Der Orchideengarten – Page 2

The art of Rafael Romero Calvet, 1885–1925

Recent picture research turned up another illustrator whose work I hadn’t seen before. Rafael Romero Calvet was Spanish, and the dates above aren’t necessarily accurate (he may have been born in 1884). He did die young, however, and probably too soon to make more of an impact outside the magazines he was working for. The covers here are all from Los Contemporáneos, a Spanish publication that ran from 1909 to 1926. Many of Calvet’s covers—dating from 1909–1910—are grotesque and macabre enough to suit Der Orchideengarten, although that magazine wouldn’t be launched for another ten years.

There’s more of Calvet’s work at Wikimedia Commons, while this feature at Collectors Weekly has a glimpse of his cover for Baudelaire’s Les Fleurs du Mal.

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Weekend links 371

• My cover design for the Doug Murano-edited story collection, BEHOLD! Oddities, Curiosities and Undefinable Wonders, appeared here last December but a repost is in order since the book has been published this week by Crystal Lake. Back in December I didn’t have a list of the featured authors but I do now: Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn L. Kemper, John FD Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and Richard Thomas. The foreword is by Josh Malerman, and the interior illustrations are by Luke Spooner.

• “How do you memorialize an artist who refused to remain identical to himself? How do you remember one of the great philosopher-artists of memory?” Ben Lerner on the elusive Chris Marker.

• Diabolical Fantasia: The Art of Der Orchideengarten, 1919. A welcome reprinting of art from the German magazine of weird fiction compiled by Thomas Negovan. (Previously)

• Coming in September: Conny Plank: The Potential of Noise, a documentary by Reto Caduff and Stephan Plank about the great record producer.

• The Roman Roads of Britain mapped by Sasha Trubetskoy in the style of Harry Beck’s London Tube Map.

• At Dennis Cooper’s: Spotlight on…Julia Kristeva Powers of Horror: An Essay on Abjection (1980).

• Ian Shank on the trove of erotic Roman art that scandalized Europe’s royals.

• At Haute Macabre: Biblio-alchemy: The Liquid Library of Annalù Boeretto.

• What makes a French film noir? Andrew Male has some suggestions.

• David Shariatmadari on how 1967 changed gay life in Britain.

• Mix of the week: Gated Canal Community Radio.

• A Gallery of Moods by Mlle Ghoul.

• Loe And Behold (1970) by Sir Lord Baltimore | Behold The Drover Summons (1983) by Popol Vuh | Beholding The Throne Of Might (2014) by The Soft Pink Truth

Covers for Der Orchideengarten

I was going to finish the year with a post showing some of the handful of product designs I’ve done recently but since some the products in question still need to be photographed that’ll have to wait. After a peculiarly dark and grotesque year it seems more fitting to end with a post of dark and grotesque artwork from an earlier epoch. Der Orchideengarten has been the subject of several posts here in the past but it’s only this week that I’ve had the opportunity to see an entire run of the world’s first magazine devoted solely to fantastic art and literature. Der Orchideengarten ran for 51 issues from 1919 to 1921; the editors were Hans Strobl and Alfons von Czibulka, and the contents comprised original fiction, book reviews and reprints in German of notable works of weird literature.

The interior graphics (previously) are in a style similar to those found in Jugend and other German magazines of the period (plus reprints of Beardsley, Doré, and the like), while the covers follow the Jugend template of being different in style and format for every issue. All of these covers are from the wonderful resource at the University of Heidelberg where every issue of Der Orchideengarten is available for download. Even if you can’t read German the magazine is worth browsing for its very European view of the fantastic, a view which tends to be darker and more adult than the American magazines that would soon overshadow it. Some of the covers are strange in a manner that Weird Tales seldom achieved, and many of them feature an orchid somewhere in the design.

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The art of Fritz Hegenbart, 1864–1943

Fritz Hegenbart was an Austrian artist some of whose work has appeared here before in posts about Jugend magazine. Hegenbart provided many illustrations and embellishments for Jugend and other journals circa 1900, the examples here being mostly from a feature in the collected Kunst und Handwerk for 1902/03, a magazine I was rifling through last week. Once you’ve been through Deutsche Kunst und Dekoration and others you find the same contents repeating themselves with slight variations; that’s no surprise when there was only a certain amount of news that any arts magazine could report for a given year.

Hegenbart’s work stands out for conjuring the slightly grotesque allegories I often like to see: The woman aiming an arrow from inside a serpent’s jaws represents Malice, while the woman being dragged under the water by a tentacled monstrosity is Art falling prey to Mammon. An updated version of that picture would have to show Mammon as a bloated and triumphant abomination. Hegenbart seemed to enjoy attaching wings to whatever women he was drawing; further down the page you’ll find a wingless woman being menaced by a particularly dopey-looking dragon.

There’s also the curious ink piece below showing the location of the artist’s home in Dachau, Bavaria, and what to our eyes is a supremely inappropriate skull-shaped container for his brushes. The shadow of two world wars always hangs heavily over these magazines (especially in the nationalistic Jugend) but the imagery is seldom as prescient as this.

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Jugend Magazine revisited

It was just over a year ago that I was wishing there was some way to see whole issues of Jugend magazine, the German periodical launched in 1896 whose Art Nouveau style gave its name to the movement in Germany, Jugendstil. Yesterday’s search for Heinrich Vogeler artwork turned up that very thing, scanned editions of Jugend at the University of Heidelberg’s digital archive. Whole numbers from 1896 to 1925! I am aghast. As well as the scanned pages being very high quality you can download the bound collections as PDFs, each one totalling over 400 pages. Leafing through pages of old magazines in a foreign language doesn’t sound very stimulating if you can’t read German but Jugend was a very visual publication. Each issue is crammed with a variety of drawings in styles which range from black-and-white Art Nouveau motifs and quasi-Symbolist illustration to humorous drawings and cartoons. Each issue also featured a large drawing or painting on a fold-out spread.

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