The art of Shin Taga

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The World of Edogawa Rampo (1991).

Ushering in the Spook Season with the dark and strange etchings of Japanese artist Shin Taga. Dark, strange, also meticulously detailed and erotic enough for his work to be featured at Shunga Gallery where they draw fitting comparison with the eroto-Surrealism of Hans Bellmer. As is often the case with older Japanese artists—Taga was born in 1946—there doesn’t appear to be a dedicated website or even much information about the creator of these works. There are, however, a number of online galleries with decent reproductions, also catalogues, including one which presents a series of prints based on the stories of Japanese horror writer Edogawa Rampo.

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Mask 01.

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View with a Face.

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Peerless.

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Fish No. 19.

Continue reading “The art of Shin Taga”

Weekend links 54

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Film and opera posters by Franciszek Starowieyski (see below).

• At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus interviewed the director this week, and there’s also a video interview here.

“He was trying to tell the truth about war. In the 1950s the US was telling itself a mythic, grandiose, heroic story about the second world war and GI Joe saving the world. [James] Jones was saying, ‘That wasn’t the war I saw, I want to write something more honest and realistic. Whatever the mid-America myth, one of the things men were doing was giving blow jobs for money.'”

From Here to Eternity is published in an uncensored edition.

Edogawa Rampo‘s sinister short story The Human Chair concerns a man who conceals himself inside a chair. Taiwanese artist Lan Hungh may have had Rampo’s story in mind for his Demolished Chair art piece about which we’re told “Hungh’s flaccid penis is the only body part that’s visible, and becomes hard as soon as anyone starts discussing the chair or sitting on it.” BUTT magazine spoke to the artist.

…unaware of their double standards, the police objected to the portrayal of men in Harrison’s work as demeaning. There was Hugh Hefner squeezed into a bunny girl costume, a beefy but emasculated Captain America wearing false breasts and a stars ‘n’ stripes-patterned basque, and Valerie Solanas, the radical feminist who tried to murder Andy Warhol, stamping on his Brillo box artwork.

A piece about artist Margaret Harrison whose work is on show at Payne Shurvell, London.

Connecting Science and Art: “Novelist Cormac McCarthy (!), filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.”

• At Tumblr: Gurafiku, “a collection of visual research that encompasses the history of Japanese graphic design”, and Archidose.

• “Michael Moorcock’s Modem Times 2.0 is a good introduction to the literary legend.”

• The Spring 2011 edition of Periwinkle Journal (Queer Art + Creativity) is now live.

• Rick Poynor (again) on [Franciszek] Starowieyski’s Graphic Universe of Excess.

• Coudal now have a page of links for the great Terrence Malick.

Wake in Progress is Finnegans Wake illustrated.

Brown Study, a blog by Jay Babcock.

• RIP Sidney Lumet.

Ry Cooder & The Moula Banda Rhythm Aces: Let’s Have a Ball is a film by Les Blank of a fantastic performance by Cooder’s band in Santa Cruz, California, in 1987. It’s not available on DVD but most of it can be seen on YouTube.

Weekend links 44

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Poster by Will Bradley for Victor Bicycles (c. 1895).

• G. Wayne Clough, chief exective of the Smithsonian Institution, finally admits that he made a hasty decision in removing David Wojnarowicz’s video from the Hide/Seek exhibition of gay art. Related: “Finland’s cultural gifts to the world include Sibelius, the Moomins and an artist that the country has been less eager to celebrate.” The belated homecoming of Tom of Finland.

The Fiend with Twenty Faces: Jonathan Clements examines the legacy of Edogawa Rampo (Hirai Taro), the Japanese master of mystery and imagination.

• RIP Susannah York. The Guardian posted a selection of clips including one from Robert Altman’s Images (1972).

• More mixtapes: Trish Keenan’s Mind Bending Motorway Mix and a selection for Quietus by Chris & Cosey.

• “Ruin photos speak to our desperate desire to have our world re-enchanted.”

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Promo poster by Hapshash and the Coloured Coat for My White Bicycle by Tomorrow (1967).

The Raging Peloton: Iain Sinclair on two wheels good, four wheels bad.

The unknown Jorge Luis Borges: five new anthologies reviewed.

The French house untouched for 100 years (and also here).

Electrotypes on Drugs: old chemists’ labels.

South China Sea Pishkun by Dinh Q. Lê.

Bike (1967) by Pink Floyd | My White Bicycle (1967) by Tomorrow | Trip On An Orange Bicycle (1968) by Orange Bicycle.