Network 21 TV

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What was Network 21? It’s easiest to grab an explanation from the people responsible:

NeTWork 21 was a pirate television station which broadcast a 30mns program on Fridays from midnight throughout April to September 1986 in London. It had never been done before, and has not been done since anywhere in the UK. The broadcasts took place on channel 21 of the UHF band, slightly below ITV, using a low powered transmitter covering 8-10 miles across London. Program content was literally hand made, shot with a Sony Video 8 camera, edited on Low Band U-Matic, and broadcast on VHS. They showed slices of London’s artistic buzzing underground life as well as casual glimpses of everyday life, something which the normal television stations never showed. We would also offer slots to whoever was willing to appear on pirate TV, saying, showing or doing whatever they wanted, with no pre/post-production censorship of any kind. Because of our low tech approach, we could easily film people, situations and events with minimum disruption and maximum interaction. We were also free to choose program content and style according to our own mood, without having to worry about ratings, advertisers or good taste standards. (more)

In 1986 the UK only had four TV channels, and none of them ran through the night so theoretically there was plenty of space available for other broadcasters. In practice any unauthorised activity was always swiftly curtailed. Those of us outside London could only read about these illicit broadcasts but now it’s possible to jump back in time to the gloomy heart of Thatcherite Britain via the Network 21 YouTube channel. All the clips are fairly short and lean heavily towards the (for want of a better term) Industrial culture familiar from the early RE/Search publications, Simon Dwyer’s sorely-missed Rapid Eye, and Cabaret Voltaire’s “television magazine” TV Wipeout: William Burroughs (reading at the London Final Academy event in 1982), Brion Gysin, Psychic TV, Diamanda Galás, Derek Jarman et al. There’s also Roz Kaveney on passion, and Simon Watney with a news item related to the AIDS crisis in the US. The network website has complete listings for each broadcast.

Previously on { feuilleton }
ICA talks archived
The Final Academy

Weekend links 48

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Nite Flights (1978) by The Walker Brothers. Cover design by Hipgnosis.

something attacked the earth last nite
with a kick that man habit-eye
cut the sleep tight boys who dreamed and dreamed
of a city like the sky

Scott Walker quotes Brion Gysin (and who knows what else) in Shutout (see below), one of the four remarkable songs he wrote for the final Walker Brothers album, Nite Flights. That album cast a shadow over David Bowie’s Lodger a year later, and led Bowie to try his hand at a cover of the title track in 1993.

• Frédéric Chaubin’s photographs of what he calls Cosmic Communist Constructions. Also a new book from Taschen, and an exhibition at the Karlsruhe Museum of Contemporary Art. PingMag interviewed Chaubin back in 2006.

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From Disparate works by Romanian artist Marcel Chirnoaga (1930–2008). See also the Virtual Museum of Marcel Chirnoaga.

The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland.

Freeman Dyson on The Information: A History, a Theory, a Flood by James Gleick.

• In the Tumblr labyrinth this week: Mr Rossignol, the Elephant House for Edward Gorey, and Brion Gysin.

• Related to the last, Mutate or Die is “a bioart project being conceived of and executed by Tony Allard and Adam Zaretsky”.

• Barry Miles’s top 10 counterculture books. Related: Rick Poynor on Richard Neville’s Playpower.

“The sooner literary fiction recognises & accepts its generic identity, the sooner it can get help.”

• Is YouTube user “Kosinski” the ever-elusive Chris Marker? “All signs point to yes.”

• The Internet Archive is making its books available to US libraries.

• The Castle of Shadows at BLDGBLOG.

• The Light Painting Pool at Flickr.

• Scott Walker (with the Walker Brothers): Shutout |Nite Flights | The Electrician.

Passage 14

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It’s that time of year again when my good friend Ed Jansen unveils the latest edition of Passage, his Dutch-language webzine:

The 14th issue of Passage contains articles about language, the dreamachine of Brion Gysin, the collaboration of Gysin with William Burroughs and Ian Sommerville (The Third Mind), a recently discovered photograph of Arthur Rimbaud’s presence in Aden, lots of photos of exhibitions and performances of artists in and around The Hague, about the experiences of Louis-Ferdinand Céline in the First World War and the latest novel of Michel Houellebecq. The purpose behind everything we write and make is to give the reader a sense of direction towards the unknown, towards the North-West Passage that leads to a new world.

The cover picture is a photo of the audience at a Dreamachine-inspired presentation by Matthijs Munnik about which we’re told:

In my performance I also make use of the flicker effect, but I have more control over it. In my performance, the audience wears white plastic masks, this way they look into a ganzfeld, a totally white field during the performance. In my set up, I use beamers, projecting light on the audience’s masks, completely immersing them in the light and colors of the projection.

I play an 8 minute live composition, based on the varying effects of different frequencies of flicker, colour, binaural beats and sound. During the performance every spectator will see something different, varying patterns and colours, created within their own brains.

And speaking of the Dreamachine, Nick Hydra left a comment in an earlier post with the news that visitors to the Wellcome Collection’s High Society exhibition in London have the opportunity to trip out with one of Brion Gysin’s flicker machines until the end of February.

Previously on { feuilleton }
Brion Gysin let the mice in
Passage 13
Passage 12
Passage 11
Passage 10

Weekend links 26

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The interior of the Public Library of Cincinnati and Hamilton County “Old Main” Building, 1874. Reblogged over the past few days on numerous Tumblr postings, none of whom had bothered to find out any details about the picture. I’m with Silent Porn Star on the contextless reblogging issue.

Keith Richards et Mick Jagger à Londres, TV interviews with the Glimmer Twins from 1968 with some remarkable footage in the second half of Jagger filming the penultimate shot of Performance. That French video site requires further exploration. Also there is a short film from 1961 with Jacques Lasry demonstrating the Cristal Baschet. Related: Jacques Doyen & Jacques Lasry play their Cristals while Arlette Thomas and others read French poetry. I wrote something about the mystery of the Cristal two years ago this week.

• Two great album cover blogs from Jive Time Records: Project Thirty-Three is “a shrine to circles, dots, squares, rectangles and triangles, and the designers that make them come to life on album covers” while Groove Is In The Art “celebrates the era when psychedelic graphics and pop art met the mainstream”.

• At A Journey Round My Skull: Night Hallucinations: illustrations by Jaroslav Šerých for Tales of the Uncanny (Prague, 1976); Snark, Strangeness and Charm, Mahendra Singh’s illustrations for Lewis Carroll and others.

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Laurence Chaves illustrates De Quincey’s Confessions of an English Opium-Eater at Golden Age Comic Book Stories.

Austin Osman Spare: Fallen Visionary at the Cuming Museum, Southwark, London in September, “will be the largest showcase of [Spare’s] work in a public museum since his death in 1956.” Jerusalem Press are publishing an expensive monograph to accompany the exhibition.

Freeing “Pale Fire” From Pale Fire; “the next big Nabokov controversy”. Probably not but the thesis is an interesting one.

Quintessential ‘topiary’ in Gandalf’s Garden: Barney Bubbles, head shops and Op Art graphic design.

• Monster Brains discovered some more paintings by Thomas Häfner.

• Spaceweather’s Northern Lights gallery.

The passion of Krzysztof Penderecki.

• More Bookshelf porn.

White peacocks.

Sussan Deyhim: Daylaman | Desert Equations (for Brion Gysin) (with Richard Horowitz) | An interview at WorldStreams.

Several links this week via Adrian Shaughnessy’s Twitter feed. Thanks!

Weekend links 21

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A poster by Kazumasa Nagai.

• Franco Maria Ricci creates the world’s largest maze. “The former publisher said he first confided his ambition to Jorge Luis Borges, who characteristically told him the world’s largest maze already existed and was called a desert.” Related: Mirror, Mask, Labyrinth, a review of two new collections of Borges’ poetry.

FACT mix 164 is a dubstep collection by Pinch and a promotion for the Dark Matter compilation which I designed earlier this year.

• One of the monuments of 20th century music, Bitches Brew by Miles Davis, is released in another new (and expensive) edition next month by Sony. Nice packaging, and there’s a vinyl edition included, but these things always come across as a cyncial attempt to milk the hardcore fans one more time. And have you noticed how all vinyl releases are now described as “audiophile”? If the big record companies had shown this much dedication to quality in the 1980s when they were jobbing out sub-standard vinyl pressings their reputation might be slightly higher today.

• More Gysin: Brion Gysin, William Burroughs, and the secret life of a building on the Bowery. And Ubuweb’s page of Gysin sound works and recordings.

Michael Moorcock: “I think I preferred my own imagination”. A two-part interview about the cover designs for Moorcock books.

The Pansy Project: “Artist Paul Harfleet plants pansies at the site of homophobic abuse, he finds the nearest source of soil to where the incident occurred and generally without civic permission plants one unmarked pansy. The flower is then photographed in its location and posted on his website, the image is entitled after the abuse … The Pansy Project also marks locations where people have been killed as a result of homophobic attack”

This Gaming Life: Travels in Three Cities. Jim Rossignol’s book is available as a free download.

Lost London. Also, the Victorian Catacombs of South London.

Dedalus Books had its Arts Council grant reinstated.

’Zine Lutefisk: fashion/art/escape.

Time Will Show The Wiser (1968) by Fairport Convention | She Moves Through The Fair (1969) by Fairport Convention | She Moved Through The Fair (1994) by Jam Nation.