The Song of the Dead by Carrie Patel

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Presenting my latest cover for Angry Robot books, and the third cover I’ve done for Carrie Patel. The Song of the Dead is a sequel to Carrie’s two previous novels in the Recoletta series, The Buried Life and Cities and Thrones. For the new volume I maintained continuity by keeping the architectural frame while changing some of the details; the use of green after doing the previous covers in blue and red means that this is now the second series I’ve done for Angry Robot (KW Jeter’s being the first) using a red/green/blue colour scheme. This wasn’t intentional but was the result of choosing colours that differ from each other as much as possible. (Or almost as much: red, blue and yellow are primary colours, green is a secondary colour.) The requirement for the pictorial content was to show a city of disparate architecture but with less of an antique style than that seen on The Buried Life. Almost all the buildings in my palimpsest creation are taken from renderings of unbuilt skyscrapers or views from the early 20th century showing New York “as it will be in the future”. The airship is my own invention, based on the French model of dirigible which favoured pointed ends. The Song of the Dead will be published at the beginning of May.

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And while I’m writing about recent work, it’s worth mentioning that The Thing: Artbook is now available for pre-order from Printed In Blood. This is a 400-page tribute to John Carpenter’s horror masterwork laden with responses and interpretations of Thingery from a wide range of international artists, myself included. The book will be out in July, and copies pre-ordered from the publisher will come with two bonus prints. More about this later.

Previously on { feuilleton }
Things
Two covers

Two covers

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More new work of mine has been unveiled in the past few days so I can show these here. The Buried Life and Cities and Thrones are a pair of fantasy novels by new author Carrie Patel being published by Angry Robot. I was asked to provide something in an engraved style set against a black background, with imagery that reflected themes of vast, underground architecture and armed conflict.

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Vast architecture of any description is something I’ve always enjoyed, the main challenge with each book came in trying to imply the architecture and events without the pictorial content becoming incoherent. Marc at Angry Robot asked for something Piranesian where the architecture was concerned. Looking over Piranesi’s non-Carceri designs didn’t turn up anything with a suitably dramatic perspective, however, so most of what you see in the first cover comes from Giuseppe Galli Bibiena’s Architetture e Prospettive (1740). The Bibienas were a family of architects and theatrical engineers who specialised in dizzying perspective views for their stage designs; Bibiena’s book was produced to preserve some of his more celebrated designs, the originals of which are now lost. I’ve had a book of these drawings for years but this is the first opportunity I’ve had to make use of them in any kind of collage.

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This style of Baroque architecture doesn’t suit steampunk imagery which tends towards 19th-century urban/industrial; the plates are also rather staid scenes without the graphic flare that Piranesi gave to everything he rendered, real or imagined. But I do like those plunging perspectives, and pieces from two of the plates turned out to share both the same perspective and the same lighting direction. It’s easy to collage things into a flat view but creating a realistic sense of depth from bits and pieces can be tricky.

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The frame for the second cover has more of a Piranesian quality being chipped and eroded. The typography for the titles went through several changes, the versions here show a late suggestion of mine with lettering that’s probably too thin to read well at a distance (or a small size on a web page). SF Signal has a post showing the Angry Robot versions which will probably be the final ones, together with a preview of the first book.

Previously on { feuilleton }
Aldous Huxley on Piranesi’s Prisons