Weekend links 227

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A Follower by Jason Grim.

Haunted Futures, a multi-genre anthology from Ghostwoods Books, will feature stories by Warren Ellis, John Reppion, Liesel Schwarz, Chuck Wendig, Richard Kadrey, Stephen Blackmoore and others. It will also feature some of my illustrations but only if this this Kickstarter fund is successful.

• “…at issue here is restriction versus potential: protect a specific set of choices versus open the field to the exploration of everything.” Sam Potts offers a refutation of Robert Bringhurst’s design textbook The Elements of Typographic Style.

• “I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath.” Morgan Meis quoting David Lynch in a review of David Lynch: The Unified Field, a new exhibition of Lynch’s paintings.

But among these novels only Moravagine, first discovered for English-speaking readers by Henry Miller and a direct ancestor of Céline’s Voyage au bout de la nuit, has survived as an underground classic. A monstrous admixture of Lautréamont’s Maldoror, Feuillade’s Fantômas, Nietzsche’s Superman, Jack the Ripper and (according to the Cendrars scholar Jay Bochner) the deranged Jung and Freud disciple Otto Gross, Moravagine remains Cendrars’s most nihilistic and darkly comic other.

Richard Sieburth on Blaise Cendrars and his “Dada update of Dostoevsky”, coincidentally the subject of a post here earlier in the week.

• “…the duchess became enthralled with the idea of creating a garden of plants that could kill instead of heal.” Natasha Geiling on Jane Percy’s Poison Garden.

• Mix of the week: Kosmik Elektronik [part 3] by The Kosmische Club. More Kosmische musik: Agitation Free on French television in 1973.

• At Dangerous Minds: Secret Weapons (1972), 22 minutes of made-for-TV dystopian science fiction directed by David Cronenberg.

Project Praeterlimina, “a journal of daemonology, magic, and the human condition”.

The NOS Project: download Shed’s score for Murnau’s Nosferatu.

• At Lambda Literary: Toy, a poem by Evan J. Peterson.

Drew Daniel doesn’t want to play the listicle game.

Surrealism and Magic

Stuff in old books

Haunted Island (1973) by Agitation Free | Haunted Heights (1977) by Peter Baumann | Haunted Dancehall (1994) by The Sabres of Paradise

The Eighth Court

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Mid-January and here’s the first book cover design of the year, and another title for Angry Robot. This is the fourth book in Mike Shevdon‘s Courts of the Feyre series; since I’d already provided the three earlier books with a uniform design it didn’t take long to create this one. I’ve been very pleased with the reception of these covers, the positive response shows that it’s possible to design something for a fantasy series that isn’t the customary generic illustration plus florid typography. I wrote about the problems of designing fantasy covers last year with a lengthy examination of M. John Harrison’s Viriconium books.

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Two recent Angry Robot covers: Joey HiFi‘s cover for Chuck Wendig and Amazing15‘s Pelican-styled design for Chris F. Holm.

Credit should be given to Angry Robot’s Marc Gascoigne for encouraging this direction, the company has been producing a range of very smart covers which don’t pander to the clichés of the marketplace. There’s more of an incentive for smaller publishers to do this when small press imprints and self-publishers often have terrible cover designs (sad but true) while the multinationals play safe for fear of losing readers. If you want to stand out from the crowd then it helps to look good.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
The Courts of the Feyre