Phosphorus and Hesperus (1881) by Evelyn De Morgan.
• Mix of the week, or possibly the entire year: The Deep Ark, 167 tracks (over 8 hours of music), most of which are from the electronic deluge of the early 1990s. The download link may not work for all browsers—it didn’t for one of mine—but it is active. Via Simon Reynolds who has more about the Deep Ark project.
• At Nautilus: Betsy Mason on the use of stage magic to investigate animal behaviour. “By performing tricks for birds, monkeys, and other creatures, researchers hope to learn how they perceive and think about their world.”
• At The Daily Heller: Mad and the Usual Gang of Idiots. Meanwhile, Mr Heller’s font of the month may prove useful for this election season, a Jonathan Barnbrook design named Moron.
Looking back, you can see a pattern in those eras in which interest in telepathy boomed. Coined by Myers and his fellow psychical researchers in the 1880s, telepathy gained traction because it was formulated inside a moment of scientific and technological revolution, where uncanny transmissions proliferated across the visible and invisible spectrum, seeming to collapse the natural and the supernatural together. In the 1970s, telepathy returned, if under different names, as part of another moment of crisis. The Cold War arms race was an essential part of this, feeding a strange supplemental world of fantasy technologies, from mind control to brainwashing, and playing on an all-too-widespread psychological paranoia around being seen, infiltrated and manipulated by invisible agents.
Roger Luckhurst looks back at a century of psychic research
• New music: Portable Reality Generator by Field Lines Cartographer, and Sublime Eternal Love by Chrystabell and David Lynch.
• Coffee and Chocolates for Two Guitars: Robert Fripp interviewing John McLaughlin in July, 1982.
• Paintings by Ithell Colquhoun currently showing at the Ben Hunter gallery, London.
• At Public Domain Review: Eye Miniatures (ca. 1790–1810).
• ESP (1965) by Miles Davis | ESP (1990) by Deee-lite | ESP (2002) by Comets On Fire
