CC Senf – { feuilleton }

The Nameless City: First published in The Wolverine, November 1921. Reprinted in Weird Tales, November 1928. Illustration by Joseph Doolin.

This would have been “The Cthulhu Mythos in Weird Tales” if some of HP Lovecraft’s more substantial stories hadn’t been published elsewhere. To prevent sprawl I’ve limited the list to Lovecraft’s own stories even though the Mythos takes in the work of contemporaries such as Clark Ashton Smith, Robert E. Howard, Frank Belknap Long, Zealia Bishop, August Derleth and others. I like seeing the first appearance in print of familiar tales, and I like seeing their accompanying illustrations even if the drawings are inferior pieces, which they often were for the first decade of Weird Tales. These are the short-story equivalent of first editions, and in the case of The Call of Cthulhu you get to see the first printing anywhere of that mysterious name.

The Hound: Weird Tales, February 1924. Illustration by William Fred Heitman.

This issue is also notable for a story by Burton Peter Thom which shares a title with a Mythos-derived song by Metallica, The Thing That Should Not Be.

The Festival: Weird Tales, January 1925. Illustration by Andrew Brosnatch.

The Colour Out of Space: Amazing Stories, September 1927. Illustration by JM de Aragon.

Lovecraft didn’t think that Weird Tales would appreciate this one even though it’s more horror than science fiction so he sent it to Amazing Stories instead.

The Call of Cthulhu: Weird Tales, February 1928. Illustration by Hugh Rankin.

It’s doubtful that Rankin, Senf and co. would have been up to the task of depicting Great Cthulhu or the non-Euclidean nightmare of R’lyeh, but this hardly excuses editor Farnsworth Wright’s decision to give the cover to Elliott O’Donnell’s ridiculous ghost table.

Continue reading “The Cthulhu Mythos in the pulps”

Cover illustration by CC Senf.

In her mind the queen Nitocris was seeing a ghastly picture. It was the picture of a room of orgy and feasting suddenly converted into a room of terror and horror, human beings one moment drunken and lustful, the next screaming in the seizure of sudden and awful death. If any of those present had been empowered to see also that picture of dire horror, they would have clambered wildly to make their escape. But none was so empowered.

Everyone today will be marking the Tennessee Williams centenary by noting his theatre work, of course, or his subversive celebration of outsiders and, yes, the gays. I’ll confine myself to reminding people that Williams’ first published work was a short story entitled The Vengeance of Nitocris in Weird Tales for August 1928, written when he was only 16. The story reads like the work of a teenager but editor Farnsworth Wright evidently enjoyed an atmosphere of lurid Egyptian melodrama which you can appraise for yourself here. Also in this issue was the debut appearance of Robert E Howard’s Solomon Kane, and The Demoiselle d’Ys by Robert Chambers. Seeing the name Nitocris I have to wonder whether Williams chose it after reading HP Lovecraft who used the name twice in earlier stories published in the same magazine, Imprisoned With the Pharaohs (1924) and The Outsider (1926). That last piece was one of Lovecraft’s most popular tales, and it’s easy to imagine its grotesque parable of alienation making an impression on a would-be writer who, as a gay youth, would have looked upon himself as another kind of outsider.

Previously on { feuilleton }
• The King in Yellow