Harry Clarke and the Elixir of Life

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A little something for the season of strong drink. Harry Clarke’s books command high prices in their original editions yet two of the costliest items in the Clarke bibliography are a pair of promotional booklets the artist illustrated for Jameson & Son’s Irish Whiskey: A History of a Great House in 1924, and Elixir of Life a year later. Given the quality of Clarke’s work for these publications it’s a shame they remain out of print; I’m sure I’m not the only Clarkeophile who’d be happy to buy a facsimile edition.

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Cardwell Higgins versus Harry Clarke
Modern book illustrators, 1914
Illustrating Poe #3: Harry Clarke
Strangest Genius: The Stained Glass of Harry Clarke
Harry Clarke’s stained glass
Harry Clarke’s The Year’s at the Spring
The art of Harry Clarke, 1889–1931

Cardwell Higgins versus Harry Clarke

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A Delightful Page in the Record of My Existence.

This picture popped up at Chateau Thombeau a few days ago and it’s also been circulating in Tumblr’s recursive labyrinth. The very obvious debt to Harry Clarke’s black-and-white style caught my attention, especially to the artist’s Poe illustrations with the reclining woman being a blatant swipe from one of the Pit and the Pendulum drawings.

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The Pit and the Pendulum (1919) by Harry Clarke.

Searching around revealed that the artist responsible, Cardwell Higgins, produced a small series of similar pieces in the late 1920s. He then settled into a career as an illustrator for American magazines and advertising, working in a far more commercial style which isn’t really the kind of thing I get very excited over. Six drawings from the black-and-white series were published as a lthograph set in 1979. Some of the originals came up for sale recently which accounts for the surfacing of these copies.

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