book purchases – Page 4 – { feuilleton }

Crossed destinies revisted

Difficult Loves (1985).

Today’s book purchase was another in the Picador run of Italo Calvino titles with covers by the Brothers Quay, this particular volume being a collection of the author’s early short stories. I wrote about the Quay’s contribution to book design back in February and their covers remain one of many reasons to keep haunting the local charity shops, especially when their designs are superior to those of more recent editions.

Elsewhere on { feuilleton }
• The book covers archive
• The Quay Brothers archive

The Chronicles of Clovis and other sarcastic delights

This week’s book purchase (yes, dear reader, it never ends, there are merely lulls between one indulgence of the vice and the next) is a small Bodley Head volume that comprises part of the collected works of Hector Hugh Munro (1870–1916), or “Saki” as he’s better known. I have Saki’s complete works already in a big fat Penguin collection but I like these small books that were the common format for portable reading prior to the invention of the paperback. Over a number of years I’ve managed to collect about half of the Tusitala Edition of Robert Louis Stevenson’s complete works which are similarly-sized blue volumes (one in a rare leather binding), simply through chance finds in secondhand shops.

This particular book is a 1929 reprint of The Chronicles of Clovis collection first published in 1911 and, like the Stevenson volumes, has the author’s signature blocked in gold on the cover. The introduction is by AA Milne and I’m taking the liberty of reproducing it in full below, partly out of laziness and partly because he does a good job of presenting the man and his work.

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T&H: At the Sign of the Dolphin

James Joyce and his World (1978).

Despite my earlier statement about not being much of a collector, today’s book purchase (above) was enough to confirm some well-established patterns (obsessions, even) that should make me reconsider any hasty pronouncements. Not so much for the subject in this case—I already have enough books by and about James Joyce—the significant thing here is the three magic words on the cover: Thames and Hudson. The sight of Joyce’s name on the spine above the old T&H dolphin logo (signifying the two rivers that comprise the company’s name; or maybe a discourse between London and New York via the Atlantic) was enough to demand further investigation. I realised I’d been hoping to eventually find this book after seeing it listed in the back of its companion title, Beardsley and his World by Brigid Brophy. Both books form part of a series that T&H produced in the Seventies, a collection of heavily illustrated mini-biographies of writers, with the odd artist among them. Very worthwhile they are too, with lots of photographs, paintings or drawings of the people and places relevant to their subjects’ lives.

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The Illustrators of Alice

Latest book purchase is this large format volume from 1972, one of a number of interesting art books produced by Academy Editions in the early seventies. I also have their monographs on Odilon Redon, “insane” painter Richard Dadd, and their collection of Félicien Rops‘ pornographic and “Satanist” drawings which remains one of the few Rops books published in English.

Through the Looking-Glass by Mervyn Peake (Allen Wingate, London, 1954).

This collection is worth seeking out if you’re interested in minor Victorian and Edwardian illustrators. The book goes through each chapter of the Alice stories showing examples of illustrated editions by a wide range of illustrators and artists, from Lewis Carroll’s original drawings, Tenniel’s inimitable renderings, then on through the twentieth century, featuring artists such as Peter Blake, Ralph Steadman and even a picture by Max Ernst. The cover drawing is one of my favourites, from Charles Robinson, brother of the more famous William Heath. I also like the pictures by the great Mervyn Peake, one of the few illustrators who seemed able to overcome Tenniel’s dominance and show us something new.

The Alice books are one of the great “standards” (in the jazz sense) of illustration although I can’t say I’ve ever felt the temptation to approach them myself. Loathsome monstrosities from hideously-angled dimensions beyond space and time, yes; small Victorian girls and white rabbits, no.

Elsewhere on { feuilleton }
• The illustrators archive

City of Spades

Today’s book purchase is a secondhand copy of the first novel in Colin MacInnes’ London trilogy (Absolute Beginners and Mr Love and Justice were the others). City of Spades was first published in 1957 but this is the 1985 reissue with a cover by Neville Brody which is the main reason for my picking it up. The books were reprinted in the mid-Eighties to coincide with the release of Julien Temple’s dreadful musical adaptation of Absolute Beginners, a film that must have done a lot to drive people away from MacInnes’ books; it certainly had that effect on me. Brody supplied all the faux-pulp covers for the reissued series.

MacInnes is remembered now by contemporary writers like Iain Sinclair for his pungent documenting of London lowlife. He was also something of a pioneer in writing about the Fifties’ gay scene in a matter-of-fact manner. You can read more about his works here.

Elsewhere on { feuilleton }
• The book covers archive