Erik Davis – Page 10 – { feuilleton }

Weekend links 120

• More Nabokov: The University Poem by Vladimir Nabokov, translated by Dmitri Nabokov and read by Ralph Fiennes. And Breitensträter – Paolino, a short story from Nabokov’s Russian period that’s only just been translated into English.

• More LSD: “For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting,” says Tim Doody.

• More Marker: The Guarded Intimacy of Sans soleil by Jonathan Rosenbaum, The Revolutionary Cinema of Chris Marker by Patrick Higgins, and Chris Marker’s Faces by Brian Dillon.

• “A private realm, not easily penetrated, from which emerged music that would give rise to so much of the music we know today.” Guy Horton on Kraftwerk’s Kling Klang studio.

• A narrative from the swamps of Borneo: BLDGBLOG on the mephitic enigma of London’s sewers.

• At Coilhouse: The Incredibly True Adventures of Gerda Wegener and Lili Elbe.

• “What some people call idleness is often the best investment,” says Ed Smith.

• Book cover design: Rick Poynor on Pierre Faucheux and Le Livre de Poche.

• Metaphysical psychedelia: Erik Davis on Rick Griffin: Superstar.

• Diamanda Galás discusses her 13 favourite albums.

• Rudy Rucker’s Memories of Kurt Gödel.

• The Men of the Folies Bergère

• Olympics or gay porn?

• Smoketography

• The songs of bowhead whales | Another Moon Song (2009) by Espers | One Thousand Birds (2012) by Six Organs of Admittance.

Weekend links 119

The BFI’s recent DVD release of Peter de Rome’s gay porn films has been mentioned here a couple of times already but I only bought a copy this week. It’s a remarkable release for a number of reasons, not least for showing how much attitudes towards pornography in Britain have changed in recent years. De Rome’s films are explicit enough to ensure that in the 1970s and 1980s anyone caught selling them in the UK might have been imprisoned. That you can now buy them uncut from a high street shop on a disc packaged with the usual care by the British Film Institute means another small part of our iniquitous past has gone for good. Among the extras there’s a documentary with the 88-year-old director discussing his work. This week he talked to BUTT magazine who also have one of his shorter films from the DVD, Hot Pants, on their site.

• “Reading this book, it is hard not to feel that the largest mental health problem – the really crazy thing – is society’s attitude to drugs in general and LSD in particular…” Phil Baker reviews Albion Dreaming: A Popular History of LSD in Britain by Andy Roberts.

• “Loved by aristocrats and immortalized in literature, Denham Fouts remains virtually unknown in his own hometown.” Richard Wall on The World’s Most Expensive Male Prostitute.

The very etiology of rabies is mythic: once the bite heals and the virus has traveled to the brain, “the wound will usually return, as if by magic, with some odd sensation occurring at the site.” Then there’s the fact that no definitive diagnosis can be made without taking a biopsy of the sick animal’s brain, leaving only one gory solution: decapitation.

Rabies is horror’s muse. In almost all iterations of the genre, those we most trust suddenly turn strange: a boyfriend morphs into a wolf at midnight, a fiancé turns out to be harboring a mad first wife in the attic, a friend is bit by a zombie and goes berserk.

Alice Gregory reviews Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy.

• The Horror of Philosophy: Erik Davis talks to Eugene Thacker about Lovecraft, medieval mysticism, and thinking the world-without-us.

• Eagle Scouts Returning Our Badges: A Tumblr for those protesting the current anti-gay stance of the Boy Scouts of America.

• His Father’s Best Translator: Lila Azam Zanganeh on the late Dmitri Nabokov.

• Les Liaisons dangereuses: illustrations by Alastair (Hans Henning Voigt).

• Andrea Scrima looks at Robert Walser’s Der Spaziergang (The Walk).

• 10 Great Places to Meet Lesbians If You Have a Time Machine.

• Jesse Bering in Scientific American asks “Is Your Child Gay?”

• As Above, So Below (1981) by Tom Tom Club | Genius Of Love (1981) by Tom Tom Club | Mea Culpa (1981) by Brian Eno & David Byrne.

Weekend links 67

Neutron Drip (2011) by Amrei Hofstätter.

• The Lavender Scare is “the first feature-length documentary film to tell the story of the U.S. government’s ruthless campaign in the 1950s and ’60s to hunt down and fire every Federal employee it suspected was gay”. A film by Josh Howard based on the book by David K Johnson which the author has made a free download here.

• “Annette Peacock, the avant garde American composer, collaborator with Salvador Dalí, friend of Albert Ayler and Moog-synth pioneer, brought this seismically influential session out in 1972…” John Fordham reviews Annette Peacock’s I’m The One which can be purchased here.

• Writer and graphic design historian Steven Heller looks at The Steampunk Bible (edited by SJ Chambers & Jeff VanderMeer) in his column for The Atlantic. He also talks to Galen Smith about the book’s design.

• M John Harrison reveals more about his forthcoming sf novel Pearlent, a partial sequel to Light and Nova Swing. I just re-read Light, and I’m currently In The Event Zone with the follow-up, so I’m looking forward to this one.

• The Raven, a book by Lou Reed & Lorenzo Mattotti (and Edgar Allan Poe). A Journey Round My Skull previewed this in 2009.

• Orson Welles’ Falstaff film, Chimes at Midnight, emerges into the light once more. When do we get a decent DVD release?

• More of the usual concerns: Iain Sinclair’s struggles with the city of London and Erik Davis talks to Alan Moore about psychogeography, John Dee, comic gods, and the art of magic.

• Eddie Campbell takes a tip from Jim Steranko. Related: “Hey! A Jim Steranko effect!”

• Lambshead Cabinet: Win Jake von Slatt’s Mooney & Finch Somnotrope!

• Tilda Swinton is The Woman Who Fell to Earth.

• XXth Century Avantgarde [sic] Books at Flickr.

• Sound sculptures & installations by Zimoun.

• I’m The One (1972) by Annette Peacock.

Weekend links: Hodgson edition

Masters of Terror, Vol 1, Corgi Books, 1977. No illustrator credited.

It was all happening this week so there’s a lot to get through. Are you ready? Deep breath…

For ye Hogge doth be of ye outer Monstrous Ones, nor shall any human come nigh him nor continue meddling when ye hear his voice, for in ye earlier life upon the world did the Hogge have power, and shall again in ye end.

The Hog (c. 1910) by William Hope Hodgson.

• “The Hog is Hodgson’s most nakedly Jungian setpiece; fetid waves of archetypes sweep repeatedly against the thin walls of quotidian reality.” Thus Iain Sinclair, writing in a 1991 afterword to Carnaki the Ghost-Finder which I highly recommend to both Hodgson and Sinclair enthusiasts. China Miéville dissected Hodgson’s Hog on Wednesday and a few hours later a student protest in London turned into an assault on the Tory HQ. Coincidence? Here at {feuilleton} we only offer the facts, it’s up to you to join the dots. M John Harrison approved. Of the protest, that is, not the raising of Porcine Malevolence from the Gulfs Beyond, although he might approve of that as well.

• Further Hodgsonia: Science of The Night Land: Dying Suns and Earth Energy while for real devotees there’s Andy Robertson’s Night Land site.

• “Amplifying the vibrations of the ether” for a view “beyond the limits of ordinary life”: The Fugitive Futurist (1924), a remarkable short film at the BFI’s YouTube channel in which Trafalgar Square is flooded, a monorail crosses Tower Bridge and a dirigible takes to the air over the Houses of Parliament. Also Trafalgar Square Riot (1913), a newsreel with suffragettes at the centre of a civil disturbance. Some of the critics of Wednesday’s events seem to have forgotten that women gained the vote in this country only after repeatedly smashing windows and causing trouble.

• Related to the above: How to Hex a Corporation at Arthur magazine. And let’s not forget Hakim Bey’s Occult Assault on Institutions.

Cover illustration by Ian Miller (1972). The other great cover for THOTB was by Ed Emshwiller in 1962.

The wanderings of the Narrator’s spirit through limitless light-years of cosmic space and Kalpas of eternity, and its witnessing of the solar system’s final destruction, constitute something almost unique in standard literature.

HP Lovecraft reviewing Hodgson’s The House on the Borderland in Supernatural Horror in Literature.

• Lovecraft has long cast a shadow over Hodgson’s fevered visions even though words of praise like those above have done much to keep the earlier writer’s work in print. I’ve been talking for years about doing a series of illustrations for The House on the Borderland and may yet make good on that threat; never say never. Meanwhile, Rick Poyner returned to Design Observer this week pondering the challenge of non-Euclidean architecture in What does HP Lovecraft look like?

Druillet illustrates Hodgson (1971).

• In his latest piece of Barney Bubbles detective work, Paul Gorman discovered the identity of BB’s first design employer, the alluded to but never named Michael Tucker. More surprising for me than the Robert Brownjohn connection is that there’s now a tenuous link between Barney Bubbles and William Gerhardi.

• 777 classical music album covers from the collection of Dr Horst Scherg. Related: The Golden Age of Wacky Classical LP Covers — Westminster Gold and the Westminster Gold discography.

• Chez Fini: Little Augury looks at the work and workplaces (and cats!) of the marvellous Leonor Fini.

• There’s yet more Lovecraft (and much else besides) in Nomad Codes, a new book from Erik Davis.

• The Irrepressibles: “They’re scared of what we’re going to do next”.

• New Scientist asks Is this evidence that we can see the future?

• Of Electricity And Water: A Thomas Dolby Interview.

• Jarvis Cocker talks to Brian Eno.

• Fuck Yeah, Gay Vintage

• Hog Callin’ Blues (1962) by Charles Mingus. Play loud and often.

Weekend links 28

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The Expansion of the First Great Ornamental Age: 3 Distances (2009) by Seher Shah.

• Great Female Artists? Think Karachi. “One reason for the unusually high ratio of female artists in Pakistan has to do with the fact that the art industry has not traditionally been viewed as a lucrative business by men, says South Asian art historian Savita Apte, who administers the internationally renowned Abraaj Capital Art Prize. Until very recently, creatively inclined males tended to focus on fields such as advertising or illustration, leaving the art field wide open for some very talented women.” Related: artist Seher Shah (and also here).

• Hardformat looks at the luxury/collectors/whatever edition of the forthcoming Brian Eno album. “What’s the music like?” Colin asks. Indeed.

• Strange Flowers is “a celebration of the most extraordinary, eccentric and unfairly forgotten figures of the past 200 years”.

• Warsaw Warble: Illustration and design in Poland, 1917 to 1938. More marvels from A Journey Round My Skull.

• Strange Attractor hosts talks at London’s Little Shoppe of Horrors throughout the autumn.

• Barney Bubbles in Mojo and more details of the new edition of Paul Gorman’s BB book.

• A blog devoted to all things having to do with Howard Pyle (1853–1911).

• Erik Davis on Dreaming, Writing, Philip K Dick and Lovecraft.

• 10 Reading Revolutions Before E-Books.

• Secular Exorcisms by Evan J Peterson.

• RIP Jean Benoît.

• Street haikus.

• I Put A Spell On You (1965) by Screamin’ Jay Hawkins; I Put A Spell On You (1965) by Nina Simone; I Put A Spell On You (2001) by Natacha Atlas.