Weekend links 49

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Star City by Tomislav Ceranic.

• Noted in the blogosphere this week: A Journey Round My Skull underwent a transmutation into 50 Watts; a blog devoted to artist, designer & illustrator Jessie M King; “The arts and musicks of the supranatural” at Secret Lexicon; From the Farm, Railroads, Sewing Machines & Beyond, lengthy reminiscences from a long life in America.

Barney Bubbles in Wonderland, in which the designer and his chums indulge in some Carrollian shenanigans somewhere in the 1960s. The resulting footage is now a promo video for Balloon Race by Bear Driver.

HP Lovecraft’s favourite words, the desert island books of Jorge Luis Borges, a profile of Christopher Isherwood, and Edward Gorey again.

[Arthur] Machen explicitly talks about the strength of London, as opposed to Paris, in that London is more chaotic. Although he doesn’t put it in these words, I think what partly draws him to London is this notion that, in the absence of a kind of unifying vision, like Haussmann’s Boulevards, and in a city that’s become much more syncretic and messy over time, you have more room to insert your own aestheticizing vision.

China Miéville in a great interview at BLDGBLOG.

Matryomin is “the unique, original erectronic [sic] musical instrument invented by Masami Takeuchi in 2000”. Yes, a theremin inside a Russian doll. The Mable ensemble playing Duke Ellington’s Caravan is, well…I’m still speechless. And there’s also this.

Conductor turns the New York subway system into an interactive string instrument.

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Discordia by Tomislav Ceranic.

Amazingly enough, prostitution was legal during the Victorian period. There were tons of brothels all over the major cities of England, and of all different kinds. There were lots of flagellation brothels; these were places where primarily men would go to be whipped by women or by men. There were also gay male brothels. You could go to a park in London at night, pick up what were called the “park whores” and give them a very small amount of money to have sex openly in the park. I also write about gay “cruising,” which was quite common. If you knew the right place to go and knew the right signals, you could pick up a man on the street and have sex in an alley.

Deborah Lutz is interviewed about her book Pleasure Bound: Victorian Sex Rebels and the New Eroticism.

Cult-ure: Ideas can be dangerous, a book by Rian Hughes.

Chernobyl: Europe’s strangest wildlife refuge.

The Eadweard Muybridge Online Archive.

Aubrey Beardsley at Tumblr.

Caravan (1959) by Martin Denny | Caravan (1961) by 80 Drums Around The World | Caravan (1962) by Sir Julian | Caravan (1965) by The Ventures | Caravan (1973) by Enoch Light & The Light Brigade | Caravan (1997) by Jimi Tenor (I could go on and on, yes I could…)

Weekend links 14

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A drawing by Eric Fraser from the Radio Times, 1947. From this Flickr set.

• I helped put together the design for the Pursuit Grooves album recently. FACT magazine interviewed Vanese Smith about her work.

• One of the books whose interiors I designed last year for Tachyon was The Secret History of Science Fiction, a story collection edited by James Patrick Kelly and John Kessel. (And a book which I’ve yet to add to my web pages, I’m still behind with updates.) The LA Times has a piece about the anthology here, focusing on the Don DeLillo contribution, Human Moments in World War III.

• It’s been another week of Facebook hate; being a self-satisfied refusenik I can’t help but find this amusing. Too many good pieces to list but Gizmodo had more reasons why you should still quit Facebook, Jason Calacanis gathered lots of links to other stories on his blog while social media expert Danah Boyd got to the heart of the matter with a very cogent polemic.

• If you want an alternative to Facebook, Diaspora is “the privacy aware, personally controlled, do-it-all distributed open source social network”.

• David Toop has a new book out next month. “Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.”

• Coilhouse looks at the late Decadent artist and designer Hans Henning Voigt (1887–1969), better known as Alastair.

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come, been and gone.

• “After a sold out season at the Barbican in 2009 Michael Clark Company returns with the next instalment of his critically acclaimed production made primarily to the music of David Bowie. come, been and gone also embraces the work of Bowie’s key collaborators: Lou Reed , Iggy Pop , Brian Eno and touches on some of his influences; The Velvet Underground , Kraftwerk and Nina Simone……This production contains loud music and graphic images.” I should hope so.

• “Why should boys always be boys, and girls always be girls?” Brutal/Beautiful, photography by Austin Green.

• John Foxx, Iain Sinclair and others appear at Short Circuit 2010 next month.

Black, Brown, and Beige: Duke Ellington’s music and race in America.

Jane Siberry has made all her albums available as free downloads.

Ruth Bayer photographs people after they’ve inhaled poppers.

Swiss artist catalogues mutant insects around nuclear plants.

Pompeii’s X-rated art will titillate a new generation.

The Happy, Haunted Island of Poveglia, Venice.

The Art of American Book Covers, a blog.

Kanellos, the Greek protest dog.

• Song of the week: Twiggy Twiggy (1994) by Pizzicato Five.

Alex Steinweiss: creator of the album cover

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Contrasts in Hi-Fi by Bob Sharples.

A Tribute to Alex Steinweiss
The Creator of the Album Cover

Robert Berman Gallery announces an exhibition of Alex Steinwiss. Original album covers, paintings, and collages by Steinweiss, and special tribute by selected artists. Co-curated by Kevin Reagan and Greg Escalante.

In 1939, a 23 year-old graphic designer revolutionized the music industry. No longer would records come in plain brown wrappers. As Art Director at Columbia Records, Steinweiss created the ‘album package.’ His idea was to create a visual to complement the musical. It was an instant success, and spawned an entire new field of illustration and design: Album Cover Art. Steinweiss was the king of the genre; his covers are still regarded as icons.In his four decade career, Steinweiss created album covers for musical luminaries such as Louis Armstrong, Duke Ellington, Igor Stravinsky and Benny Goodman.

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The Miraculous Mandarin (circa 1977).

The Steinweiss exhibition will feature 50 of his original cover designs, plus 50 original ‘tribute’ works, created specifically for this show. Artists that are honoring Steinweiss in the show include: Clive Barker, Bill Barminski, Ron English, Mick Haggerty, Raymond Pettibon, Shag, and Glenn Wexler. The featured artists have created album covers for a wide range of musicians, including Black Flag, Dixie Chicks, Goo Goo Dolls, Supertramp, and Rob Zombie.

“Steinweiss is 90 years old this year; this tribute is long over-due. The art community is excited to have a chance to pay homage to Alex’s unprecedented contribution to album cover art,” says Kevin Reagan, three time GRAMMY winning Art Director.

“It’s amazing to discover this one man, this un-sung hero, who is responsible for inventing the album. Steinweiss should be a household name,” says Greg Escalante, curator of Juxtapoz, and co-founder of Copro-Nason Gallery.

“The opportunity to highlight ‘the art of music’ is exciting. You have the energy of two different genres, and their combination is explosive,” says gallery owner Robert Berman. “Just plain design didn’t mean a damn thing,” Steinweiss says. You had to know music. I had to find a way to bring out the beauty of the music and the story.” (dwell, 10/07)

Alex Steinweiss lives in Sarasota, Florida, where he continues to design and paint.

A Tribute to Alex Steinweiss
Gala Opening: January 19th
Show runs through February 12th, 2008

Robert Berman Gallery
Bergamot Station Arts Center
2525 Michigan Avenue, C2
Santa Monica, CA 90404

Alex Steinweiss at the Art Director’s Club Hall of Fame
For the Record: The Life and Work of Alex Steinweiss at Amazon
Alex Steinweiss at Soundfountain

Elsewhere on { feuilleton }
The album covers archive