scrooge the figures of Ignorance and Want: in most film versions these tend to be a pair of well-fed child actors in rags and make-up; Williams shows us two grim spectres that owe more to Gerald Scarfe than Walt Disney. Williams is also truer to the ghosts themselves: Dickens describes Jacob Marley unfastening his jaw which falls open then remains that way while he proceeds to speak to his former friend; the Ghost of Christmas Past is the androgynous figure from the story with its ambiguous nature also shown by its shimmering indeterminate outline.

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Ignorance.

Any animated drama relies on its voice actors, and Williams was fortunate to have Alistair Sim (as Scrooge) and Michael Hordern (as Marley) reprising their roles from the 1951 film version, while Michael Redgrave narrates the tale. The film used to be a seasonal fixture of British television, and may still be for all I know (I haven’t owned a TV for years). For the time being it’s on YouTube, of course, with a full-length version here that’s blighted by compression artefacts but is watchable enough. 2012 is the Dickens bicentenary so expect to hear a lot more about the author and his works in the coming year.

Update: The version linked to originally has been deleted. No matter, there’s a much better copy here (for now).

As usual I’ll be away for a few days so the { feuilleton } archive feature will be activated to summon posts from the past below this. Have a good one. And Gruß vom Krampus!

Previously on { feuilleton }
“Who is this who is coming?”

Noxious administrations

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President Nixon by Gerald Scarfe (1972).

“Nixon was a professional politician, and I despised everything he stood for—but if he were running for president this year against the evil Bush-Cheney gang, I would happily vote for him.” Hunter S Thompson, Fear and Loathing, Campaign 2004.

Hunter S Thompson wasn’t the only Nixon critic to regret the passing of his old enemy with the advent of the current regime. Watergate reporter Carl Bernstein was saying pretty much the same thing in 2004; two years on, his opprobrium is a lot more severe.

Carl Bernstein: Bush Administration Has Done ‘Far Greater Damage’ Than Nixon

Editor & Publisher
Published: January 24, 2007 4:00 PM ET updated Thursday

NEW YORK In an online chat at washingtonpost.com on Wednesday afternoon, Carl Bernstein, the famed Watergate reporter at that paper and now writing articles for Vanity Fair, took several hard shots at the current Bush administration—almost every time he was asked about the Nixon era. It came just as news of the death of former Watergate ringleader E. Howard Hunt was circulating widely.

After a long explanation of how the American system “worked,” eventually, with Watergate, Bernstein said:

“In the case George W. Bush, the American system has obviously failed—tragically—about which we can talk more in a minute. But imagine the difference in our worldview today, had the institutions—particularly of government—done their job to ensure that a mendacious and dangerous president (as has since been proven many times over, beyond mere assertion) be restrained in a war that has killed thousands of American soldiers, brought turmoil to the lives of millions, and constrained the goodwill towards the United States in much of the world.”

Later, asked if the Nixon administration was unique in hiring disreputable characters, he replied: “Until the Bush-43 administration, I had believed that the Nixon presidency was sui generis in modern American history in terms of your question…

“In terms of small-bore (but dangerous) characters like Howard Hunt and Gordon Liddy with their schemes, I doubt that any presidency approaches the criminality of the Nixon White House. But the Watergate conspiracy—to undermine the constitution and use illegal methods to hurt Nixon’s political opponents and even undermine the electoral system—was supervised by those at the very top.

“In the current administration we have seen from the President down—especially Vice President Cheney, Attorney General Gonzales, Condoleeza Rice, Donald Rumsfeld—a willingness to ignore the great constitutional history of the United States—to suspend, really, many of the constitutional guarantees that have made us a nation apart, with real freedoms unknown elsewhere, unrestricted by short-term political objectives of our leaders.

“Then there are the Geneva conventions: Who would have dreamed that, in our lifetime, our leaders would permit their flagrant abuse, would authorize torture, ‘renditions’ to foreign-torture chambers, suspension of habeus corpus, illegal surveillance of our own citizens….

“But perhaps worst, has been the lying and mendacity of the president and his men and women—in the reasons they cited for going to war, their conduct of the war, their attempts to smear their political opponents.

“Nixon and his men lied and abused the constitution to horrible effect, but they were stopped.

“The Bush Administration—especially its top officials named above and others familiar to most Americans—was not stopped, and has done far greater damage. As a (Republican) bumper-sticker of the day proclaimed, ‘Nobody died at Watergate.’ If only we could say that about the era of George W. Bush, and that our elected representatives in Congress and our judiciary had been courageous enough to do their duty and hold the President and his aides accountable.”

Bernstein was also asked about the CIA leak case and the leaking of Valerie Plame’s name, which he called “a truly Nixonian event, a happenstance not atypical of the take-no-prisoners politics of the Bush presidency. But it pales in comparison to the larger questions of the Constitution, of life and death, of the Geneva conventions, of the expectation that our leaders—from Condoleeza Rice to Dick Cheney, to the attorney(s) general to Paul Wolfowitz and on down and up the line speak truthfully to the American people and the Congress. They have consistently failed to do so.”