Weekend links 668

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The Drowned Cathedral (1929) by MC Escher.

• “All Saints’ was the last of the seven parish churches to fall headlong into the waves. The drowned church was doomed to lie in a gulley not far out to sea, a habitat for sponges and crabs, and yet it lives on, unvanquishable; for—as the story of Britain’s lost cities, ghost towns, and vanished villages tells us—what has disappeared beneath the sea can rebuild itself in the mind.” Matthew Green explores the history of Dunwich, Suffolk.

• “Why do certain artists endure and become (dread word) ‘iconic’, while some are forgotten or sidelined or only grudgingly acknowledged?” Ian Penman talking to Jeremy Allen about his new book, Fassbinder Thousands of Mirrors.

• Coming soon from Strange Attractor: A new edition of England’s Hidden Reverse, David Keenan’s study of the lives and music of Coil, Nurse With Wound and Current 93.

• “What is electronic music?” Daphne Oram, Desmond Briscoe and David Cain of the BBC Radiophonic Workshop are here to explain.

• “Direct evidence of the use of multiple drugs in Bronze Age Menorca (Western Mediterranean) from human hair analysis.”

• New music: Timespan by Majeure, and Microdosing by African Head Charge.

• “Future of Borges estate in limbo as widow doesn’t leave will.”

Arooj Aftab’s favourite albums.

Paperback Covers on Tumblr.

The Engulfed Cathedral (1974) by Tomita | Engulfed Cathedral (1981) by John Carpenter | La Cathédrale Engloutie (2003) by Sora

Weekend links 662

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Pierrot le Fleur by Marina Mika.

• I’ve been saying for years that Andrzej Zulawski’s On the Silver Globe should be given a proper blu-ray release, and that’s what Region B viewers will receive soon courtesy of Eureka. Andrzej Zulawski: Three Films will be released in May, a set that comprises the director’s unfinished SF film, his debut feature, The Third Part of the Night (1971)—which I still haven’t seen—and also The Devil (1972), which I have seen but only as a poor copy that’s been circulating via illicit channels for many years.

• “The album’s 18-minute, multi-section standout Jenny Ondioline acquired a crucial role. It became the first track I’d play whenever I boarded a train, slipped on my headphones, and settled in beside an anonymous rail rider.” Hayden Merrick on travelling across the USA to the sounds of Transient Random-Noise Bursts With Announcements by Stereolab.

• At Aquarium Drunkard: E. Hehr explores musical exotica via Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights, “…a compilation that touches upon the noir side of exotica, far more gritty and raw compared to the lavish production on the esteemed exotica albums from Capitol and Liberty.” I own this collection. It’s a good one.

“My own experience,” Leda muses “tells me that more love goes into the thought of homosexuality than the practice.” Other gays are neither radical heroes nor the pathetic, self-hating fairies of, say, Mart Crowley’s Boys in the Band. This frankness makes Love, Leda a singular work; a contemporary portrait of working-class gay London in the years running up to decriminalisation that neither flatters nor sensationalises. In doing so, Hyatt transforms gay sex and love from an abject taboo to a deeply human intimacy.

Huw Lemmey on Love, Leda by Mark Hyatt, a candid tale of gay life in the Britain of the 1960s

• “It became something like a ritual, an exhumation of long-unheard music reanimated as glacial drones and ghostly symphonic movements—the sound of the cathedral transmuted into an enveloping shadow of pulsation, echo and glitch.” Orgelwerk by Ted Reichman.

Max Richter answers 50 questions. Sleep, Richter’s 8-hour ambient epic, is still my favourite among his compositions that I’ve heard to date: 8 CDs and a blu-ray disc from Deutsche Grammophon.

• RIP Alastair Brotchie, publisher of books at Atlas Press, and biographer of Alfred Jarry. Also a commenter here on one occasion when he corrected an erroneous photograph caption.

• A trailer for Suzume, a new feature film by Makoto Shinkai. Related: A Gathering of Cats.

• The story behind Jack Pierson’s homoerotic new photo book.

• The Strange World of…Phew.

Why Do I Still Sleep (1983) by Popol Vuh | Sleep I (1995) by Paul Schütze | The Dreamer Is Still Asleep (1999) by Coil

Man is the Animal, issue three

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In the post this week, the third issue of the Coil zine, Man is the Animal. 72 pages of esoteric exploration which this time includes a written contribution of my own. The cover art is Fire of the Mind (2013) by Mead McLean.

Contents
Singularities of Art and Nature by John Coulthart
“There’s a Man Laying Down in a Grave Somewhere” Poem for Jhonn Balance by Joseph Breitman
“Shadows only exist when the spotlight is on” An Interview with Mead McLean
“In Perpetual Motion”: The Coil Manifesto as Theory in Practice by Nick Soulsby
Coil’s Fano Concert by Kiefer Gorena
Peter Christopherson Is Alive And Well And Living In Parentheses! by Nick Hudson

Previously on { feuilleton }
Man is the Animal, issue two
Man is the Animal: A Coil Zine

Weekend links 640

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Aquarius (1910–1914) by Ilna Ewers-Wunderwald.

• “…they created a unique Afro-Caribbean soundscape—Battiste’s exceptional skills saw him use the studio as an instrument, voices flutter in and out, instruments shiver and shriek, over which Rebennack mutters and chants, a shaman of sorts.” Garth Cartwright on the life and works of Mac Rebennack, better known to the world as Dr John.

• Issue 3 of Man Is The Animal: A Coil Zine is now available for pre-order. I contributed to this one with a piece entitled “Singularities of Art and Nature”, an examination of the Coil discography via the Wunderkammer concept and the Musaeum Clausum of Thomas Browne.

• Among the recent arrivals at Standard Ebooks, the home of free, high-quality, public-domain texts, is Arthur Machen’s episodic and influential horror novel The Three Imposters (1895).

Media History Digital Library: “A free online resource, featuring millions of pages of books and magazines from the histories of film, broadcasting, and recorded sound.”

• At Dennis Cooper’s: Shall I, Jean Eugène Robert-Houdin, conjurer, introduce myself to you, viewer? And why not?

• At Public Domain Review: The Blood Collages of John Bingley Garland (ca. 1850–60).

• Mix of the week: Endymion, an autumnal ambient mix by The Ephemeral Man.

• “New Webb image captures clearest view of Neptune’s rings in decades.”

• New music: Of Endless Light by Cleared.

• RIP jazz giant Pharoah Sanders.

Conjuration (1977) by Tangerine Dream | Necronomicon—Conjurations (2004) by John Zorn | A Boy Called Conjuror (2020) by Teleplasmiste

Weekend links 635

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A close-up image of the surface of a soap bubble. The image reveals ‘lipid islands’ of soap floating on a very thin film of water. The film on which the soap floats is so thin that it does not interfere with the light hitting it, therefore allowing the light to pass through. This creates an appearance of a black abyss. Magnification x250.”

• Coming soon from Strange Attractor Press: Everything Keeps Dissolving, Conversations with Coil edited by Nick Soulsby. I helped out a little with this one so I’m looking forward to seeing it. And since the cult fervour around the group remains undiminished, anyone interested in buying a copy is advised to do so sooner rather than later.

• There are over 90 stories in The Complete Short Stories of JG Ballard (quantities vary according to edition) but few of them have been adapted into other media. The Drowned Giant is an exception, an animated short directed by Tim Miller.

• “You could spend your life exploring its dream logic without arriving at a definitive destination.” Anne Billson on the mysteries of Lucile Hadzihalilovic’s Earwig.

• Meta-mix of the week: links to yearly mixes of favourite ambient releases by A Strangely Isolated Place.

• At Spoon & Tamago: Matchstick cookies keep the flame of tradition alive.

• At Dennis Cooper’s: George A. Romero Day.

Felicia Atkinson’s favourite music.

• RIP Wolfgang Petersen.

Das Boot: Titel (1981) by Klaus Doldinger | Martin (1983) by Soft Cell | Everything Keeps Dissolving (2000) by Coil