Tag: Eric Portman

Weekend links 707

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Dragon and Tiger—Designs for Lacquer Inro (no date) by Mori Genkosai.

• “But where have all those copies of Corridor of Mirrors gone? Sometimes I entertain the thought that an obsessive collector has amassed them in his library lined with looking-glasses, so that nobody else can possess the book but he, and he can see them all, multiplied to infinity, as he stalks up and down in his scarlet smoking hat and velvet coat, and gloats.” Mark Valentine on the mysterious unavailability of Corridor of Mirrors (1941), a novel by Chris Massie. The film adaptation made a few years later is one I’ve managed to miss, despite its starring Eric Portman and featuring the first screen appearance of Christopher Lee. Future viewing, I think.

• “The intrepid logician Kurt Gödel believed in the afterlife. In four heartfelt letters to his mother he explained why.” Alexander T Englert explains Gödel’s explanations.

• At Open Culture: Hortus Eystettensis (1613), “the beautifully illustrated book of plants that changed botanical art overnight”.

• Mix of the week: Aquarium Drunkard presents The Secret Hemisphere: New Age, Fusion and Fourth World, 1970–2002.

• New music: Phases Of This And Other Moons by Field Lines Cartographer.

• Why Graphic Culture Matters is a new book of essays by Rick Poynor.

• At Spoon & Tamago: Japanese Designer New Year’s Cards of 2024.

• Steven Heller’s font of the month is Chutz.

• At Dennis Cooper’s it’s Barbara Steele Day.

• The Hall Of Mirrors In The Palace At Versailles (1970) by John Cale & Terry Riley | The Hall Of Mirrors (1977) by Kraftwerk | The Room Of Mirrors (2000) by Harold Budd

Tentacles #2: The Lost Continent

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If William Hope Hodgson’s The Boats of the ‘Glen Carrig’ represents the Sublime of tentacular sea fiction then The Lost Continent, a 1968 Hammer film based on Dennis Wheatley’s 1938 novel Uncharted Seas, is the correspondingly Ridiculous end of the subgenre. The Lost Continent is an irritating film for Hodgson enthusiasts since it’s still the most Hodgsonian film out there, at least where the Sargasso side of things is concerned.

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Illustration by SR Boldero (1960).

Despite its Wheatley origins the similarities to Hodgson’s sea stories are no coincidence: Wheatley chose two Hodgson titles—Carnacki, the Ghost-Finder and The Ghost Pirates—for the Dennis Wheatley Library of the Occult series that Sphere Books published in the 1970s. In the introductions Wheatley notes that Hodgson was a favourite writer whose work he discovered in the 1920s; he also mentions having collected a set of Hodgson first editions. Wheatley could have justifiably claimed that the “Weed-World” as a location wasn’t unique to Hodgson but Uncharted Seas also features the giant crabs, marauding octopuses and besieged castaways familiar from The Boats of the ‘Glen Carrig’ and the short stories.

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