The art of Jean Boullet, 1921–1970

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From Antinous (1954).

A few drawings and paintings by Jean Boullet, a prolific French illustrator who was also a writer—passionate about “sexology, conjuring, magic, demonology, and mythology”, says Wikipédia—and a film critic. His illustrations range from books by Raymond Radiguet, Boris Vian and Edgar Allan Poe to unabashed homoerotic collections of his own, one of which, Tapis volant (1945), has an introduction by Jean Cocteau. Boullet’s figures are very Cocteau-like, especially those depicting the sailors which Cocteau also liked to draw and fantasise about. The Au Bonheur du Jour gallery has many pages of Boullet’s drawings and publications, while Bibliothèque Gay has several posts showing complete sets of drawings from some of his books. Many of the artist’s drawings circulating without credit on the web seem to originate there. Don’t miss Metamorphoses (1950).

• See also: The Male Universe of Subversive Genius Jean Boullet by Julien Beyle.

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Portrait of Jean Marais.

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Portrait of Kenneth Anger.

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Continue reading “The art of Jean Boullet, 1921–1970”

Weekend links 182

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Mirror of Water (1981) by Reika Iwami.

• The week in comics: Paul Gravett interviews Enki Bilal. | Paul Kirchner’s wordless and inventively surreal strip, The Bus, was republished in France last year but it’s been out-of-print for years everywhere else. Read it online here. | Bill Watterson has made the entire run of Calvin and Hobbes available for free.

• “…seek and learn to recognize who and what, in the midst of the inferno, are not inferno, then make them endure, give them space.” Leland de la Durantaye reviews Italo Calvino: Letters 1941–1985.

• Artist Charles Ross says “My interest in science is related to how mysterious it is.” Ross Andersen visited Ross’s Star Axis, “a masterpiece forty years in the making”.

There is a satirical intent at work here, as well as mordant humour, a potent mix that reminds one more of the absurdist fictions of the French jazz musician Boris Vian than of anything in the SF canon. Science fiction is not central in Harrison’s work – not even as a target of his sharp wit – and it is a mistake to regard him as being chiefly interested in demolishing a genre that is only one of several he has mastered.

John Gray on M. John Harrison’s Kefahuchi Tract trilogy. This week Harrison posted a new piece of fiction on his blog.

• Mixes of the week: Secret Thirteen Mix 091 by Sugai Ken, and Bride of the Abominable Marshman, an early Halloween mix by Hackneymarshman.

• Clive Hicks-Jenkins on Schandmasken (masks of shame), and the clay visage of Paul Wegener’s Golem.

• A version of Kraftwerk’s Trans Europe Express by Chicago band Disappears.

Postcards to the Curious: MR James-themed artwork by Alisdair Wood.

Clive Barker: Why I Once Gave Up Horror Movies Entirely.

• Artist Melinda Gebbie at Phantasmaphile.

Fragment, a new video from Emptyset.

38 photos of airships through the ages.

• This Much I Know: Kenneth Anger.

• Trans Europe Express (2000) by Señor Coconut Y Su Conjunto | Trans Europe Express (2007) by Receptors | Trans Europe Express (2012) by Daniel Mantey

Weekend links 90

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Portrait of Dr. Ignacio Chavez (1957) by Remedios Varo (1908–1963) some of whose Surrealist paintings can be seen at Frey Norris, San Francisco, from 19th January. There’s also In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at the Los Angeles County Museum of Art from 29th January.

The current crop of Republicans jostling for the Presidential nomination have reminded me of the Downunder people in Harlan Ellison’s post-apocalypse novella A Boy and His Dog (1969): a retrograde, fear-ridden community who send troublesome individuals to be exterminated at “the farm”. Rick Santorum (unforgettably pictured here with family in 2006 after losing an election) almost received the majority of Iowa’s votes for his nomination last week, prompting renewed scrutiny of his negative views about gay people, sexually active people, foreign people (especially Arabs and Mexicans), and anyone generally who isn’t a white, Catholic, Downunder person. Santorum is against gay marriage, of course—it’s hard to find a Republican who isn’t—but he also wants to ban abortion even in cases of rape and incest, and given the opportunity would allow US states to prevent any use of contraception. Add to this his pro-torture stance (which offends current Catholic church policy), and his willingness to wage war with Iran, and it’s easy to see why his name prompts reactions such as this:

I have a history with Rick Santorum. In 2003, when Santorum, in an interview with the Associated Press, first compared gay relationships to child rape and dog fucking (have I mentioned that Santorum has compared gay relationships to child rape and dog fucking?), I held a contest to redefine Santorum‘s last name. The winning definition: “the frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex.” (“Sometimes” is the most important word in the new definition of santorum; if you’re doing anal sex correctly, there won’t be any santorum – lower- or upper-case.) And since 2003, the new definition has been the No. 1 Google return when you search “santorum“.

Rick Santorum’s homophobic frothing by Dan Savage

Related: Santorum was named one of the three “most corrupt” Senators in 2006 | “Homohater fosser fram” which is how Dagbladet, Norway’s second largest tabloid newspaper, introduces Santorum to its readers | “Rick Santorum channels Saint Augustine” an article at Slate exploring the Handmaid’s Tale extent of Santorum‘s attitudes towards sex and morality | Rick Santorum quotes as New Yorker cartoons.

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The Rod (1973) by Brigid Marlin.

• Ballardian posts a long-overdue interview with Brigid Marlin, famous now for having brought two lost Paul Delvaux paintings back to life for JG Ballard, but also a woman with an extensive career as a fantastic artist using Ernst Fuchs‘s laborious mische painting technique.

Quentin Blake on Ronald Searle, in which Blake notes that his hero was given a full-scale exhibition of his work at the Bibliothèque Nationale, France, in 1973 whilst being ignored throughout his life by the major institutions in Britain.

Alfred Jarry: A Pataphysical Life by Alastair Brotchie is reviewed by Michael Moorcock who tells me the Guardian cut out his references to Boris Vian, Maurice Richardson and David Britton.

Ian McKellen stirs things up by suggesting (not for the first time) that Shakespeare was bisexual.

• Ten posters by Only More Never Less inspired by Pink Floyd’s Dark Side of the Moon.

An end to bad heir days: The posthumous power of the literary estate.

Peace Eye! Fug! A Long Talk With Ed Sanders.

• Sand sculptures by Carl Jara.

Letterheady

• Skylab: These Are The Blues (1995) | Beyond The Breeze (1995) | Red Light, Blue Light (1995) | Indigo (Sabres of Paradise remix, 1995) | Seashell (Nobukazu Takemura mix, 1995).